Chopin Piano Concert

Krystian Zimerman - Chopin: Piano Concertos Nos. 1 & 2 (1999)  Music

Posted by tirexiss at Dec. 3, 2016
Krystian Zimerman - Chopin: Piano Concertos Nos. 1 & 2 (1999)

Krystian Zimerman - Chopin: Piano Concertos Nos. 1 & 2 (1999)
EAC | FLAC (image+.cue, log) | Covers Included | 81:52 | 362 MB
Genre: Classical | Label: Deutsche Grammophon | Catalog: 459684

Chopin's two piano concertos have long been admired more as pianistic vehicles than as integrated works for piano and orchestra. But in his revelatory new recording, Krystian Zimerman suggests otherwise: The opening orchestral tuttis have so much more light, shade, orchestral color, and detail, you wonder if they've been rewritten. Every gesture, every instrumental solo is so specifically characterized that by the time the piano makes a dramatic entrance, the pieces have become operas without words.

Terry Riley - Moscow Conservatory Solo Piano Concert (2001)  Music

Posted by Designol at Feb. 21, 2017
Terry Riley - Moscow Conservatory Solo Piano Concert (2001)

Terry Riley - Moscow Conservatory Solo Piano Concert (2001)
EAC | FLAC | Tracks (Cue&Log) ~ 243 Mb (incl 5%) | Mp3 (CBR320) ~ 184 Mb (incl 5%) | Scans included
Contemporary Classical, Minimalism, Free Improvisation | Label: Long Arms | # CDLA 01032 | 01:13:32

Solo piano works, recorded live in Moscow Conservatory on April 18th, 2000. Russian-only release on the Long Arms label. Pieces include: 'Arica', 'Havana Man', 'Negro Hall', 'The Ecstasy', 'Missigono', 'Requiem For Wally'. "The following pieces appear without any editing of the performance. Large sections of these pieces are improvised and I have attempted to preserve the spontaneity of this special evening by presenting my first concert in Moscow exactly as it was played. I hope in some way my offering of this evenings music reflects the deep respect I hold for the great musical traditions of Russia and the Masters who have reached for the stars before me with their awesome genius."– Terry Riley.
Nelson Freire - Chopin: Piano Concerto No.2; Ballade No.4; Berceuse; Polonaise Héroïque (2015) [TR24][OF]

Nelson Freire - Chopin: Piano Concerto No.2; Ballade No.4; Berceuse; Polonaise Héroïque
Classical | FLAC (tracks) 24-bit/96 kHz | 65:36 min | 1.12 GB | Digital booklet
Label: Decca | Tracks: 10 | Rls.date: 2015

In the third of three new landmark albums on the Decca label, Nelson Freire marks his 70th birthday year with a stunning recording of Chopin s lyrical and brilliant Piano Concerto No. 2
Chopin - Piano Works Vol. II (2005) (3CD) (Tamas Vasary) {Deutsche Grammophon}

Chopin - Piano Works Vol. II (2005) (3CD) (Tamas Vasary)
XLD Rip | FLAC (tracks+.cue, log) | Artwork+booklet | 999 mb | MP3 CBR 320kbps | RAR | 562 mb
Classical | Label: Deutsche Grammophon

Almost four hours of music constitutes exceptional value especially when, tucked away among a selection of Mazurkas, is Chopin's early "Variations on a German National Air". Vásáry charms you into wondering why it is so rarely heard.
Chopin - Piano Works (2002) (3CD) (Tamas Vasary) {Deutsche Grammophon}

Chopin - Piano Works (2002) (3CD) (Tamas Vasary)
XLD Rip | FLAC (tracks+.cue, log) | Artwork+booklet | 980 mb | MP3 CBR 320kbps | RAR | 564 mb
Classical | Label: Deutsche Grammophon

This set offers Chopin's most famous and best loved piano expertly played by Tamas Vasary.
Tamás Vásáry (born August 11, 1933, Debrecen, Hungary) is a Hungarian pianist. Vásáry gave his first public performances at the age of 8. He studied with Ernő Dohnányi and Józef Gát at the Franz Liszt Academy of Music in Budapest, and was later assistant there to Zoltán Kodály, who made him a gift of a Steinway piano.
See Siang Wong - Chopin: Piano Concerto No. 1 & Beethoven: Piano Concerto No. 4 (Chamber Music Versions) (2017)

See Siang Wong - Chopin: Piano Concerto No. 1 & Beethoven: Piano Concerto No. 4 (Chamber Music Versions) (2017)
Classical | MP3 CBR 320 kbps | 01:12:10 | 165 MB
Label: Sony Classical | Release Year: 2017

Sony Music is pleased to invite you to listen to the album containing intimate versions of the piano concertos: E - minor Frederic Chopin and G - Major by Ludwig van Beethoven. Contractors: See Siang Wong, piano and Gémeaux Quartet, Szymon (bass). Chamber concert version No. 4 G - flat major, Op. 58 by Ludwig van Beethoven, found by musicologist Hans-Werner Küthen, was founded after the premiere concert in 1807. The piano was performed by the composer himself. Frederic Chopin Piano Concertos is a position with which the dreams of many pianists. In the nineteenth century there was a custom of transcribing orchestral works for smaller ensembles chamber. From this period it comes from this study, which allowed many pianists perform this work.
Anna Malikova, Torino Philharmony Orchestra, Julian Kovatchev - Chopin: Piano Concertos Nos. 1 & 2 (2004)

Anna Malikova, Torino Philharmony Orchestra, Julian Kovatchev - Chopin: Piano Concertos Nos. 1 & 2 (2004)
MP3 (CBR 320 kbps) | Covers Included | 71:48 | 178 MB
Genre: Classical | Label: Classical Records

Uzbek-born pianist Anna Malikova is best known for her interpretations of music by Chopin. She has performed and recorded both concertos, the complete etudes, preludes, and impromptus, and numerous individual solo works. But Malikova is hardly a specialist: she plays a wide range of compositions, taking in large segments of the outputs of J.S. Bach, Soler, Mozart, Beethoven, Schubert, Liszt, Saint-Saëns, Rachmaninov, Prokofiev, and Shostakovich. She has toured extensively throughout Europe, Asia, Australia, and South America, and has performed with many of the world's leading ensembles, including the Academy of St. Martin-in-the-Fields, and the major orchestras of Warsaw, Moscow, Sydney, Oslo, Tashkent, and others.
Seong-Jin Cho - Chopin: Piano Concerto No. 1 • Ballades (2016) [TR24][OF]

Seong-Jin Cho - Chopin: Piano Concerto No. 1 • Ballades
Classical | FLAC (tracks) 24-bit/96 kHz | 78:56 min | 1.41 GB | Digital booklet
Label: Deutsche Grammophon | Tracks: 07 | Rls.date: 2016

Winner of the 17th International Chopin Piano Competition 2015, one of the most prestigious titles in all of classical music, Seong-Jin Cho presents his first ever studio recording on DG.
London Symphony Orchestra, Gianandrea Noseda and Seong-Jin Cho - Chopin: Piano Concerto No. 1; Ballades (2016)

London Symphony Orchestra, Gianandrea Noseda and Seong-Jin Cho - Chopin: Piano Concerto No. 1; Ballades (2016)
MP3 320 kbps CBR | 01:19:04 | 182MB
Genre: Classical | Label: Deutsche Grammophon (DG)

Long queues formed outside record stores throughout Asia when Deutsche Grammophon rush-released its recording of live highlights from Seong-Jin Cho’s performances at the 2015 International Chopin Piano Competition. The South Korean pianist stormed the album charts in countries across the region last November, securing his status among classical music’s brightest rising stars and attracting worldwide critical acclaim. His first studio recording for the yellow label, set for international release on Friday 25 November, presents the compelling coupling of Chopin’s Piano Concerto No.1 in E minor and the same composer’s Four Ballades, works at the heart of the 22-year-old artist’s repertoire. “This really is dream repertoire for me,” notes Cho, who fell in love with the Ballades as a child after hearing Krystian Zimerman’s recording of the works for Deutsche Grammophon.
Krystian Zimerman, Carlo Maria Giulini - Frederic Chopin: Piano Concertos Nos. 1 & 2 (1990) (Repost)

Krystian Zimerman, Carlo Maria Giulini - Frederic Chopin: Piano Concertos Nos. 1 & 2 (1990)
EAC | FLAC (image+.cue, log) | Covers Included | 72:12 | 280 MB
Genre: Classical | Label: Deutsche Grammophon | Catalog: 415970

It was an eminently sensible decision to couple Zimerman's previously separate Chopin concertos on a single CD. The Ax/Ormandy/RCA disc is the only rival as a coupling, so let me say at once that in different moods I would be equally happy with either. The main difference, I think, is the actual sound. From DG we get a closer, riper sonority, with Zimerman's piano much more forwardly placed. Both orchestra and piano are more distanced on the RCA recording, especially Ax's piano. This, together with Ax's lighter, more translucent semiquaver figuration (and sometimes his greater willingness to stand back and merely accompany—as in certain episodes in the F minor Concerto's finale) often conjures up visions of Chopin himself at the keyboard, and we know he was often criticized for insufficiently strong projection.