Coleman Hawkins 1962 On Broadway

Coleman Hawkins - Good Old Broadway (1962) [XRCD Remastered 2000]

Coleman Hawkins - Good Old Broadway (1962) [XRCD Remastered 2000]
EAC rip | FLAC + CUE + LOG | Full Scans | 200 Mb (Incl. Recovery)
Genre ~ Bop, Mainstream Jazz, Saxophone Jazz | Label ~ JVCXR-0035-2

This 1962 Moodsville quartet date finds Coleman Hawkins in excellent form performing tunes from Broadway shows. It's an unusually lively date for this label that specialized mainly in slow ballad treatments in a jazz setting, and it's a terrific date because of that. Hawk stays down in the lower register of his tenor throughout most of the selections, and his breathy, smoky tone is most attractive. ~ Amazon Customer's Review
Duke Ellington & Coleman Hawkins - Duke Ellington Meets Coleman Hawkins (1962) {2007 Verve Originals}

Duke Ellington & Coleman Hawkins - Duke Ellington Meets Coleman Hawkins (1962) {2007 Verve Originals}
EAC rip (secure mode) | FLAC+CUE+LOG -> 244 Mb | MP3 @320 -> 93 Mb
Full Artwork @ 300 dpi (jpg) -> 19 Mb
© 2007 Verve / UMG | 0602517448094
Jazz / Mainstream Jazz / Piano / Saxophone


Duke Ellington & Coleman Hawkins - Duke Ellington Meets Coleman Hawkins (1962) {2007 Verve Originals}

Surprisingly, this Impulse album is the only recorded meeting between these two swing giants. Born just five years apart, Ellington and Hawkins led parallel lives through the swing era, but somehow never ended up in a recording studio together until this 1962 session. The pairing is certainly a good one that should have been repeated more often. Hawkins' famously robust tenor sax fits in seamlessly with Ellington and a small group of his top sidemen including Johnny Hodges, Harry Carney, and Ray Nance. These old pros work smoothly through a relaxed set of new and old Ellington compositions.

Coleman Hawkins - Accent On Tenor Sax (1955)  Music

Posted by DjangoTiger at May 29, 2014
Coleman Hawkins - Accent On Tenor Sax (1955)

Coleman Hawkins - Accent On Tenor Sax (1955)
MP3 CBR 320 kbps | 8 Tracks | 45:09 | 97 MB | Year: 1955, release: 1989
Genre: Jazz | Label: Urania Records / Fresh Sound Records

A mid-'50s tenor sax workout by the immortal soloist Coleman Hawkins. This was originally issued on Urania and wasn't spectacular, but did have some nicely played blues and ballads. It has been reissued on CD by Fresh Sounds. (Allmusic)
Dizzy Gillespie, Stan Getz, Coleman Hawkins, Paul Gonsalves - Sittin' In (1957) [Remastered 2005]

Dizzy Gillespie, Stan Getz, Coleman Hawkins, Paul Gonsalves - Sittin' In (1957) [Remastered 2005]
EAC rip | APE+CUE+LOG | Scans | 150 Mb (Incl. Recovery)
Genre ~ Bop | Label ~ Verve Music Group
Coleman Hawkins - Hawkins! Eldridge! Hodges! Alive! At The Village Gate! (1962) {Verve 513 755-2 rel 1992}

Coleman Hawkins - Hawkins! Eldridge! Hodges! Alive! At The Village Gate! (1962) {Verve 513 755-2 rel 1992}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 450 Mb | MP3 @320 -> 171 Mb
Full Artwork @ 300 dpi (jpg) -> 21 Mb | 5% repair rar
© 1962, 1992 Verve / PolyGram | 513 755-2
Jazz / Mainstream Jazz / Hard Bop / Swing / Saxophone / Trumpet

From the mid-'50s until Coleman Hawkins's death in 1969, the tenor-saxophonist frequently teamed up with trumpeter Roy Eldridge to form a potent team. However, Hawkins rarely met altoist Johnny Hodges on the bandstand, making this encounter a special event. Long versions of "Satin Doll," "Perdido" and "The Rabbit in Jazz" give these three classic jazzmen (who are ably assisted by the Tommy Flanagan Trio) chances to stretch out and inspire each other. The remainder of this CD has Eldridge and Hodges absent while Coleman Hawkins (on "new" versions of "Mack the Knife," "It's the Talk of the Town," "Bean and the Boys" and "Caravan") heads the quartet for some excellent playing. Timeless music played by some of the top veteran stylists of the swing era.
Coleman Hawkins - Today And Now (1963/2012) [DSD64 + Hi-Res FLAC]

Coleman Hawkins Quartet - Today And Now (1963/2012)
DSD64 (.dsf) 1 bit/2,8 MHz | Time - 40:34 minutes | 1,05 GB
FLAC (tracks) 24-bit/88,2 kHz | Time - 40:34 minutes | 857 MB
Studio Master, Official Digital Download | Artwork: Front cover

Coleman Hawkins recorded three sessions for Impulse Records in the early to mid '60s. Of the three, Today And Now is the most compelling. The unusual choice of repertoire is what sets this album apart. Versions of the traditional song "Go Li's Liza" and the fairly obscure Quincy Jones ballad "Quintessence" are creatively rendered. Indeed, Hawk seems inspired throughout; he plays with an abandon that is altogether effortless.
Kenny Burrell with Coleman Hawkins - Bluesy Burrell (1963/2008/2014)  [Official Digital Download]

Kenny Burrell with Coleman Hawkins - Bluesy Burrell (1963/2008/2014)
FLAC (tracks) 24 bit/44,1 kHz | Time - 39:32 minutes | 446 MB
Studio Master, Official Digital Download | Artwork: Digital booklet
Rudy Van Gelder Remaster - 2008

Kenny Burrell performs with Coleman Hawkins and his rhythm section. Burrell is in optimum form on all the numbers and in their varied expressions. The leading neo-bop guitarist, he is capable of a far reaching range of expression. His chords can be as lush as, say Johnny Smith’s can, but his lines are always rhythmically spirited by a very powerful jazz energy and blues-in-formed charge that I think no contemporary guitarist can equal.

Coleman Hawkins - Desafinado + Bluesy Burrell (2013) {Mater Jazz}  Music

Posted by shamanicus at Jan. 26, 2017
Coleman Hawkins - Desafinado + Bluesy Burrell (2013) {Mater Jazz}

Coleman Hawkins - Desafinado + Bluesy Burrell (2013)
EAC Rip | FLAC (tracks+.cue, log) | Artwork | 465 mb | MP3 CBR 320kbps | RAR | 181 mb
Swing, Mainstream Jazz, Bossa Nova | Label: Mater Jazz Records - MJR 8892861

This releases contains the complete classic album Desafinado (Impulse AS- 28), which marks Coleman Hawkins’ only incursion into the Bossa Nova genre while showcasing him as the only horn. As a bonus, Kenny Burrell’s entire LP Bluesy Burrell (Moodsville MVST29) featuring Coleman Hawkins, and recorded in between the two bossa nova sessions. Even though it was not recorded in the Bossa Nova style, it maintains the relaxed spirit of the first album. Both LPs feature the exceptional Tommy Flanagan (playing percussion on the first album), as well as Latin percussion - by Willie Rodríguez on Desafinado, and by the great Ray Barretto on Bluesy Burrell.
Reuben Wilson - On Broadway (1968) {2014 Japan SHM-CD Blue Note 24-192 Remaster}

Reuben Wilson - On Broadway (1968) {2014 Japan SHM-CD Blue Note 24-192 Remaster}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 231 Mb | MP3 @320 -> 95 Mb
Full Artwork @ 600 dpi (png) -> 317 Mb | 5% repair rar | 24-bit 192 kHz remaster
© 2014 Universal Japan / Blue Note | BN 75th The Masterworks | TYCJ-81061
Jazz / Soul Jazz / Organ

Features the high-fidelity SHM-CD format (compatible with standard CD player) and the latest 24bit 192kHz remastering. Hammond hero Reuben Wilson's on Broadway – and he hits a massively soulful groove that's light years from the cliched sounds of the great white way! The set's one of the tightest cookers from Wilson's early years on Blue Note – and has a vibe that's a bit different than the rest, thanks to some compelling rhythmic elements that push things past a Lou Donaldson groove, and more into that chunky approach to organ jazz that Wilson would explore later on the Groove Merchant label.
Milt Jackson & Coleman Hawkins - Bean Bags (1958) {2012 Japan 24-bit Remaster} [Jazz Best Collection 1000 Series]

Milt Jackson & Coleman Hawkins - Bean Bags (1958) {2012 Japan 24-bit Remaster} [Jazz Best Collection 1000 Series]
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 224 Mb | MP3 @320 -> 86 Mb
Full Artwork @ 600 dpi (png) -> 131 Mb | 5% repair rar | 24-bit remaster
© 2012 Atlantic / Warner Japan / Rhino | WPCR-27161 | Jazz Best Collection 1000 Series
Jazz / Bop / Hard Bop / Saxophone / Vibes

Features 24 bit remastering and comes with a mini-description. A wonderful little record – a real standout in both the careers of Milt Jackson and Coleman Hawkins! The album captures Hawk during his great later years – that time when his sound was even more soulful and inventive than ever – with lots of odd modern undercurrents that really work nicely with the album's slight Latin inflections – a bit like those you might hear on some of Hawkins' Impulse Records material from the same generation.