Triemer's sonatas aren't just empty music written to educate other cellists, or to edify wealthy patrons as background music; it has substance, but its effect is very subtle - movements seem longer than they are, and the overall sense of time passing in this music is slowed down. Blendulf gracefully and carefully traverses through this music like a tightrope walker, parasol in hand […] (Uncle Dave Lewis, allmusic.com)
Julius Röntgen (1855-1932) stands apart from the legions of Brahms imitators and conservative late Romantics for one thing: melody. It seeps from every theme and cadence. Everything I've heard from his pen is overflowing with inventive tunefulness. It is no wonder he enjoyed a close friendship with another great melodist of his day, Edvard Grieg. Röntgen's enormous output includes 14 cello sonatas, many of which were dedicated to and performed by Pablo Casals.
More than just a challenge to orthodoxy.. . Why should music ‘before Mozart’ now be the sole preserve of period-instrument orchestras? For some years now, Ensemble Resonanz has challenged this idea, without ever neglecting the notion of the sheer pleasure to be derived from the concertos and symphonies of the great C. P. E. Bach. Like their guest soloist Jean-Guihen Queyras, all the musicians master both styles of playing (on metal or gut strings) with dazzling virtuosity. This is the first disc on harmonia mundi to celebrate their collaboration with maestro Riccardo Minasi.