Stephen Hough joins the celebrations for Chopin s 200th birthday with a disc containing much of the composer s most extraordinary music, written in the last years of his life where the expressive possibilities of his art were constantly unfolding and he imbued his favored forms with previously unknown levels of complexity and emotional depth. This disc includes the intoxicatingly ornamented Berceuse Op 57 and the sublime Barcarolle in F sharp major as well as the Polonaise-Fantasy in A flat major and the towering Piano Sonata No 3 in B minor. Also included are two late Nocturnes that demonstrate how Chopin s art had evolved since he first composed in that genre in his youth. The program is completed by a selection of Mazurkas, each a tiny jewel, containing no less mastery than their larger counterparts, and providing moving sonic evidence of the contemplative profundity of Chopin s late style. Stephen Hough s extraordinarily sensitive playing is informed by his limitless technique and engaging musical imagination.
Horowitz proves on this CD why he was/is recognized as one of the greatest performers of all time. This CD has a collection of music that ranges from soft and serene to vigorous and powerful. Horowitz himself adds more emotion to each piece, and this CD displays both his talent as a piano player and Chopin's wide variety of composition. Chopin wrote some of the hardest music to play, and very few people can play it well and consistent. Horowitz does both at an extraordinary level. If you like either Chopin or Horowitz, this is a MUST.
Chopin has been a central part of Ashkenazy's repertory since his participation in the International Chopin Competition at Warsaw in 1955, when he won second prize at the age of eighteen. During the years 1974-1984 Ashkenazy recorded his acclaimed survey of Chopin's solo piano music. In the early part of his recording career he had recorded selected works and from time to time he has revisted key pieces in the studio. This new recital brings together a selection of late Chopin pieces and includes one of Ashkenazy's favourite nocturnes, Op.62 no.1 in B major, a piece which he regularly performs as an encore at his recitals.
In presenting a new recording of one of the world's most popular symphonies, the Fifth Symphony of Beethoven, it is fitting that it should be conducted by a musician internationally acclaimed as one of the foremost Beethoven interpreters of our day, Josef Krips. All the dynamism of the music and its performance has been faithfully preserved through the magic of Everest sound.
Swept along by the spirit of the day, Romantic chamber music came to be defined by an increasingly important role of the piano within the ensemble: the reign of the string quartet was eventually brought to an end, making way in particular for the piano trio with violin and cello. Throughout the Romantic repertoire, many works bear witness to the richness of this genre. The Second Piano Trio, Op.26 by Felix Mendelssohn and the Third Trio, Op.26 by Edouard Lalo are of course only two examples of the genre, but undeniably splendid specimens, brought to light in this recording.
The excellence of these two famous performances hasn't diminished a bit over time. George Szell's Beethoven Fifth exists in three versions: this one; another with the Cleveland Orchestra on Sony; and (finest of all) one with the Vienna Philharmonic live from the Salzburg Festival on Orfeo. Talk about an embarrassment of riches! It's really pointless to dwell on minute variations in interpretation or playing: all three recordings represent a surpassingly high level of achievement, from the taught opening and generously "con moto" Andante, right through the grim scherzo to the explosive finale. It's simply great Beethoven….