Continuing the creative roll of Tender Prey and The Good Son, Henry's Dream showed the band in fierce and fine fettle once more. The biggest change was with the choice of producer – David Briggs, famed for his work on some of Neil Young's strongest albums. While Cave later thought the experiment didn't work as well as he might have hoped, Briggs does a fine enough job, perhaps not letting the group's full intensity through but still capturing a live feel nonetheless. Cave himself offers up another series of striking, compelling lyrics again exploring love, lust and death. Here, though, some of his images are the strongest he's yet delivered, especially with the near apocalyptic "Papa Won't Leave You, Henry," which begins the album brilliantly as the narrator lurches through a landscape of storms, brothels and urban decay. Equally powerful, if slower and calmer, is Dream's lead single, "Straight to You," with Cave delivering a forceful declaration of love.
The blues had long been a potent undercurrent in the Birthday Party's music, so it wasn't all that surprising that Nick Cave embraced the sound and feeling of rural blues on his second album with the Bad Seeds, The Firstborn Is Dead. What was startling was how well Cave and his bandmates – Barry Adamson, Mick Harvey, and Blixa Bargeld – were able to absorb and honor the influences of artists like Skip James and Charley Patton while creating a sound that was unmistakably their own. The moody obsessions of rural blues – trains, floods, imprisonment, sin, fear, and death – seemed made to order for Cave, and he was able to tap into the doomy iconography of this music with potent emotional force; on "Tupelo," he makes a sweeping and disturbing epic of the rain-swept night when Elvis Presley was born, and "Knocking on Joe" is a tale of life on the work gang that communicates the pain of the spirit as clearly as the ache of the body.
Live Seeds is the first official live album by Nick Cave and the Bad Seeds. The album was recorded live from 1992 to 1993, at various concerts throughout Europe and Australia, at the touring stage promoting their previous studio album, Henry's Dream. Nick Cave wanted to give the songs a raw feeling as originally intended before production problems occurred. Live Seeds includes a not previously studio-recorded track, "Plain Gold Ring", which is a cover of a song performed by Nina Simone.
No More Shall We Part is the eleventh studio album by Nick Cave and the Bad Seeds, released on 2 April 2001 in the UK (and 10 April in the US). The album came after a 4-year gap from recording, following the much acclaimed album The Boatman's Call. Cave had to overcome heavy heroin and alcohol addictions in 1999-2000 before starting work on the album. It was met with mostly positive reviews. This is Limited Edition with Two Bonus Tracks and a Cdrom with Exclusive Footage of the Band. The Bonus Tracks Are 'bless his Ever Loving Heart' and 'grief Came Riding'.
Murder Ballads is the ninth studio album by Nick Cave and the Bad Seeds, released in 1996 on Mute Records. As its title suggests, the album consists of new and traditional murder ballads, a genre of songs that relays the details (and often consequences) of crimes of passion. "Where the Wild Roses Grow," a duet featuring Cave singing with Kylie Minogue, was a hit single and received two ARIA Awards in 1996. Other prominent guest musicians on the album include PJ Harvey and Shane MacGowan.
Keeping the same line-up from Henry's Dream, Nick Cave and company turn in yet another winner with Let Love In. Compared to Henry's Dream, Let Love In is something of a more produced effort – longtime Cave boardsman Tony Cohen oversees things, and from the first track, one can hear the subtle arrangements and carefully constructed performances. Love, unsurprisingly, takes center stage of the album.
In March 2016 Billy Bragg and Joe Henry, guitars in hand, boarded a Los Angeles-bound train at Chicago’s Union Station looking to reconnect with the culture of American railroad travel and the music it inspired. Winding along 2,728 miles of track over four days, the pair recorded classic railroad songs in waiting rooms and at trackside while the train paused to pick up passengers.