Esta revista salió a la venta al público en octubre de 1927, su contenido es extraordinario, es como estar viviendo aquella época a través de sus textos, fotos y partidas, es una edición para verdaderos coleccionistas y amantes del ajedrez.
Born in Rome on 6th October 1958, his professional debut dates back to 1975 with Trio di Roma (Danilo Rea, Enzo Pietropaoli). He has been playing all over the world and Europe with his own groups as well as with international artists. In addition to a refined timbre research and a perfect technique, the groups under his name are characterized by a warmth which is peculiar to Mediterranean culture. This undoubtedly makes Roberto Gatto one of the most interesting drummers and composers both in Europe and in the world.
Questa "Storia del Fascismo" è la narrazione di uno che il fascismo l'ha fatto come protagonista. Il suo maggior pregio risiede dunque nel rispecchiare il sentimento genuino di un idealista nella cornice di una narrazione non ostile, come invece accade per la maggior parte di quelle prodotte dai cosiddetti storici. …
In 1974, British choreographer Kenneth MacMillan in turn decided to focus on the two protagonists for an ambitious ballet that could translate the feelings and emotions of two souls abused by the accidents of life and their own personal weaknesses. In short, how a young girl on her way to a convent manages to elope with the young student with whom she has just fallen in love, only to leave him to escape destitution and finally allow herself to be persuaded by her brother Lescaut to yield to the advances of wealthy “protectors”. Accused of prostitution and deported to Louisiana, Manon is rescued by Des Grieux. Driven to murder by Manon’s jailer, he escapes with her into the marshes where the young girl ultimately succumbs. Although sincere, the love that Manon and Des Grieux share for each other cannot stand up to the vagaries of existence. As a result, neither is able to escape moral or social decline. Rather than reuse the score of Massenet’s opera, MacMillan entrusted Leighton Lucas with the task of arranging a series of extracts taken from a selection of the French composer’s operatic, symphonic and vocal scores… The end result was a huge success from its debut performance in London in 1974 onwards.