Speaking about Johann Sebastian Bach’s second son Carl Philipp Emanuel (1714-1788), Mozart said “he is the father, we are the children”. Indeed, Carl Philipp Emanuel is one of the major musical figures of this key period, the turning point between the baroque and classical aesthetics. Although he left a large body of work written for instruments of all kinds, the keyboard was always his favourite. He produced a number of collections for it, featuring numerous sonatas and freestyle works such as fantasias, a genre in which he excelled. Aline Zylberajch and Alice Piérot offer a selection of pieces for both violin and keyboard and solo keyboard, all composed during Carl Philipp Emanuel’s mature years, from the 1760s up until his death.
In honor of CPE Bach's 300th birthday, hänssler CLASSIC will be releasing an exciting series of recordings dedicated to the music of this well known but hitherto neglected Bach son during the first 3 months of 2014. At the beginning there are the so-called “Hamburg” symphonies Wq 182, interpreted with great sensitivity and bite, when necessary, by the Stuttgart Chamber Orchestra under the renowned conductor and former violist of the Berlin Philharmonic, Wolfram Christ. Maestro Christ sees these works as expressive pieces, open to multiple interpretations that invite the listener to experience them as almost Romantic in their gesture and content. Deciding on a fortepiano continuo instrument is not only a historically informed decision, but contributes to a perfectly balanced overall sound.
March 8th, 2014 marks the 300th Birthday of Carl Philipp Emanuel Bach. This is the first recording of the complete piano works by C.P.E. Bach. Ana-Marija Markovina, the featured artist for these recordings, has been working for over ten years with the music of CPE Bach and has developed her own intuitive approach to his style. During his lifetime, CPE Bach was more famous than his father, Johann Sebastian; it is time to rediscover the incredible range and the quality of his once again.
The death of Georg Philipp Telemann in 1767 paved the way for his godson, Carl Philipp Emanuel Bach to take up the position of Director of Music in Hamburg. Prior to that C P E Bach had been working for Frederick the Second of Prussia in Berlin but longed for a greater musical freedom and stylistic flexibility that working in Hamburg would offer him. This included the composition of three oratorios, including the one presented here. C P E Bach worked on The Resurrection and Ascension of Jesus in collaboration with the librettist Karl Wilhelm Ramler from 1781, and in 1787 it was published by Breitkopf. A letter from the composer to his publisher subsequently revealed he considered it to be one of his greatest masterpieces—a reflection agreed upon by audiences at the time, and succeeding generations of composers, including Haydn and Beethoven who both drew inspiration from it.
The previous two CDs from pianist Michael Rische of the Piano Concertos of Carl Philipp Emanuel Bach have been universally acclaimed for their high degree of musicality and the pianist’s passionate commitment to this composer. And in fact, much of the work of this highly original genius remains to be discovered. The 300th Birthday of Bach's second son offers an ideal occasion to become better acquainted with this extraordinary and surprising composer. In addition to the solo concertos, this CD also presents the Concerto for 2 Pianos and Orchestra Wq 46. In each work, Carl Philipp Emanuel Bach makes the claim - once again – of his unique place in the history of music, and as evident in these vital, life-affirming performances, is one of the truly great “rediscovered” composers of the past.