New version of the Paco de Lucía Integral, 27 CDs his complete work remastered. "Cositas Buenas", his last album, comes as a new in this new Integral. Now in a new economic format. This collection is a unique tour of the work of Paco de Lucia from 1964 to 2004. Spanish classical music had always aroused profound interest in Paco de Lucía. First came the album Lorca (1967), the records of Andalusian and Iberoamerican classics (65-69), afterwards came his magnificent work with Falla (1968) and from 1991 we must add this Concierto de Aranjuez and three pieces from the ‘Suite Iberia’ by Albeniz. His pledge here is clear: to offer out of the most profound respect a new perspective on the Classical Spanish canon, in Flamenco.
"Described by the Boston Globe's Michael Manning as a musician who plays "beyond virtuosity," guitarist Sharon Isbin has been a consistent challenge for critics, who struggle to find the right superlative that would do justice to her exquisite playing. "In her hands," wrote Anne Midgette in The New York Times, "the guitar takes on the precision of a diamond, each note a clear, shining facet that catches, prism-like, a glimpse of the spectrum." In essence, a performance by Isbin is like a painting by Vermeer: a formally impeccable and inexhaustible work of art."
The second recording and first studio set by the L.A. Four matched together Bud Shank on alto and flute, guitarist Laurindo Almeida, bassist Ray Brown, and drummer Shelly Manne for a diverse yet consistently enjoyable program. The selections range from "Dindi" and "Manteca" to "St. Thomas" and a 13-minute exploration of "Concierto de Aranjuez." As usual, the band mixes together bossa nova and Brazilian jazz, some touches of classical music, and cool-toned bop. Recommended as a strong example of the group's appealing sound.
John Williams, classical guitar virtuoso, is known for his wide-ranging approach to repertory, which includes appearances playing electric rock guitar and international music. (…) Williams has toured throughout the world. He has performed and recorded nearly the entire standard guitar repertory, plus a large quantity of transcriptions. Several of these transcriptions are by his own hand. He was a professor of guitar at the Royal College of Music in London from 1960 to 1973. However, he also has a strong tendency to explore music outside the classical tradition. He does session work on film soundtracks, has arranged Beatles songs, and plays electric guitar in Sky, a classical-rock fusion band. He has also formed his own ensembles, John Williams and Friends and Attacca, to explore other music.
“Thanks to Yang's synthesising mind, of which her frightening technical fluency and musical intelligence are but two manifestations, this programme works a treat. The Rodrigo concerto is replete with that barely contained explosiveness that recalls Argerich at her best” ~Gramophone
Compilation album by the two most important works of Spanish composer Joaquin Rodrigo (Sagunto, 1901-1999), popularly known as the 'Maestro Rodrigo'. Both recordings were interpreted by Spanish guitarist Narciso Yepes, joined on the front of them for the 'Philharmonia Orchestra' and the second by the 'English Chamber Orchestra', directed by Spanish director Luis Antonio García Navarro (Valencia, 1941-2001 ) in recordings made in 1978 and 1979. For devotees of classical guitar and Spanish music.
This 1991 release, recorded live at Teatro Bulevar de la Casa de la Cultura in Torrelodones, Spain, features Spanish composer Joaquín Rodrigo's best-known composition, 1939’s "Concierto de Aranjuez," performed by flamenco guitar legends Paco de Lucía and Rodrigo, along with the Orquestra de Cadaqués. Also featured is the Isaac Albéniz composition "Iberia," recorded at Cinearte in Spain.
Album released in Spain in 1991 by the label Polygram Iberica, within the program that gave then the Quincentennial State Society to contemporary music in the category of concert guitar. The project caused controversy by some purists of the Spanish classical guitar (not 'flamenco' guitar), against the advice of its own Joaquín Rodrigo's Concierto de Aranjuez author, who praised her. The concert by Paco de Lucia is accompanied by the Cadaqués Orchestra, conducted by Edmon Colomer, and in the part dedicated to the suite 'Iberia' will also accompany the guitars of José María Bandera and Juan Manuel Cañizares.
…Barrueco has one more trump card to play – his partnership with Placido Domingo in four songs, selected from those for which Rodrigo himself has made adaptations for the guitar of the original piano accompaniments (the texts are given in four languages). Their coming together was no public relations exercise, for both are longstanding devotees of Rodrigo’s music, and it shows. The partnership extends through the whole of this recording, in which Domingo also conducts the orchestra, an exercise in which both parties demonstrate their happy meeting of minds.'
Reviewed: Gramophone 4/1998, John Duarte