This CD reissue dates from Thad Jones' single year of leadership of the Count Basie Orchestra before his health began to fail. Caterina Valente (best known as a pop singer) has a warm voice and sounds comfortable singing in a jazz-influenced middle-of-the-road style. There is little improvisation on the date and Thad Jones' arrangements leave surprisingly little space for solos; his only appearance on cornet is on "Solitude."
Thomas Craven is a detective who has spent years working the streets of Boston. When his own daughter is killed outside his own home, Craven soon realizes that her death is only one piece of an intriguing puzzle filled with corruption and conspiracy, and it falls to him to discover who is behind the crime.
This Covent Garden production of Bizet’s Carmen, makes a vivid musical and dramatic impression. Director Francesca Zambello creates a properly Spanish atmosphere, filling the stage with a profusion of detailed characters. In Act One’s town square each of the many soldiers, strollers, cigarette factory girls, and children are individuals, so there’s a bustle of continuous, realistic activity. That attention to detail carries over to the rest of the opera, involving viewers in the action. Tanya McCallin’s sets are a perfect foil for the direction: simple, movable panels that serve as lightly sketched backdrops for the town square, a tavern, the smugglers’ mountain hideaway, and the final scene in front of the bull ring. But what makes this Carmen special is the singing and acting of the principals… –Dan Davis