Charles will guide you through a comprehensive step by step introduction to playing Blues Guitar. Learn the techniques made famous by blues greats such as: B.B. King, Chuck Berry, Stevie Ray Vaughan, Buddy Guy and many others!
Charles Sedlak is an international recording artist and a recipient of a PHD in Music Education. His Performing ability and intense interest in education has allowed him to be chosen as one of the first accomplished musicians on Dean Markley's new educational support team.
A complex plot of love and inheritance is set against the English legal system of the mid-19th century, with all its tortuous avenues and disguised resolutions. Here is the firm, Jarndyce and Jarndyce, the young orphan and ward of court Ester Summerson (who tells much of the story). As always, it is the skilled pen of Dickens himself that creates the momentum with his acute eye for both individual characters and their traits, and the backdrop of Victorian London.
Of all the titles in the Impulse! 2 on 1 series, this volume may be the very finest. It pairs two indisputable classic Charles Mingus titles – both of which have endured for nearly 50 years – that were cut during the same year. While The Black Saint and the Sinner Lady was recorded on January 20, 1963, the recording that ended up as Mingus Mingus Mingus Mingus was begun that very day, but not finished until September. The former album is rightly regarded as one of (if not the) Mingus' masterpieces for its use of colors, tonalities, expansive harmonies, and the juxtaposition of numerous aspects of the jazz tradition – from Ellingtonian swing to hard bop, to West Coast and new-thing jazz – employing a vocal chorus, and even Latin and flamenco flourishes in a single conceptual work played by an 11-piece orchestra.
Pithecanthropus Erectus was Charles Mingus' breakthrough as a leader, the album where he established himself as a composer of boundless imagination and a fresh new voice that, despite his ambitiously modern concepts, was firmly grounded in jazz tradition. Mingus truly discovered himself after mastering the vocabularies of bop and swing, and with Pithecanthropus Erectus he began seeking new ways to increase the evocative power of the art form and challenge his musicians (who here include altoist Jackie McLean and pianist Mal Waldron) to work outside of convention.
International recording and touring artist, Charles Sedlak will give you very detailed and entertaining lessons to get you started playing Flamenco guitar today! Charles will teach you proper form, technique and strumming patterns to master the lessons in this DVD and inspire you to create your own exciting Flamenco compositions. Learn techniques such as: Rasguedo, Rumba, Triplets, Picking Techniques, Malaguena, Tarantas, Soleares and More! Flamenco Made Easy Contains: Bonus Lessons, Interactive Lesson Charts, on-screen tabs and a PDF Tab Book!
AVID Jazz here presents three classic Joe Bushkin albums plus, including original LP liner notes on a finely re-mastered and low priced double CD. 'After Hours'; 'Piano Moods'; 'Brad Gowans and his New York Nine' plus radio transcriptions, plus three tracks from 'The Jazz Keyboards' plus several tracks from the 78 era. Joe Bushkin plays jazz from the old school having come up in the late thirties where he began playing at the Famous Door on 52nd Street, New York before going on to play with the likes of Bunny Berigan, Muggsy Spanier, Eddie Condon, Bud Freeman, Tommy Dorsey and Louis Armstrong to name but a few greats! Across our selections Joe can be heard playing with the likes of Barney Kessel, Harry Babasin, Buck Clayton, Jo Jones, Sid Weiss and Morey Feld. All three albums plus have been digitally re-mastered.
Charles Mingus' debut for Columbia, Mingus Ah Um is a stunning summation of the bassist's talents and probably the best reference point for beginners. While there's also a strong case for The Black Saint and the Sinner Lady as his best work overall, it lacks Ah Um's immediate accessibility and brilliantly sculpted individual tunes. Mingus' compositions and arrangements were always extremely focused, assimilating individual spontaneity into a firm consistency of mood, and that approach reaches an ultra-tight zenith on Mingus Ah Um.