Recorded live at the Moscow Conservatory, this is a truly legendary performance. Any experienced veteran could be proud of it; that a boy of 12 should possess the necessary technique, the musical understanding and maturity, and the sustained concentration, is almost beyond belief. Reveling in his own limitless virtuosity, Kissin seems to be playing with as well as on the piano with elfin grace and delicacy; yet his command of the keyboard his warm, singing, powerful, varied tone are only tools for expressing his spontaneous response to the music.
It was an eminently sensible decision to couple Zimerman's previously separate Chopin concertos on a single CD. The Ax/Ormandy/RCA disc is the only rival as a coupling, so let me say at once that in different moods I would be equally happy with either.
For the 200th anniversary of the birth of Frédéric Chopin, the renowned Ruhr Piano Festival in Essen invited the Staatskapelle Berlin to give a truly special program: the rare combination of Chopin‘s two piano concertos in one concert. For this purpose Daniel Barenboim, the orchestra‘s principal conductor, handed over the reins of „his“ ensemble to up-and-coming young conductor Andris Nelsons, assuming the role of piano soloist instead. The press raved: „Storms of applause for a dream couple: Daniel Barenboim and Andris Nelsons won over the audience […] with their rousing Chopin interpretations“.
When Nobuyuki Tsujii rose from the piano, having completed his performance at the Thirteenth Van Cliburn International Piano Competition, audience members leapt to their feet and jurors were moved to tears by his passionate interpretation of Chopin s Piano Concerto No.1. Already known in his home country for his refined and effortless playing, his spell-binding performances brought Mr. Tsujii to the attention of hundreds of thousands of new fans throughout the world, while raising his status in Japan to superstar. Gold medalist , Nobu is heard here in a captivating all-Chopin programme of his competition performances.
Solo piano works, recorded live in Moscow Conservatory on April 18th, 2000. Russian-only release on the Long Arms label. Pieces include: 'Arica', 'Havana Man', 'Negro Hall', 'The Ecstasy', 'Missigono', 'Requiem For Wally'. "The following pieces appear without any editing of the performance. Large sections of these pieces are improvised and I have attempted to preserve the spontaneity of this special evening by presenting my first concert in Moscow exactly as it was played. I hope in some way my offering of this evenings music reflects the deep respect I hold for the great musical traditions of Russia and the Masters who have reached for the stars before me with their awesome genius."– Terry Riley.