Con Riley

Con Riley – Dopo Ben  eBooks & eLearning

Posted by SSCN1926 at Oct. 19, 2014
Con Riley – Dopo Ben

Con Riley – Dopo Ben
Italian | Dreamspinner | 2014 | PDF | Pages 326 | ASIN: B00L93A4LM | 2.32 Mb
Matt Haimovitz, Christopher O'Riley - Beethoven: Period, Complete Sonatas and Variations for Pianoforte and Violoncello (2014)

Ludwig van Beethoven: Period (2014) 2CDs
Complete Sonatas and Variations for Pianoforte and Violoncello
Matt Haimovitz, violoncello; Christopher O'Riley, fortepiano

EAC | FLAC | Image (Cue&Log) ~ 522 Mb | Mp3 (CBR320) ~ 331 Mb | Scans included
Genre: Classical | Label: Pentatone | # PTC 5186475 | Time: 02:19:56

This release features the complete sonatas and variations for fortepiano and violoncello, recorded on period instruments. In this collaboration, Matt Haimovitz plays his own Goffriller cello, crafted in Venice, Italy in 1710 – outfitted with ox-gut strings also from Italy and an early 19th century rosewood tailpiece and drawn by a Dominique Peccatte bow of the same era, while Christopher O’Riley plays on an original Broadwood fortepiano made in 1823.

Final girls. Le sopravvissute - Riley Sager  eBooks & eLearning

Posted by Maroutan at July 13, 2017
Final girls. Le sopravvissute - Riley Sager

Final girls. Le sopravvissute - Riley Sager
Italian | 2017 | 432 Pages | ISBN: 8809830350 | EPUB | 934.9 KB

Tre ragazze molto diverse, che hanno una sola cosa in comune: sono le uniche sopravvissute a tre orribili massacri. Si chiamano Quincy, Samantha e Lisa. Non si sono mai incontrate, ma la stampa le ha riunite sotto lo stesso nome: Final Girls. Sono passati dieci anni da quel weekend a Pine Cottage, dove Quincy e i suoi amici avrebbero festeggiato il compleanno di Janelle. Finché la vacanza non si è trasformata in un film horror: un uomo fa irruzione nella baita e ammazza tutti i presenti. Tutti tranne Quincy, che con il vestito rosso di sangue riesce miracolosamente a fuggire tra gli alberi, incrociando i fari dell'auto di un poliziotto…

Quello che ho imparato da Riley - Zachary Anderegg & Pete Nelson (Repost)  eBooks & eLearning

Posted by Maroutan at June 19, 2017
Quello che ho imparato da Riley - Zachary Anderegg & Pete Nelson (Repost)

Quello che ho imparato da Riley - Zachary Anderegg & Pete Nelson
Italian | 2014 | 221 Pages | ISBN: 886380804X | EPUB | 1.91 MB

Zac ha incontrato Riley nel deserto dell'Arizona. In vacanza, da solo, stava compiendo un'escursione molto impegnativa in un canyon quando sul fondo ha notato qualcosa di strano, qualcosa che non doveva trovarsi in un luogo simile: un cagnolino nero, impossibilitato a uscire, senza cibo né acqua, in procinto di morire. Mettendo a repentaglio la sua stessa vita, Zac non ha esitato e ha recuperato il cucciolo. Ma come era finito un cane in un luogo simile? Non era caduto perché altrimenti sarebbe morto sul colpo o sarebbe stato gravemente ferito…

Lucinda Riley - La ragazza italiana  eBooks & eLearning

Posted by Karabas91 at June 18, 2017
Lucinda Riley - La ragazza italiana

Lucinda Riley - La ragazza italiana
Italian | 2017 | 560 pages | ASIN: B071WK8YW6 | EPUB | 0,4 MB
David Tanenbaum, Tracy Silverman, William Winant, Gyan Riley - Terry Riley: The Book of Abbeyozzud (1999)

Terry Riley - The Book of Abbeyozzud (1999)
David Tanenbaum, guitar; Tracy Silverman, violin; William Winant, percussion; Gyan Riley, guitar

EAC | FLAC | Image (Cue&Log) ~ 306 Mb | Mp3 (CBR320) ~ 156 Mb | Covers included | 01:06:10
Modern Classical, Chamber, Classical Guitar | Label: New Albion | # NA 106 CD

After Terry Riley's revolutionary In C, it certainly never seemed that the compositionally brash cofounder of the minimalist movement would take on a lyrical bent. But that's what he's done on this collection of pieces for violin, guitar, and percussion. Violinist Tracy Silverman and guitarist David Tanenbaum play warmly and sublimely on Cantos Desiertos, finding pristine melodies and high, arching curves around which to spread their finesse. Tanenbaum gets unbelievably rich tones from his guitar, and his range is the one consistent ingredient throughout these pieces. He duets with Riley's son Gyan, himself an accomplished guitarist, on "Zamorra" and with percussionist William Winant on Dias de los Muertos. Winant's marimba and gongs are especially appropriate for Tanenbaum's resonant string work, fluctuating from an absolute crispness to a milky froth. Where Riley's chamber works, such as Salome Dances for Peace, are intensely rhythmic, these works veer much more stealthily toward a kind of glorious flowering, even if the blooms are in dusky colors and muted, curvy patterns.

Lucinda Riley – Il giardino degli incontri segreti (Repost)  eBooks & eLearning

Posted by Karabas91 at April 21, 2017
Lucinda Riley – Il giardino degli incontri segreti (Repost)

Lucinda Riley – Il giardino degli incontri segreti
Italian | 2012 | 624 pages | ISBN: 8809775848 | EPUB | 0,6 MB

Kronos Quartet - Terry Riley: Requiem For Adam (2001) [Re-Up]  Music

Posted by Designol at April 20, 2017
Kronos Quartet - Terry Riley: Requiem For Adam (2001) [Re-Up]

Kronos Quartet - Terry Riley: Requiem For Adam (2001)
EAC | APE | Image (Cue&Log) ~ 188 Mb | Mp3 (CBR320) ~ 125 Mb | Scans included
Classical, Avant-Garde, Minimalism | Label: Nonesuch | # 79639-2 | Time: 00:47:55

This may be the single most powerful piece of music that the Kronos Quartet has ever recorded, and perhaps that Terry Riley has ever written. This is because Requiem for Adam is so personal, so direct, and experiential. Requiem for Adam was written after the death of Kronos violinist David Harrignton's son. He died, in 1995, at the age of 16, from an aneurysm in his coronary artery. Riley, who is very close to the Harringtons and has a son the same age, has delved deep into the experience of death and resurrection, or, at the very least, transmutation. Requiem for Adam is written in three parts, or movements. The first, "Ascending the Heaven Ladder," is based on a four-note pattern that re-harmonizes itself as it moves up the scale. There are many variations and series based on each of these notes and their changing harmonics, and finally a 5/4 dance as it moves to the highest point on the strings. The drone-like effect is stunning when the listener realizes that the drone is changing shape too, ascending the scale, moving ever upward and taking part in the transmutation of harmony.

Il segreto della bambina sulla scogliera - Lucinda Riley  eBooks & eLearning

Posted by Maroutan at March 17, 2017
Il segreto della bambina sulla scogliera - Lucinda Riley

Il segreto della bambina sulla scogliera - Lucinda Riley
Italian | 2013 | 512 Pages | ASIN: B00COMNQTE | EPUB | 1.06 MB

Mentre la tempesta infuria sulle coste di Dunworley Bay, una minuscola figura è immobile sull’orlo di una scogliera a picco sul mare: è una bambina a piedi scalzi, con folti riccioli rossi e una lunga veste bianca. Ipnotizzata di fronte a quella strana apparizione, Grania Ryan, una scultrice di successo appena tornata da New York per riprendersi da un brutto trauma, scoprirà ben presto di non aver sognato. Sua madre Kathleen non ha alcun dubbio: la piccola è Aurora Lisle, che ha perso la mamma in circostanze drammatiche proprio in quel luogo. Grania è irresistibilmente attratta dall’incredibile vitalità di Aurora e non può fare a meno di affezionarsi a lei e a suo padre…

Terry Riley - Moscow Conservatory Solo Piano Concert (2001)  Music

Posted by Designol at Feb. 21, 2017
Terry Riley - Moscow Conservatory Solo Piano Concert (2001)

Terry Riley - Moscow Conservatory Solo Piano Concert (2001)
EAC | FLAC | Tracks (Cue&Log) ~ 243 Mb (incl 5%) | Mp3 (CBR320) ~ 184 Mb (incl 5%) | Scans included
Contemporary Classical, Minimalism, Free Improvisation | Label: Long Arms | # CDLA 01032 | 01:13:32

Solo piano works, recorded live in Moscow Conservatory on April 18th, 2000. Russian-only release on the Long Arms label. Pieces include: 'Arica', 'Havana Man', 'Negro Hall', 'The Ecstasy', 'Missigono', 'Requiem For Wally'. "The following pieces appear without any editing of the performance. Large sections of these pieces are improvised and I have attempted to preserve the spontaneity of this special evening by presenting my first concert in Moscow exactly as it was played. I hope in some way my offering of this evenings music reflects the deep respect I hold for the great musical traditions of Russia and the Masters who have reached for the stars before me with their awesome genius."– Terry Riley.