It was only fitting that vibraphonist Cal Tjader launched the Concord Picante label with this release for Tjader did a great deal to popularize Latin-jazz. This was not his strongest effort (the solos of Tjader and flutist Roger Glenn are not all that substantial) but the drumming of Vince Lateano and the percussion of Poncho Sanchez keep the momentum flowing on these likable performances.
One of Don Cherry's most spiritual, far-reaching projects – a wonderful record that builds both on his key avant work of the 60s, and some of the globally-inspired sounds he was cutting overseas! This date was done in close collaboration with the New York underground of the time – and the large group features work from a rich array of great musicians – including Charles Brackeen on soprano and alto sax, Carlos Ward on alto, Frank Lowe and Dewey Redman on tenors, Charlie Haden on bass, Carla Bley on piano, and Ed Blackwell on drums – working with additional string and percussion players in a sound that's completely sublime! There's a great ear here for unusual sonic twists and turns, yet these are mixed with some deeper organic tones, and some freer jazz passages – all to really ignite a great fire as the set rolls on.
This CD reissue brings back one of the oldest recordings ever issued by the Concord label, a set that was already nine years old when it debuted. Drummer Shelly Manne heads a strong quintet comprised of trumpeter Conte Candoli, altoist Frank Strozier (who doubles on flute), pianist Mike Wofford and bassist Monty Budwig. Although the musicians are all associated with the West Coast hard bop tradition, there are plenty of moments during this stimulating set when they make it obvious that they had been listening with some interest to some of the avant-garde players, allowing the new innovations to open up their styles a bit. The fresh material (two standards and a pair of originals apiece by Strozier, Wofford and pianist Jimmy Rowles) inspire the soloists and the music is not at all predictable. Worth investigating.
At times, McDuff demonstrates how soul-jazz organ stars used to make albums back in their '60s heyday, playing then-current pop hits like "The Age of Aquarius" and the theme from Mission: Impossible (which, thanks to cinema, was a hit all over again in 1996 when this CD was made). We also hear McDuff trying out his vocal cords for the first time on Louis Jordan's "Saturday Night Fish Fry"; actually, he merely talks the lyrics over the rhythm section – and at 70, he's entitled to this charming lark.
Jazz-rooted former pop singer Curtis Stigers has made a fine homage to Frank Sinatra’s 1966 Sinatra at the Sands album with Count Basie’s orchestra, recorded live as the original was. Stigers is much more gruff and rugged than a smoothie like Michael Bublé, as hip in his timing as Kurt Elling, if not as unpredictable – and he could hardly be in more cracking company than the Danish Radio Big Band, which catches the punchy Basie sound and the twists of Quincy Jones’s arrangements with immense aplomb.
AFI (also referred to as The Blood Album) is the self-titled tenth studio album by American rock band AFI. It was released on January 20, 2017, through Concord Music Group. The album release includes four limited vinyl color variants matching the four blood types (A | O | B | AB).
This was one of the great touring and recording bands of the 1980s, Harrell and Woods inspiring each other and the rhythm section inquiring and swinging. Woods didn't need to change anything about his own style, but it blossoms anew in counterpoint with Harrell's lyrical fire, and each album is handsomely programmed and delivered … Flash, the final album with Harrell (who has since been replaced by Hal Crook as the front-line horn), has the edge of some outstanding composing by the trumpeter – "Weaver" and "Rado" are particularly sound vehicles – and Crook's extra tones on a few tracks.