40 CD box set. Artists include John Lee 'Sonny Boy' Williamson, Leadbelly, Big Bill Broonzy, Bessie Smith, Muddy Waters, Mississippi John Hurt, Memphis Minnie, John Lee Hooker, Big Joe Williams and many more. 725 tracks all digitally remastered to enhance the original recordings without manipulating the character of the music. Recordings made between 1923 and 1948. 20 double slimline jewel cases housed together in a cardboard box.
This 52 disc Ultimate Collection features music from the Delta to the Big Cities. This special first edition also includes a historic puck harmonica. How blue can you get? You will find your favorites here and discover some hidden gems, as the 'ABC of the Blues' brings together the best of the best.
Stingingly sweet slide guitar and barrelhouse piano come to life on this spontaneously authentic and passionate recording from these seasoned blues veterans. "This recording contains thirteen of those songs just as they sounded that Sunday when they were recorded live at Mojo Boneyard Studios. This is how the band sounds at any number of clubs in and around the Pittsburgh area. These are all first takes and a fair representation of the energy and spontaneous creativity that the band exhibits when we’re swinging out in the clubs. I had a good time making music with these fine musicians and I'm glad we captured some of it on this recording. It’s been a long time comin." ~ Jimmy Adler
Poor Man Blues: Chicago Blues Session, Vol. 6 showcases the exceptional guitar skills of John Primer, who long served as a guitarist for Muddy Waters and Magic Slim. Primer falls somewhere between the two, turning out tough Chicago blues fueled by his biting slide guitar. His original songs aren't particularly interesting, but they function as good vehicles for exciting jams. In the end, Primer might not add anything new to Chicago blues, but he has a great time playing, and it sure is fun to listen to him play.
The blues have been a part of David Lynch's art for years: pieces from Angelo Badalamenti's scores, like Fire Walk with Me's "The Pink Room," are dominated by time-tested chord progressions and moody atmospheres, while projects like Blue Bob demonstrated Lynch's formidable guitar skills. All of which is to say that his second album, The Big Dream, should sound familiar to his fans, even as it pushes the blues' boundaries. These songs are as far removed from many other artists' bluesy dabblings as they are from Lynch's solo debut Crazy Clown Time.