Chansons 1960 Flac

Johnny Smith - My Dear Little Sweetheart (1960) {2017 Japan SHM-CD Jazz Masters Collection 1200 Series WPCR-29212}

Johnny Smith - My Dear Little Sweetheart (1960) {2017 Japan SHM-CD Jazz Masters Collection 1200 Series WPCR-29212}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 227 Mb | MP3 @320 -> 84 Mb
Full Artwork @ 600 dpi (jpg) -> 76 Mb | 5% repair rar | 24bit remaster
© 1960, 2017 Roost / Parlophone / Warner Music Japan | WPCR-29212
Jazz / Cool / Guitar

Reissue with SHM-CD format and new 24bit remastering. One of the most obscure Johnny Smith albums for Roost – and one of the most striking, too! The album takes the sound of Johnny's guitar and backs it with some larger arrangements from Irwin Kostal – very mellow, and very string-laden – with a dreamy late nite quality that's even moodier than that of Johnny's small combo records. There's an eerie mood to the set that really grabs us, and which seems to deepen even more on repeated listenings (probably enhanced by the painting of a child on the cover – as you'd expect a lady from the "sweetheart" title!)

Joan Baez - Joan Baez (1960) [Reissue 2001]  Music

Posted by Andi_Deris at May 27, 2017
Joan Baez - Joan Baez (1960) [Reissue 2001]

Joan Baez - Joan Baez (1960) [Reissue 2001]
EAC Rip | FLAC: Image+Cue+Log | 293 Mb | MP3 CBR 320 kbps | 129 Mb | Time: 55:28
Vanguard | VCD 79594-2
Folk, Folk Rock, Singer-songwriter

History's ear hasn't been kind to Joan Baez: in retrospect, set against the traditional voices whose material she interpreted, her own versions seem painfully pretty, her soprano icy and removed. But it's hard to gauge now the force of her first record, a folk-revival landmark. Released in 1960 after a triumphant Newport Festival appearance, the record had deep material and emotion that few of her urban folk contemporaries possessed. Her version of "John Riley" is compelling, "East Virginia" glowing, and "Silver Dagger" concentrated, while "Preso Numero Nueve" showed her future political turn. This 2001 reissue offers two previously unreleased tracks plus an expanded version of "John Riley."
Shelly Manne & His Men - West Coast Jazz In England (1960) {Solar Records 4569886 rel 2011}

Shelly Manne & His Men - West Coast Jazz In England (1960) {Solar Records 4569886 rel 2011}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 217 Mb | MP3 @320 -> 136 Mb
Full Artwork @ 300 dpi (jpg) -> 25 Mb | 5% repair rar
© 1960, 2011 Solar Records | 4569886
Jazz / Bop / Cool / West Coast Jazz

Digitally remastered release that contains, for the first time ever on CD, a complete live performance in Manchester by the legendary Shelly Manne quintet with Joe Gordon and Richie Kamuca. This short lived group had produced the celebrated multi-volume albums at the Blackhawk, in San Francisco, the previous year (with Victor Feldman on piano instead of Russ Freeman), as well as celebrated recordings of Henry Mancini's Peter Gunn music. The Manchester concert, which was only previously released on an extremely rare long out of print LP, showcases the quintet in high spirits, and offers a new opportunity to appreciate the talents of trumpeter Joe Gordon, who would die soon after.
Johnny Smith - Plus The Trio (1960) {2017 Japan SHM-CD Jazz Masters Collection 1200 Series WPCR-29183}

Johnny Smith - Plus The Trio (1960) {2017 Japan SHM-CD Jazz Masters Collection 1200 Series WPCR-29183}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 196 Mb | MP3 @320 -> 78 Mb
Full Artwork @ 600 dpi (jpg) -> 77 Mb | 5% repair rar | 24bit remaster
© 1960, 2017 Roost / Parlophone / Warner Music Japan | WPCR-29183
Jazz / Cool / Guitar

Reissue with SHM-CD format and new 24bit remastering. Comes with a mini-description. A trio is helping out guitarist Johnny Smith – but, as with all of his other Roost Records of the time, the man himself is very far out in the lead – making real magic on the strings of his guitar, and playing with an effortless command of tone and color! Some moments of the record actually have a bit more of an uptempo swing than other of Johnny's albums of the period – but others are a masterpiece is gentle harmonics – those incredible notes that Smith almost seemed to invent for jazz guitar in the 50s – and which seem to come through even more beautifully in the sparest of settings. The trio features Bob Pancoast on piano, Mousie Alexander on drums, and George Roumanis on bass
Charles Mingus - Mingus Revisited (1960) {EmArcy-PolyGram 826 496-2}

Charles Mingus - Mingus Revisited (1960) {EmArcy-PolyGram 826 496-2}
XLD rip (secure mode) | FLAC (tracks)+CUE+LOG -> 207 Mb | MP3 @320 -> 82 Mb
Full Artwork @ 300 dpi (png) -> 22 Mb | 5% repair rar
© 1960 EmArcy / PolyGram | 826 496-2
Jazz / Post Bop / Progressive Jazz

This is an LP reissue of a set that was originally titled Pre Bird because it features some of the advanced originals that Charles Mingus wrote prior to hearing Charlie Parker. The bassist leads an undisciplined but colorful 25-piece orchestra on three titles including an Eric Dolphy feature on "Bemonable Lady" while the other five tracks are by a ten-piece (including two pianos) band; Lorraine Cousins sings "Eclipse" and "Weird Nightmare." It's an interesting set of typically unconventional music by Mingus.
Arnett Cobb with The Red Garland Trio - Blue And Sentimental (1960) {Prestige PRCD-24122-2 rel 1993}

Arnett Cobb with The Red Garland Trio - Blue And Sentimental (1960) {Prestige PRCD-24122-2 rel 1993}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 420 Mb | MP3 @320 -> 170 Mb
Full Artwork @ 300 dpi (jpg) -> 35 Mb | 5% repair rar
© 1960, 1993 Prestige / Fantasy | PRCD-24122-2
Jazz / Bop / Soul Jazz / Saxophone

The Cobb of Blue and Sentimental release combines two 1960 Prestige sessions, one of ballads and the other uptempo cookers. He meets up with pianist Red Garland’s group of JC Heard/dr and George Tucker-George Duvivier/b and hits the road running on “Sizzlin’” and a take of “Sweet Georgia Brown” that will get you on the basketball court in no time. Cobb was made for ballads, however, and he gives it all he’s got on the rarely performed Sinatra associated tunes “PS I Love You” and “Why Try To Change Me Now.” If I could play like this…..
John Lee Hooker - Sings The Blues (1961) & Sings Blues (1960) {Soul Jam Records 600843 rel 2014}

John Lee Hooker - Sings The Blues (1961) & Sings Blues (1960) {Soul Jam Records 600843 rel 2014}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 359 Mb | MP3 @320 -> 180 Mb
Full Artwork @ 300 dpi (png) -> 47 Mb | 5% repair rar | 24bit remastered
© 1960-61, 2014 Crown / King / Soul Jam Records | 600843
Blues / Electric Blues / Delta Blues / Acoustic Blues / Detroit Blues / Blues Revival

John Lee Hooker developed a “talking blues” style that became his trademark. Though similar to the early Delta tradition, his metrically free approach and unique sound would make him a staple of Detroit blues. Often called the “King of the Boogie,” Hooker's driving, rhythmic approach to guitar playing has become an integral part of the blues. This quintessential release includes two albums from the beginning of his career: Sings the Blues (Crown 1961) and Sings Blues (King 1960). Although the two records share nearly identical titles, each contains a different and excellent track list. The former LP features great electric numbers such as “Hug and Squeeze (You),” “Good Rockin' Mama,” and “The Syndicate,” while the latter contains Hooker's solo recordings originally issued on the Modern label. Both albums have been remastered and packaged together in this very special collector's edition, which also includes 5 bonus tracks from the same period.
Don Ralke - But You've Never Heard Gershwin With Bongos / The Savage And The Sensuous Bongos (1960) {Warner Bros. rel 2008}

Don Ralke - But You've Never Heard Gershwin With Bongos / The Savage And The Sensuous Bongos (1960) {Warner Bros. rel 2008}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 417 Mb | MP3 @320 -> 177 Mb
Full Artwork @ 300 dpi (jpg) -> 15 Mb | 5% repair rar
© 1960, 2008 Collectables Records / Warner Bros. | CDL-CD-7856
Jazz / Latin Jazz / Mood Music / Bongos

This two-fer from Collectables features a pair of out of print LPs by easy listening arranger, composer, and producer Don Ralke, Gershwin with Bongos and The Savage and the Sensuous Bongos, both originally issued in 1960. These 26 tracks are unique in that the arrangements feature bongos as the prominent instrument. Along with several Ralke originals are such Gershwin standards as "How Long Has This Been Going On," "Summertime," and "I Got Rhythm."
Les McCann - Les McCann Ltd. in San Francisco: Recorded Live at the Jazz Workshop (1960) {Fresh Sound FSR-CD 682 rel 2012}

Les McCann - Les McCann Ltd. in San Francisco: Recorded Live at the Jazz Workshop - Complete Recordings (1960) {Fresh Sound FSR-CD 682 rel 2012}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 371 Mb | MP3 @320 -> 145 Mb
Full Artwork @ 300 dpi (jpg) -> 16 Mb | 5% repair rar
© 1960, 2012 Pacific Jazz / Fresh Sound Records | FSR-CD 682
Jazz / Hard Bop / Soul Jazz / Piano Trio

Les McCann Ltd. in San Francisco: Recorded Live at the Jazz Workshop was recorded in December of 1960 and released in 1961 on the Pacific Jazz label. Backing his piano were bassist Herbie Flowers and drummer Ron Jefferson. The original LP of this date featured seven selections – only about half of the entire gig. This Fresh Sound reissue contains four more tracks, bringing the total to 11.
John Lee Hooker - I'm John Lee Hooker (1959) & Travelin' (1960) {Soul Jam Records 600804 rel 2011}

John Lee Hooker - I'm John Lee Hooker (1959) & Travelin' (1960) {Soul Jam Records 600804 rel 2011}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 385 Mb | MP3 @320 -> 179 Mb
Full Artwork @ 300 dpi (png) -> 56 Mb | 5% repair rar
© 1959-60, 2011 Vee-Jay / Soul Jam Records | 600804
Blues / Electric Blues / Blues Revival / Delta Blues / Detroit Blues

Two classic Vee-Jay albums from blues master John Lee Hooker! One of the great blues collections of the post-World War II era. John Lee Hooker developed a “talking blues” style that became his trademark. Though similar to the early Delta tradition, his metrically free approach and unique sound would make him a staple of the Detroit blues tradition. Often called the “King of the Boogie”, Hooker’s driving, rhythmic approach to guitar playing has become an integral part of the blues.