Composite Truth is Mandrill's most successful album, commercially as well as artistically. Although the band's sense of freewheeling experimentation had been tempered, its gradual transition to a straight-ahead funk band was made perfect with two of the biggest hits of its career: "Hang Loose" and "Fencewalk." "Hang Loose" is all over the place (in a good way), moving from a grooving funk jam to mid-tempo guitar skronk and back, all part of an impassioned call to peace. "Fencewalk" also had several transitions, with a crooning chorus and an extended middle section powered by heavy brass and a screaming guitar solo.
The old Willie Dixon adage, “blues is truth,” perfectly describes the searing, passionate contemporary blues-rock of world-renowned guitarist and vocalist Coco Montoya. Taught by the “Master of the Telecaster,” Albert Collins, but with a hard-edged sound and style all his own, Montoya mixes his forceful, melodic guitar playing and passionate vocals with memorable songs, delivering the blues’ hardest truths.
A Common Truth is the second album by Saltland, the solo project of veteran Montr al cellist and composer Rebecca Foon. Following the acclaimed 2013 debut. Thought It Was Us But It Was All Of Us, Foon performed Saltland live in various successful configurations, but as the concept and compositions for a new album began to materialize, she wished to further expand on an approach with her cello as primary source for all sounds on the record. Combining unadulterated processed and sampled cellos, A Common Truth largely reflects this commitment and results in an album of gorgeous integrity, restraint, and meditative intensity. The one notable exception: longtime friend and prior collaborator Warren Ellis (Nick Cave, Dirty Three) is the album's special guest player contributing violin, pump organ and loops to the album's four instrumental tracks.