These three magnificent works belong in the repertoire of cellists everywhere. They are full of Villa-Lobos’ signature exotic instrumental textures, folk-like melodies, and abundant invention. They are also harder than hell to play, and difficult to balance. Villa-Lobos was a cellist himself, and loved the instrument’s low, dark register. Penetrating his dense orchestration without making the instrument sound like a dying cow is just one of the many challenges facing cellists attempting to come to grips with this marvelously expressive music, though recordings can solve this problem with sensitive microphone placement. Antonio Meneses understands both the music and its performance problems, and his lower register manages to sound gruff without undue signs of bovine distress. He’s helped by some very sensitive accompaniments; Pérez projects the music’s lush timbres without laying it on too thick.
Hille Perl is widely regarded as one of the leading viola da gambists in the world. Because of the prominence of her instrument in the Baroque era, her repertory is rich in works from that period, with the names, J.S. Bach, Telemann, Marin Marais, Sainte-Colombe, and other 17th and 18th century composers headlining her concert programs and recordings. Perl also plays the treble viol, the seven-string bass viol, Baroque guitar, Lirone, and Xarana.
Estonian composer Arvo Part's timeless music has touched listeners for decades. He is one of the most performed living composers. This new release features eight choral pieces which were written between 1988 and 2012. These works feature some of Part's finest vocal writing, especially in the three-movement Triodion and the seven-movement Sieben Magnificat-Antiphonen.