Choir Cambridge

Trinity College Choir Cambridge & Stephen Layton - Howells: Collegium Regale (2016)

Trinity College Choir Cambridge & Stephen Layton - Howells: Collegium Regale
Classical | WEB FLAC (tracks) & d. booklet | 61:05 min | 242 MB
Label: Hyperion | Tracks: 15 | Rls.date: 2016

Howells' 'Coll Reg' is one of the glories of the Anglican repertoirea relative outsider to the church providing one of its greatest adornments of the twentieth century. Stephen Layton and his award-winning choir took the trip to Coventry Cathedral for this very special recording.
Britten: A Ceremony Of Carols - Layton, Trinity College Choir Cambridge (2012)

Britten: A Ceremony Of Carols - Layton, Trinity College Choir Cambridge (2012)
EAC Rip | Flac (Image + cue + log) | 1 CD | Full Scans | 302 MB
Genre: Classical | Label: Hyperion | Catalog Number: 67946

2013 sees the centenary of Benjamin Britten’s birth and Hyperion starts celebrating early with this disc of two of the composer’s most popular choral works, both with a Christmas relevance. The cantata Saint Nicolas tells the story of the original ‘Santa Claus’, a fourth-century saint whose acts—revitalizing three boys who had been pickled by an unscrupulous landlord being among the more dramatic—led to his canonization as patron saint of children and sailors. Britten’s lively setting is distinctly operatic, full of incident and colour—with the story brought ‘home’ through the use of congregational hymns. The part of Nicolas (here sung magnificently by Allan Clayton, already acclaimed as the heir to Peter Pears and Anthony Rolfe Johnson) is one of Britten’s great heroic tenor roles.

The World of St John's - St John's College Choir, Cambridge  Music

Posted by parnolt at Sept. 29, 2008
The World of St John's - St John's College Choir, Cambridge

The World of St John's - St John's College Choir, Cambridge
CD rip | mp3 192kbs | 104Mb | Booklet

A compilation of original recordings from 1958 to 1977
Choir of Clare College, Cambridge and Graham Ross - Stabat Mater dolorosa: Music for Passiontide (2014) [24/96]

Choir of Clare College, Cambridge and Graham Ross - Stabat Mater dolorosa: Music for Passiontide (2014)
FLAC (tracks) 24-bit/96 kHz | Time - 77:56 minutes | 1.26 GB
Studio Master, Official Digital Download | Artwork: Digital Booklet

The second album from the choir of Clare College, Cambridge in their series based on the major festivals in the Anglican calendar and, like „Veni Emmanuel“, produced by John Rutter.
The Choir of Trinity College Cambridge; Stephen Layton - Eriks Esenvalds: Northern Lights & Other Choral Works (2015)

Ēriks Ešenvalds - Northern Lights & Other Choral Works (2015)
The Choir of Trinity College Cambridge; Stephen Layton, conductor

EAC | FLAC | Image (Cue&Log) ~ 325 Mb (incl 5%) | Mp3 (CBR320) ~ 173 Mb (incl 5%) | Scans included
Genre: Сontemporary Classical, Choral | Label: Hyperion | # CDA68083 | Time: 01:07:46

The intensely practical choral music of the young Latvian composer Ēriks Ešenvalds is steadily gaining appreciation across the world. The works on this new album owe their genesis to commissions from the United States, England and northern Europe and encompass ethereal expressions of uniquely arctic phenomena (listen for wine glasses turned—and tuned—to wondrously simple but devastating effect within the choral texture), American ballads and several works in the ‘Anglican tradition’, the fruits of the composer’s recent residency at Trinity College Cambridge. Trinity College Choir Cambridge here returns the compliment, as it were, with superlative performances of these varied and engaging works, all recorded under the watchful eye of the composer and conductor Stephen Layton.
Howells: Requiem - Stephen Layton, Choir Of Trinity College Cambridge (2012)

Howells: Requiem - Stephen Layton, Choir Of Trinity College Cambridge (2012)
EAC Rip | Flac (Tracks + cue + log) | 1 CD | Full Scans | 269 MB
Genre: Classical | Label: Hyperion | Catalog Number: 67914

Herbert Howells was acutely sensitive to the transience of life, having witnessed the loss of friends and contemporaries in the First World War and encountered deep personal tragedy when his son Michael died of polio at the age of just nine. And so a mood of elegiac yearning inhabits much of his choral music: the austere, lovely a cappella Requiem, and the elegant Take him, earth, for cherishing, commissioned to commemorate the death of President John F Kennedy, here lovingly performed by the young voices of Trinity College Choir, Cambridge, in Hyperion’s Record of the Month for April 2012.
St. John's College Choir, Andrew Nethsingha - The Call: More Choral Classics from St. John's (2015)

St. John's College Choir, Cambridge, Andrew Nethsingha - The Call: More Choral Classics from St. John's (2015)
EAC | FLAC (image+.cue, log) | Covers + Digital Booklet | 73:25 | 265 MB
Genre: Classical, Choiral | Label: Chandos Records | Catalog: CHAN 10872

The pieces brought together on this CD range widely, from ceremonial works associated with affairs of state to intimate compositions addressing moments of great personal significance. Two of the three pieces by Parry best exemplify this contrast: if I was glad – written for the coronation of Edward VII and premiered in chaotic circumstances – fits into the former category, ‘My soul, there is a country’ (from Songs of Farewell) – composed in the year of his death – belongs in the latter.
Henry Purcell - Funeral Music For Queen Mary, Sacred Music, Dioclesian, Songs (Michael Chance, Choir Of Clare College) [2001]

Henry Purcell - Funeral Music For Queen Mary, Sacred Music, Dioclesian, Songs
(Michael Chance, Choir Of Clare College, Cambridge) [2001]

EAC Rip | FLAC, IMG+CUE, LOG | Covers | 2cd, 522 MB
Classical | Label: C Majeur / NCRV ‎/ Columns Classics | Catalog Number: 290170 | TT: 2:07;41

Compilations are highly useful in understanding the works of the inexhaustibly tuneful British composer Henry Purcell (1659-1695). He had a few big hits, like the Funeral Music for Queen Mary (which is included here) and the opera Dido and Aeneas (which isn't). But much of his best music is scattered around in small bits, residing within genres that are rather odd from today's perspective. Purcell spent much of his short adult life as a theater composer, and his incidental music, for example, is filled with perfect miniatures…
Choir of Clare College, Cambridge and Graham Ross - Mater ora filium: Music for Epiphany (2016) [24/96]

Choir of Clare College, Cambridge and Graham Ross - Mater ora filium: Music for Epiphany (2016)
FLAC (tracks) 24-bit/96 kHz | Time - 72:32 minutes | 1.22 GB
Studio Master, Official Digital Download | Artwork: Digital Booklet

Graham Ross directs the Choir of Clare College, Cambridge in music celebrating the feast of Epiphany, culminating in Arnold Bax’s unaccompanied double-choir masterpiece, 'Mater ora filium' (1926). The feast of Epiphany falls on 6 January, 12 days after Christmas. Marked in the Christian world with the story of the Magi, many composers have been inspired by the account of ‘the three kings’ following the star, bringing their gifts of gold, frankincense and myrrh.
Choir of St John’s College, Cambridge & Capella Agostino Steffani - Allegri: Miserere, Pergolesi & Caldara: Stabat Mater (1998)

George Guest, The Choir of St John’s College, Lajos Rovatkay, Cambridge & Capella Agostino Steffani - Allegri: Miserere; Pergolesi & Caldara: Stabat Mater; Vivaldi - Sonata a quattro «Al santo sepolcro» (1998)
EAC | FLAC | Image (Cue & Log) ~ 272 Mb | Total time: 68:34 | Scans included
Classical | Label: EMI | # 5 73020 2 | Recorded: 1991, 1994

Allegri's early Baroque masterpiece Miserere from around 1630 movingly juxtaposes modal chant with tonality, and was so popular that the Vatican refused to allow it to be performed anywhere else - until the 14 year old Mozart broke the Vatican's monopoly by writing it down from memory after attending a performance. Pergolesi's late Baroque masterpiece Stabat Mater for soprano and alto dates from 1736, the year of his death at the age of 26. It was originally written for male voices but since it's hard to find a castrato these days, it's generally performed by two women or by a female soprano and counter-tenor. This performance uses a female alto but in other respects it's very much a period performance - the sound is intimate and the tempos are lively without any sacrifice of spiritual depth. The soloists, soprano Monika Frimmer and alto Gloria Banditelli, sing beautifully without overdoing the vibrato, and their voices are well matched. The disk also contains a brief "Sonata a quattro" by Vivaldi, and another setting of the Stabat Mater, by the late Baroque composer Antonio Caldara from around 1725.
(Kenneth Dorter)