Give 'Em Enough Rope, for all of its many attributes, was essentially a holding pattern for the Clash, but the double-album London Calling is a remarkable leap forward, incorporating the punk aesthetic into rock & roll mythology and roots music. Before, the Clash had experimented with reggae, but that was no preparation for the dizzying array of styles on London Calling. There's punk and reggae, but there's also rockabilly, ska, New Orleans R&B, pop, lounge jazz, and hard rock; and while the record isn't tied together by a specific theme, its eclecticism and anthemic punk function as a rallying call.
If punk rejected pop history, LONDON CALLING reclaimed it, albeit with a knowing perspective. The scope of this double set is breaktaking, encompassing reggae, rockabilly and the group's own furious mettle. Where such a combination might have proved over-ambitious, the Clash accomplish it with swaggering panache. Guy Stevens, who produced the group's first demos, returns to the helm to provide a confident, cohesive sound equal to the set's brilliant array of material. Boldly assertive and superbly focused, London Calling contains many of the quartet's finest songs and is, by extension, virtually faultless.
A friend of mine went to college a couple days ago with a t-shirt that read Koka Kola, of course she has never heard about The Clash or this rock milestone, and probably there's still a lot of people who have yet to hear this amazing album, so I hope this helps a little. Nice sounding unremastered version, this was shared a long time ago in demonoid by ironluke, so great thanks to him. The covers were taken from another source since this wasn't originally shared with scans.
Young Norwegian mezzo-soprano Tuva Semmingsen displays both vocal agility and a wide-ranging emotional range in a disc of arias from Handel. The disc unveils a portrait of Handel: his emergence in the early Italian-styled Amadigi, reaching maturity in the ‘English operatic’, and arriving finally in the perennial melodic grace of Theodora.