Cannonball Adderley: Somethin' Else

Cannonball Adderley - Somethin' Else (1958/2012) [Official Digital Download 24bit/192kHz]

Cannonball Adderley - Somethin' Else (1958/2012)
FLAC (tracks) 24 bit/192 kHz | Time - 38:43 minutes | 1,53 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

Somethin' Else is a monumental recording by jazz virtuoso Cannonball Adderley. Fans and critics have deemed the work as one of jazz's most influential records. The album is an exhilarating display of hard bop and features stunning contributions by Miles Davis, Hank Jones, Sam Jones and Art Blakey. It is included on The Penguin Guide to Jazz's "Core Collection". Somethin' Else features thrilling solos and the stunning tunes "Somethin' Else" and "Dancing in the Dark".

Cannonball Adderley - Somethin' Else (1958) {1986, Reissue}  Music

Posted by popsakov at Oct. 16, 2016
Cannonball Adderley - Somethin' Else (1958) {1986, Reissue}

Cannonball Adderley - Somethin' Else (1958) {1986, Reissue}
EAC Rip | FLAC (Img) + Cue + Log ~ 300 Mb | MP3 CBR320 ~ 105 Mb
Scans (PNG, 400 dpi) ~ 52 Mb | RAR 5% Recovery
Jazz, Hard Bop | Blue Note #0777 7 46338 2 6 / DIDX 899

Cannonball Adderley gave up his own band in 1957 when he had the opportunity to become a sideman in Miles Davis' epic ensemble with John Coltrane, eventually resulting in some of the greatest jazz recordings of all time (including Milestones and Kind of Blue). Davis returned the favor in March of 1958, appearing as a sideman on Adderley's all-star quintet date for Blue Note, and the resulting session is indeed Somethin' Else. Both horn players are at their peak of lyrical invention, crafting gorgeous, flowing blues lines on the title tune and "One for Daddy-O," as the rhythm team (Hank Jones, Sam Jones, Art Blakey) creates a taut, focused groove…
Cannonball Adderley - Somethin' Else (1958/2012) [Official Digital Download 24bit/192kHz] Re-up

Cannonball Adderley - Somethin' Else (1958/2012)
FLAC (tracks) 24 bit/192 kHz | Time - 38:43 minutes | 1,53 GB
Official Digital Download - Source: | Digital Booklet

Somethin’ Else is a monumental recording by jazz virtuoso Cannonball Adderley. Fans and critics have deemed the work as one of jazz’s most influential records. The album is an exhilarating display of hard bop and features stunning contributions by Miles Davis, Hank Jones, Sam Jones and Art Blakey. It is included on The Penguin Guide to Jazz’s “Core Collection.” Somethin’ Else features thrilling solos and the stunning tunes “Somethin’ Else” and “Dancing in the Dark”.
Cannonball Adderley - Somethin' Else (1958) {2013 Japan SHM-CD Blue Note 24-192 Remaster}

Cannonball Adderley - Somethin' Else (1958) {2013 Japan SHM-CD Blue Note 24-192 Remaster}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 420 Mb | MP3 @320 -> 128 Mb
Full Artwork @ 600 dpi (png) -> 239 Mb | 5% repair rar | 24-bit 192 kHz remaster
© 2013 Universal Japan / Blue Note | BN 75th The Masterworks | TYCJ-81002
Jazz / Hard Bop / Saxophone

Reissue. Features the high-fidelity SHM-CD format (compatible with standard CD player) and 24bit remastering. Includes an alternate take of "Autumn Leaves" for the first time in the world. Cannonball Adderley gave up his own band in 1957 when he had the opportunity to become a sideman in Miles Davis' epic ensemble with John Coltrane, eventually resulting in some of the greatest jazz recordings of all time (including Milestones and Kind of Blue). Davis returned the favor in March of 1958, appearing as a sideman on Adderley's all-star quintet date for Blue Note, and the resulting session is indeed Somethin' Else.
Cannonball Adderley - Somethin' Else (1958) [2009, SACD, Analogue Productions CBNJ 81595 SA]

Cannonball Adderley - Somethin' Else (1958) [2009, SACD, Analogue Productions CBNJ 81595 SA]
Jazz/Bop | EAC Rip | Flac (Image) + Cue + Log | MP3 CBR 320Kbps | 6 Tracks
Covers Included | Analogue Productions | CBNJ 81595 SA | ~297 + 125 Mb | HF, FileServe
Mastered for SACD by Kevin Gray and Steve Hoffman

By the time of the Somethin' Else session, Cannonball's sound had considerably more nuance, with darker tones and more brooding solos. Nonetheless, the Parker influence continued to shine, and the whole session has a sense of relaxation that results in music that is truly joyous.
Cannonball Adderely - Somethin' Else (1958) [Analogue Productions 2009] PS3 ISO + Hi-Res FLAC {RE-UP}

Cannonball Addereley - Somethin' Else (1958) [Analogue Productions 2009]
PS3 Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 43:49 minutes | Scans included | 1,38 GB
or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | Scans included | 972 MB
Various Artists - From Modern Jazz To New Thing (1957-1959) - La Grande Histoire Du Jazz Vol. 4 (2010) {Box 25CD - 100 of 100}

Various Artists - From Modern Jazz To New Thing (1957-1959) - La Grande Histoire Du Jazz Vol. 4 (2010) {Box 25CD - 100 of 100}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 11.7 Gb
Full Artwork @ 300 dpi (png) -> 745 Mb | 5% repair rar
© 2010 Le Chant du Monde | 574 1975.99
Jazz / Hard Bop / Modal Music / Third Stream

An epic 100 CD chronological documentation of the history of jazz music from 1898 to 1959, housed in four boxed sets. Each box contains 25 slipcase CDs, a booklet (up to 186 pages) and an index. The booklets contain extensive notes (Eng/Fr) with recording dates and line-ups. 31 hours of music in each box, totalling 1677 tracks Each track has been restored and mastered from original sources.
Nat Adderley & Cannonball Adderley - Soul Zodiac (1972) {Stateside-EMI 50999 2 08515 2 1 rel 2008}

Nat Adderley & Cannonball Adderley - Soul Zodiac (1972) {Stateside-EMI 50999 2 08515 2 1 rel 2008}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 420 Mb | MP3 @320 -> 158 Mb
Full Artwork @ 300 dpi (jpg) -> 34 Mb | 5% repair rar
© 1972, 2008 Stateside / EMI Records | 50999 2 08515 2 1
Jazz / Hard Bop / Soul Jazz / Jazz Funk / Cornet / Saxophone

A few seconds of spacy echo loops and you know where this album is coming from – the early jazz/rock era, the Age of Aquarius and all that. Yet this crazy amalgam of jazz, rock, electronics, and spoken astrological advice by the popular Los Angeles DJ Rick Holmes actually works, for the music behind the soulfully intoned words is very inventive and Holmes plays effectively off its rhythms.
Bobby Hutcherson - Head On (1971) {2014 Japan SHM-CD Blue Note 24-192 Remaster TYCJ-81099}

Bobby Hutcherson - Head On (1971) {2014 Japan SHM-CD Blue Note 24-192 Remaster TYCJ-81099}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 508 Mb | MP3 @320 -> 186 Mb
Full Artwork @ 600 dpi (png) -> 250 Mb | 5% repair rar | 24bit 192kHz remaster
© 1971, 2014 Universal Japan / Blue Note | BN 75th The Masterworks | TYCJ-81099
Jazz / Post Bop / Vibraphone

Features the high-fidelity SHM-CD format (compatible with standard CD player) and 24 bit remastering. Featuring the work of obscure composer/pianist Todd Cochrane, vibraphonist Bobby Hutcherson's 1971 album Head On is a highly cerebral and atmospheric affair that is somewhat different than his other equally experimental '70s work. Although the album does feature more of the avant-garde jazz that Hutcherson was exploring during this period, Cochrane's material is heavily influenced by contemporary classical music, and accordingly Head On is more of an exercise in reflective, layered jazz than rambunctious freebop – though it does offer some of that, too.
Bobby Hutcherson - Oblique (1967) {2014 Japan SHM-CD Blue Note 24-192 Remaster UCCQ-5016}

Bobby Hutcherson - Oblique (1967) {2014 Japan SHM-CD Blue Note 24-192 Remaster UCCQ-5016}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 246 Mb | MP3 @320 -> 97 Mb
Full Artwork @ 600 dpi (png) -> 232 Mb | 5% repair rar | 24bit 192kHz remaster
© 1967, 2014 Universal Japan / Blue Note | BN 75th The Masterworks | UCCQ-5016
Jazz / Post Bop / Vibraphone

Reissue. Features the high-fidelity SHM-CD format (fully compatible with standard CD player) and the latest remastering (24bit 192kHz). Bobby Hutcherson's second quartet session, Oblique, shares both pianist Herbie Hancock and drummer Joe Chambers with his first, Happenings (bassist Albert Stinson is a newcomer). However, the approach is somewhat different this time around. For starters, there's less emphasis on Hutcherson originals; he contributes only three of the six pieces, with one from Hancock and two from the typically free-thinking Chambers. And compared to the relatively simple compositions and reflective soloing on Happenings, Oblique is often more complex in its post-bop style and more emotionally direct (despite what the title may suggest).