Brilliant Classics is proud to present Canto Ostinato XXL, a recording that brings a new perspective to Simeon ten Holt’s minimalist composition by adding a Romantic organ to the work’s original scoring for four pianos – a combination never before attempted. The result is the most beautiful and harmonious of sounds, one that captures Canto Ostinato’s emotional variety and depth through building on the sweetness and simplicity that inhabit this acclaimed composition, first performed in 1979.
Canto Ostinato, scored for four grand pianos, is the quintessential example of Ten Holt's groundbreaking minimalist style, one of his most well-known and critically-acclaimed compositions. Constructed using short cells that can be repeated an indeterminate number of times by performers, the music is hypnotic and emotionally moving, taking listeners on a journey through musical landscapes…
Simeon ten Holt was a Dutch contemporary classical composer. Ten Holt was born in Bergen, North Holland, the Netherlands, and studied with Jakob van Domselaer, eventually developing a highly personal style of minimal composition. Van Domselaers influence on ten Holts musical philosophy was considerable, with the younger composer picking up van Domselaers interests in the links between music and visual art, in musics relationship with mathematics, and in the use of the piano as a principal instrument in his compositions.
“Eleven discs, fourteen hours of music. After the successful issue of Minimal Piano Collection I-IX Jeroen van Veen & friends have recorded works for 2 to 6 pianos, from - among others - Ten Holt, Eisenga, Meijering, Glass, Pärt, and Reich. With swinging effects, transformations and challenging rhythms…."
Simeon ten Holt is a Dutch composer born in 1923. He studied with Jakob van Domselaer and in Paris with Milhaud and Honegger, then went through various compositional phases, first struggling out of van Domselaer's tonal influence, then becoming serially tonal (Berg obviously proves that this in no contradiction in terms), e.g. striving to organize the tonal material according to serial principles.
Very recently passed away at age 89 Simeon ten Holt was the Icon of Dutch minimalism. His works for multiple pianos include his most famous work, ‘Canto Ostinato’, which gained cult status with a large audience not necessarily familiar with traditional classical music. The slowly shifting repeated patterns in Ten Holt’s music have a hypnotic and hallucinatory effect on listeners, during concerts which may take several hours. Dutch pianist Jeroen van Veen is “the leading exponent of minimalism in Holland” (Alan Swanson in Fanfare), a close acquaintance of Ten Holt, the ideal interpreter of his music.
This beautiful 11-CD box set contains almost all important works of Simeon ten Holt: Lemniscaat, Horizon, Solo Devil Dance I, II, III and IV, Méandres not to mention Canto Ostinato. Performed by a variety of Dutch pianists including Kees Wieringa, Polo de Haas, Fred Oldenburg and Gerard Bouwhuis.
Ostinato is an anthology which brings together the most representative works of the art of improvisation and of a musical form based on a unique concept of the basso, which is repeated sequentially throughout the compositions.
Italy's foremost female rock singer, Gianna Nannini, was born in Siena on June 14, 1956, to a family that included a renowned industrialist and Siena Football Club president father and a Formula One pilot brother. Often described as the creative rebel in the family, Nannini attended the Lucca Conservatory throughout her entire adolescence, where she was trained as a pianist. At age 19, she decided to become a professional musician, and left her home for Milan, where she began to perform in local bars and small venues…
The works in this programme demonstrate Philip Glass’s perpetual goal of connecting with his audience. Taking shape as something like a hidden sonata form, Mad Rush contrasts peaceful atmosphere with tempestuousness and mesmerizing beauty. The last of its kind in Glass’s oeuvre, 600 Lines, here receiving its première recording on solo piano, is an obsessive and hypnotically restless toccata that represents the zenith of his experiences while working with Ravi Shankar. These two monumental works are joined by première recordings of the subtly transformed Metamorphosis 2, and Glass’s only transcription in the form of Paul Simon’s The Sound of Silence.