Charles Mingus

Charles Mingus - Mingus Revisited (1960) {EmArcy-PolyGram 826 496-2}

Charles Mingus - Mingus Revisited (1960) {EmArcy-PolyGram 826 496-2}
XLD rip (secure mode) | FLAC (tracks)+CUE+LOG -> 207 Mb | MP3 @320 -> 82 Mb
Full Artwork @ 300 dpi (png) -> 22 Mb | 5% repair rar
© 1960 EmArcy / PolyGram | 826 496-2
Jazz / Post Bop / Progressive Jazz

This is an LP reissue of a set that was originally titled Pre Bird because it features some of the advanced originals that Charles Mingus wrote prior to hearing Charlie Parker. The bassist leads an undisciplined but colorful 25-piece orchestra on three titles including an Eric Dolphy feature on "Bemonable Lady" while the other five tracks are by a ten-piece (including two pianos) band; Lorraine Cousins sings "Eclipse" and "Weird Nightmare." It's an interesting set of typically unconventional music by Mingus.
Charles Mingus - Mingus Three (1957) {Roulette 724385715525 rel 1997}

Charles Mingus - Mingus Three (1957) {Roulette 724385715525 rel 1997}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 115 Mb | MP3 @320 -> 78 Mb
Full Artwork @ 300 dpi (png) -> 11 Mb | 5% repair rar
© 1957, 1997 Roulette / Capitol Records | 724385715525
Jazz / Post Bop / Jazz Blues / Bass / Piano Trio

Most often heard in large ensembles and rarely in a trio context, Charles Mingus joined forces with pianist Hampton Hawes for this 1957 studio date. It features four standards, two originals by the bassist, and a jam by the group credited to Hawes. While there's nothing particularly arresting or startling about the date, the relationship between the two ostensible co-leaders is a good case study in group dynamics when deference between two strong-willed individualists turns into a certain amount of compromise.
Charles Mingus - Mingus Moves (1973) {Atlantic-32 Jazz 32131 rel 1999}

Charles Mingus - Mingus Moves (1973) {Atlantic-32 Jazz 32131 rel 1999}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 307 Mb | MP3 @320 -> 115 Mb
Full Artwork @ 300 dpi (jpg) -> 20 Mb | 5% repair rar
© 1973, 1999 Atlantic / 32 Jazz 32131
Jazz / Post Bop / Bass

So many of the jazz great are now gone, a fact that no one would dispute but that really hits home after listening to a masterpiece such as this reissue of Charles Mingus' Mingus Moves. Not only have we lost the impetuous bassist and composer, but also drummer Dannie Richmond, tenor titan George Adams and the extraordinary pianist Don Pullen. The latter three men, in particular, were taken way before their times and one longs for the incendiary magic that the Pullen-Adams group (the seeds of which are planted here) conjured for a brief spell in the '80s.
Charles Mingus - In A Soulful Mood (1960) {Music Club-Candid MCI 50004 rel 1996}

Charles Mingus - In A Soulful Mood (1960) {Music Club-Candid MCI 50004 rel 1996}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 407 Mb | MP3 @320 -> 165 Mb
Full Artwork @ 300 dpi (jpg) -> 14 Mb | 5% repair rar
© 1960, 1996 Music Club / Candid | MCI 50004
Jazz / Post Bop / Bass

Very nice set of Mingus' legendary Candid recordings – produced in 1960, after Mingus angrily departed Columbia records, and was finally given the freedom to work in the way that he wanted. The recordings are some of Mingus best – and they feature a righteous anger and sheer jazz power that's unmatched by few other recordings.
Charles Mingus - A Modern Symposium Of Music And Poetry (1957/2014) [Official Digital Download 24/96]

Charles Mingus - A Modern Symposium Of Music And Poetry (1957/2014)
FLAC (tracks) 24-bit/96 kHz | Time - 34:46 minutes | 638 MB
Studio Master, Official Digital Download | Artwork: Front cover

Don't expect any poetry here, however an extended spoken word narration by actor Mel Stewart does kicks off the album. That's where the vocals begin and end on this instrumental collection. Mingus and his brilliant musicians do the talking here: the Penguin Guide To Jazz calls Clarence Shaw's performance on New York Sketchbook - "the best trumpet heard on a Mingus album for some time before or since".
Shanachie Entertainment - Charles Mingus: Triumph of the Underdog (1998) [Repost]

Shanachie Entertainment - Charles Mingus: Triumph of the Underdog (1998)
DVDRip | 720 x 544 | .MKV/AVC @ 1802 Kbps | 1h 17mn | English AC-3 192 Kbps, 2 channels | 1.09 GB
Genre: Documentary, Biography, Music

The first comprehensive documentary of Afro-American jazz bassist, bandleader and composer Charles Mingus. Mingus led a tumultuous life filled with trauma and frustration, joy and creativity. Not light enough to be considered white and not dark enough to fit into the black community, he was an outcast in American society who charted his own path. Likewise, his legacy as a 20th Century composer reaches far beyond conventional jazz idioms. Mingus apprenticed with people like Duke Ellington, Lionel Hampton and Charlie Parker before going out on his own and becoming a musical force for more than a decade.

Charles Mingus - At UCLA (1965)  Music

Posted by TmanHome at Feb. 5, 2017
Charles Mingus - At UCLA (1965)

Charles Mingus - At UCLA (1965)
Jazz, Post Bop | MP3 320 kbps CBR | 87 min | 220 MB
Label: Sue Mingus Music | Rel:1965

The back story behind this concert CD is that, in September 1965, Charles Mingus performed at the Monterey Jazz Festival. He had done so triumphantly well the year before, however, Mingus' 1965 set was inexplicably cut short at a half-hour (Mingus himself claims 20 minutes) and so the material he had planned for the event, much of it newly composed, was instead unreeled at UCLA a week later. Mingus later pressed a couple hundred copies of the performance into a self-released two-LP set, but the master tape was hence destroyed and the album basically forgotten until its release on CD by Mingus' widow Sue in 2006…

Charles Mingus - Tonight At Noon (1961/2011) [TR24][OF]  Vinyl & HR

Posted by SERTiL at Jan. 11, 2017
Charles Mingus - Tonight At Noon (1961/2011) [TR24][OF]

Charles Mingus - Tonight At Noon
Jazz | FLAC (tracks) 24-bit/192 kHz | 38:22 min | 1.44 GB | Digital booklet
Label: Rhino/Atlantic | Tracks: 05 | Rls.date: 1961/2011

Tonight At Noon is an elegant compilation album from virtuoso bassist and accomplished pianist Charles Mingus. Comprised of studio outtakes from two of his most endearing releases, The Clown and Oh Yeah, the album features an array of legendary musicians including Shafi Hadi, Wade Legge, Roland Kirk, Booker Ervin, Doug Watkins and Jimmy Knepper. Mingus’ smooth bluesy piano playing and articulate melodies are rooted in this cohesive collection.

Charles Mingus - Mingus Plays Piano (1963) [MFSL, MFCD 783]  Music

Posted by v3122 at Nov. 29, 2016
Charles Mingus - Mingus Plays Piano (1963) [MFSL, MFCD 783]

Charles Mingus - Mingus Plays Piano (1963)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
1990 | Mobile Fidelity Sound Lab, MFCD 783 | ~ 242 or 130 Mb | Scans Included
Jazz, Post Bop

This album is unique in Mingus' enormous catalog. As the title indicates, the famous bassist takes to the ivories solo to give life to his dazzling improvisational art. At first it seems odd to hear Mingus without one of his trademark interactive and exploratory ensembles. But the sensibility that he brings to this collection of piano pieces bears all the signs of the composer's genius…
Charles Mingus - The Black Saint And The Sinner Lady / Mingus Mingus Mingus Mingus Mingus (1963-64) {Impulse! 2-on-1 rel 2011}

Charles Mingus - The Black Saint And The Sinner Lady / Mingus Mingus Mingus Mingus Mingus (1963-64) {Impulse! 2-on-1 Series Remaster rel 2011}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 522 Mb | MP3 @320 -> 188 Mb
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© 1963-64, 2011 Impulse! / Verve / Universal Music | 06025 2780953
Jazz / Progressive Jazz / Avant-Garde Jazz / Modern Big Band / Post Bop / Bass / Piano

Of all the titles in the Impulse! 2 on 1 series, this volume may be the very finest. It pairs two indisputable classic Charles Mingus titles – both of which have endured for nearly 50 years – that were cut during the same year. While The Black Saint and the Sinner Lady was recorded on January 20, 1963, the recording that ended up as Mingus Mingus Mingus Mingus was begun that very day, but not finished until September. The former album is rightly regarded as one of (if not the) Mingus' masterpieces for its use of colors, tonalities, expansive harmonies, and the juxtaposition of numerous aspects of the jazz tradition – from Ellingtonian swing to hard bop, to West Coast and new-thing jazz – employing a vocal chorus, and even Latin and flamenco flourishes in a single conceptual work played by an 11-piece orchestra.