Digitally remastered release that contains, for the first time ever on CD, a complete live performance in Manchester by the legendary Shelly Manne quintet with Joe Gordon and Richie Kamuca. This short lived group had produced the celebrated multi-volume albums at the Blackhawk, in San Francisco, the previous year (with Victor Feldman on piano instead of Russ Freeman), as well as celebrated recordings of Henry Mancini's Peter Gunn music. The Manchester concert, which was only previously released on an extremely rare long out of print LP, showcases the quintet in high spirits, and offers a new opportunity to appreciate the talents of trumpeter Joe Gordon, who would die soon after.
Reissue with SHM-CD format and new 24bit remastering. Comes with a mini-description. A trio is helping out guitarist Johnny Smith – but, as with all of his other Roost Records of the time, the man himself is very far out in the lead – making real magic on the strings of his guitar, and playing with an effortless command of tone and color! Some moments of the record actually have a bit more of an uptempo swing than other of Johnny's albums of the period – but others are a masterpiece is gentle harmonics – those incredible notes that Smith almost seemed to invent for jazz guitar in the 50s – and which seem to come through even more beautifully in the sparest of settings. The trio features Bob Pancoast on piano, Mousie Alexander on drums, and George Roumanis on bass
This is an LP reissue of a set that was originally titled Pre Bird because it features some of the advanced originals that Charles Mingus wrote prior to hearing Charlie Parker. The bassist leads an undisciplined but colorful 25-piece orchestra on three titles including an Eric Dolphy feature on "Bemonable Lady" while the other five tracks are by a ten-piece (including two pianos) band; Lorraine Cousins sings "Eclipse" and "Weird Nightmare." It's an interesting set of typically unconventional music by Mingus.
The Cobb of Blue and Sentimental release combines two 1960 Prestige sessions, one of ballads and the other uptempo cookers. He meets up with pianist Red Garland’s group of JC Heard/dr and George Tucker-George Duvivier/b and hits the road running on “Sizzlin’” and a take of “Sweet Georgia Brown” that will get you on the basketball court in no time. Cobb was made for ballads, however, and he gives it all he’s got on the rarely performed Sinatra associated tunes “PS I Love You” and “Why Try To Change Me Now.” If I could play like this…..
John Lee Hooker developed a “talking blues” style that became his trademark. Though similar to the early Delta tradition, his metrically free approach and unique sound would make him a staple of Detroit blues. Often called the “King of the Boogie,” Hooker's driving, rhythmic approach to guitar playing has become an integral part of the blues. This quintessential release includes two albums from the beginning of his career: Sings the Blues (Crown 1961) and Sings Blues (King 1960). Although the two records share nearly identical titles, each contains a different and excellent track list. The former LP features great electric numbers such as “Hug and Squeeze (You),” “Good Rockin' Mama,” and “The Syndicate,” while the latter contains Hooker's solo recordings originally issued on the Modern label. Both albums have been remastered and packaged together in this very special collector's edition, which also includes 5 bonus tracks from the same period.
This two-fer from Collectables features a pair of out of print LPs by easy listening arranger, composer, and producer Don Ralke, Gershwin with Bongos and The Savage and the Sensuous Bongos, both originally issued in 1960. These 26 tracks are unique in that the arrangements feature bongos as the prominent instrument. Along with several Ralke originals are such Gershwin standards as "How Long Has This Been Going On," "Summertime," and "I Got Rhythm."
Two classic Vee-Jay albums from blues master John Lee Hooker! One of the great blues collections of the post-World War II era. John Lee Hooker developed a “talking blues” style that became his trademark. Though similar to the early Delta tradition, his metrically free approach and unique sound would make him a staple of the Detroit blues tradition. Often called the “King of the Boogie”, Hooker’s driving, rhythmic approach to guitar playing has become an integral part of the blues.
Features 24 bit remastering and comes with a mini-description. Somethin' Sanctified is an album by American jazz trombonist, composer and arranger Slide Hampton which was released on the Atlantic label in 1961. In 1959, trombonist Slide Hampton was known mainly for the excellent arrangements he did for the Maynard Ferguson Band, so it was no surprise that he formed his octet band and began making a serious bid for recognition as a top jazz artist and arranger, recording his first album for the small label Strand. His impact was immediate and in 1960 Slide signed for Atlantic resulting in two studio albums, Sister Salvation and Somethin Sanctified, which were the octets first for the label.
Frank Wess has long been one of the most underrated flautists in jazz, but it's his primary instrument on this CD reissue of a Moodsville LP recorded in 1960. With fine accompaniment by piano master Tommy Flanagan, bassist Eddie Jones and drummer Bobby Donaldson, the leader's lyrical chops are evident in Alec Wilder's rarely performed ballad "It's So Peaceful in the Country." The light Latin setting of "Star Eyes" initially spotlights Flanagan's elegant piano, with the rhythm switching gears as Wess works his magic on flute. Flanagan alone introduces the dreamy interpretation of "But Beautiful," while Wess will melt any heart with his gorgeous flute solo.