Christophe Rousset Bach

Christophe Rousset - Bach: The Well-Tempered Clavier, Book 1 (2016)

Christophe Rousset - Bach: The Well-Tempered Clavier, Book 1 (2016)
MP3 320 kbps CBR | 02:04:20 | 287 MB
Genre: Classical | Label: Aparté-Les Talens Lyriques

Christophe Rousset is one of the finest and most exciting harpsichordists, and as a conductor is a leader in the late 20th century revival of French Baroque music. After studying piano as a boy, he became deeply interested in the harpsichord at the age of 13. He studied with Huguette Dreyfus at the Schola Cantorum in Paris and, from 1980 to 1983, with Bob van Asperen at the Royal Conservatory of the Hague. He won a special certificate of distinction at the Schola Cantorum and, in 1983, the first prize at the International Harpsichord Competition in Bruges. He began a professional career, in which he rose quickly in the ranks of the world's harpsichordists. He soon appeared at some of the most prestigious early music festivals, including those of Aix-en-Provence, Saintes, Veaune, Utrecht, La Roque d'Anthéron, and Les Printemps des Arts de Nantes.
Christophe Rousset - Pancrace Royer: Pieces de clavecin, 1746 (2008)

Christophe Rousset - Pancrace Royer: Pieces de clavecin, 1746 (2008)
EAC | APE (image+.cue, log) | Covers Included | 58:54 | 398 MB
Genre: Classical | Label: Ambroisie | Catalog: 151

It is now some 12 years since William Christie made an excellent disc of Pancrace Royer's only published collection of harpsichord pieces (1746); and it was reissued recently on CD. Royer was a more prominent figure in French musical life than the comparative unfamiliarity of his name nowadays would suggest. He was an imaginative director of the Concert Spirituel, leader for several years of the Opéra orchestra, and a successful composer for the stage, as well. His ballet-héroIque, Zalde (1739) was especially popular and was still being performed in the 1760s. La Chasse do Zaide is the composer's own harpsichord arrangement of a "symphonie" in the opera and, in this new recital, Christophe Rousset appends it to the pieces of the 1746 publication. That, too, incidently contains a number of transcriptions by the composer of pieces from earlier stage works.

Bach Fantasy - Christophe Rousset  Music

Posted by knmn at Nov. 27, 2010
Bach Fantasy - Christophe Rousset

Bach Fantasy - Christophe Rousset
Baroque | 2010 | 1 CD | EAC/FLAC/CUE/LOG/SCANS | 525 Mb
Les Talens Lyriques, Christophe Rousset - Jean-Baptiste Lully: Amadis (2014)

Les Talens Lyriques, Christophe Rousset - Jean-Baptiste Lully: Amadis (2014)
EAC | FLAC (image+.cue, log) | Covers Included | 02:43:23 | 953 MB
Genre: Baroque, Opera | Label: Aparte | Catalog: AP094

Following on acclaimed releases of Bellerophon and Phaeton, Christophe Rousset continues his revival of Lully's tragedies lyriques for the Aparte label with Amadis. One of the composer's finest scores, Amadis is a masterpiece of French Baroque music. It was Louis XIV himself who asked Lully and his librettist Quinault to base an opera on Montalvo's Amadis de Gaula. Avoiding the usual mythological subjects gave the composer and librettist an opportunity to expand the scope of the tragedie lyrique genre.

Les Talens Lyriques, Christophe Rousset - Rameau: Zais (2015)  Music

Posted by tirexiss at Feb. 20, 2017
Les Talens Lyriques, Christophe Rousset - Rameau: Zais (2015)

Les Talens Lyriques, Christophe Rousset - Rameau: Zais (2015)
EAC | FLAC (image+.cue, log) | Covers Included | 02:36:54 | 982 MB
Genre: Classical, Opera | Label: Aparte | Catalog: AP 109

In 1745, the king granted Jean-Philippe Rameau the position of Composer du cabinet du roy, which came with a pension. This new period would see productions in a lighter vein, in collaboration with the librettist Louis de Cahusac, and some of the Burgundian musician's most important masterpieces. 'Zaïs', performed in 1748 on the stage of the Académie Royale de Musique, is one of them. This ballet-héroïque gave French music one of its finest works.

Handel - Riccardo Primo (Christophe Rousset) [1996]  Music

Posted by Vilboa at Feb. 19, 2017
Handel - Riccardo Primo (Christophe Rousset) [1996]

Handel - Riccardo Primo (Christophe Rousset) [1996]
Classical | DECCA 452 201-2 | TT: 73.48+56.05+67.16 | EAC (FLAC, cue, log) | Covers | 914 Mb

"Rescue operas are not what one is used to associating with Handel, yet that, in a sense, is what this is. Costanza, a princess of Navarre, has been shipwrecked on Cyprus, where she now awaits the arrival of her betrothed, Richard the Lionheart (yes, the same). The island's tyrannical ruler, Isacio, fancies her for himself, however, and spends the entire opera trying to prevent the intended union from going ahead, first by sending Riccardo his daughter Pulcheria instead, and, when that has failed thanks to Pulcheria's brave entreaties, by imprisoning Costanza and declaring war. Only with his final defeat by Riccardo's army, aided by Pulcheria's own fiancé Oronte, do things finally turn out happily.
Atsushi Sakai, Christophe Rousset & Marion Martineau - Forqueray: Pieces de viole (2016) [TR24][OF]

Atsushi Sakai, Christophe Rousset & Marion Martineau - Forqueray: Pieces de viole
Classical | FLAC (tracks) 24-bit/96 kHz | 199:12 min | 3.87 GB | Digital booklet
Label: Aparté | Tracks: 31 | Rls.date: 2016

Each appearance of Atsushi Sakai and Christophe Rousset leaves an unforgettable memory with those who have had the good fortune to hear them commune on stage. Long-standing partners, they now join together for the first time on disc for a composer they worship: the mysterious Antoine Forqueray. Born in 1672 in Paris, he was, with Marin Marais, one of the greatest gambists of all time. Famed for his virtuosic improvisations, he published none of his 300-odd pieces and died in 1745 in Mantes where he had moved in 1731, after having suffered serious financial setbacks, especially in the course of Law’s bankruptcy. Aside from a few handwritten pieces copied in the collections of other composers, Forqueray’s pieces have been lost.

Rameau - Les Indes Galantes (Christophe Rousset) (2015)  Music

Posted by Vilboa at Jan. 12, 2017
Rameau - Les Indes Galantes (Christophe Rousset) (2015)

Rameau - Les Indes Galantes (Christophe Rousset) (2015)
BluRay | BDMV | MPEG-4 AVC Video / 29940 kbps / 1080i / 29,970 fps | 169 min | 44,6 Gb
Audio1: French / DTS-HD / 2.0 / 24-bit | Audio2: DTS-HD Master Audio / 5.1 / 48 kHz / 3872 kbps / 24-bit
Classical | Alpha | Sub: German, English, French

The Baroque music ensemble Les Talens Lyriques, under Christophe Rousset's baton, performs Rameau's Les Indes galantes at the Opéra National de Bordeaux in a sensual and politically engaged production directed by Laura Scozzi, on the occasion of the festivities organized to commemorate the 250th anniversary of Jean-Philippe Rameau's death.
Ann Hallenberg, Les Talens Lyriques & Christophe Rousset - Farinelli (2016)

Ann Hallenberg, Les Talens Lyriques & Christophe Rousset - Farinelli (2016)
MP3 320 kbps CBR | 01:19:33 | 183 MB
Genre: Classical, Opera | Label: Aparte

With more than a million copies sold, the soundtrack of Gérard Corbiau's film 'Farinelli' contributed considerably to the international renown of Les Talens Lyriques, in 1994. Back then the voice of the castrato Carlo Broschi, known as Farinelli (1705-1782), was created using a computer to mix the voices of countertenor Derek Lee Ragin and soprano Ewa Mallas-Godlewska.
Christophe Rousset, Les Talens Lyriques - Rameau - Ouvertures  (2007)

Christophe Rousset, Les Talens Lyriques - Rameau: Ouvertures (2007)
EAC | APE (image+.cue, log) | Covers Included | 01:09:41 | 352 MB
Genre: Classical, Opera | Label: L'Oiseau-Lyre | Catalog: 4759107

Christophe Rousset's collection of overtures to 17 of Rameau's operas and opéra-ballets, played by his original instrument ensemble Les Talens Lyriques, won a 1998 Gramophone award for best Baroque non-vocal CD, and it's easy to hear why this outstanding performance was recognized. The ensemble plays with unflagging liveliness and brilliant, clean tone. The rhythmic vitality Rousset coaxes from his players is toe-tappingly engaging; at the same time, he maintains a fluidity that avoids metronomic rigidity. The tempos he takes sometimes have a breathtaking fleetness that leaves the listener marveling at the players' virtuosity. The overtures are mostly brief, usually four or five minutes long, but they each contain a world of volatility and drama. Many of them are wonderfully eccentric, with startling juxtapositions and exotic orchestral combinations that keep them from ever settling into any kind of easy predictability.