One of Don Cherry's most spiritual, far-reaching projects – a wonderful record that builds both on his key avant work of the 60s, and some of the globally-inspired sounds he was cutting overseas! This date was done in close collaboration with the New York underground of the time – and the large group features work from a rich array of great musicians – including Charles Brackeen on soprano and alto sax, Carlos Ward on alto, Frank Lowe and Dewey Redman on tenors, Charlie Haden on bass, Carla Bley on piano, and Ed Blackwell on drums – working with additional string and percussion players in a sound that's completely sublime! There's a great ear here for unusual sonic twists and turns, yet these are mixed with some deeper organic tones, and some freer jazz passages – all to really ignite a great fire as the set rolls on.
Jazz-rooted former pop singer Curtis Stigers has made a fine homage to Frank Sinatra’s 1966 Sinatra at the Sands album with Count Basie’s orchestra, recorded live as the original was. Stigers is much more gruff and rugged than a smoothie like Michael Bublé, as hip in his timing as Kurt Elling, if not as unpredictable – and he could hardly be in more cracking company than the Danish Radio Big Band, which catches the punchy Basie sound and the twists of Quincy Jones’s arrangements with immense aplomb.
AFI (also referred to as The Blood Album) is the self-titled tenth studio album by American rock band AFI. It was released on January 20, 2017, through Concord Music Group. The album release includes four limited vinyl color variants matching the four blood types (A | O | B | AB).
This was one of the great touring and recording bands of the 1980s, Harrell and Woods inspiring each other and the rhythm section inquiring and swinging. Woods didn't need to change anything about his own style, but it blossoms anew in counterpoint with Harrell's lyrical fire, and each album is handsomely programmed and delivered … Flash, the final album with Harrell (who has since been replaced by Hal Crook as the front-line horn), has the edge of some outstanding composing by the trumpeter – "Weaver" and "Rado" are particularly sound vehicles – and Crook's extra tones on a few tracks.
Shawn Colvin has landed a few tunes on the pop charts over the course of her career, and Steve Earle was briefly a legitimate country star. But in 2016, as the two team up for their first album as a duo, Colvin & Earle are folkies – hip folkies, to be sure, but at heart two singer/songwriters on the far side of 50 who like swapping harmonies and strumming their acoustic guitars. Colvin & Earle sound like good friends who enjoy singing together, and this album has a lively and spontaneous atmosphere, especially when the two are singing old covers.