Cannonball Adderley

Cannonball Adderley Sextet - Jazz Workshop Revisited (1962) [Reissue 2001]

Cannonball Adderley Sextet - Jazz Workshop Revisited (1962) [Reissue 2001]
EAC Rip | FLAC (tracks+.cue+log) - 378 MB | MP3 CBR 320 kbps (LAME 3.93) - 135 MB | Covers (4 MB) included
Genre: Jazz | RAR 3% Rec. | Label: Capitol Jazz (7243 5 29441 2 5)

In 1963 Cannonball Adderley signed with the Capitol label, retaining the rights to some master tapes recorded earlier while he was with Riverside. This CD (a straight reissue of an earlier LP) therefore contains music much closer to the altoist's freewheeling Riverside period than to his R&Bish Capitol dates. Adderley's greatest band - his sextet with cornetist Nat Adderley, Yusef Lateef (on tenor, flute and oboe), pianist Joe Zawinul, bassist Sam Jones, and drummer Louis Hayes - is featured on such exciting numbers as "Jessica's Day," Jones' "Unit 7," and "The Jive Samba." A special treat of this live date is hearing the leader's introductory words to several of the songs.
Eddie "Cleanhead" Vinson with the Cannonball Adderley Quintet - Cleanhead & Cannonball (1962) [Reissue 2002]

Eddie "Cleanhead" Vinson with the Cannonball Adderley Quintet - Cleanhead & Cannonball (1962) [Reissue 2002]
EAC Rip | WavPack (image+.cue+log) - 334 MB | MP3 CBR 320 kbps (LAME 3.93) - 128 MB | Covers (7 MB) included
Genre: Jazz, Blues | RAR 3% Rec. | Label: Milestone Records (MCD-9324-2)

A plethora of "lost" recording dates have popped up since the dawn of the compact disc, especially in the jazz world. Unfortunately, most of them haven't been worth the wait and, indeed, as underwhelming as some of them have been, it might - at least aesthetically speaking - have been better had they not been unearthed. Happily, this isn't one of these occasions. The two sessions here were recorded in 1961 and 1962 in Chicago and New York, and feature Cannonball Adderley's quintet that included pianist Joe Zawinul, bassist Sam Jones, drummer Louis Hayes, and brother Nat on cornet. Cleanhead sings his ass off and plays some alto with Cannonball…
Ray Brown & Cannonball Adderley - With the All-Star Big Band (1962) / Ray Brown / Milt Jackson (1965) [2012]

Ray Brown & Cannonball Adderley - With the All-Star Big Band (1962) / Ray Brown / Milt Jackson (1965) [2012]
EAC Rip | FLAC (image+.cue+log) - 471 MB | MP3 CBR 320 kbps (LAME 3.93) - 178 MB | Covers - 54 MB
Genre: Jazz | RAR 3% Rec. | Label: Universal Music (UCCU-3167)

"Ray Brown with the All-Star Big Band" is a 1962 album by the jazz double bassist Ray Brown accompanied by a big band featuring the alto saxophonist Cannonball Adderley.
"Ray Brown / Milt Jackson" is an album by bassist Ray Brown and vibraphonist Milt Jackson recorded in 1965 and released on the Verve label.

The Cannonball Adderley Quintet - Paris, 1960 (1997)  Music

Posted by gribovar at Feb. 20, 2018
The Cannonball Adderley Quintet - Paris, 1960 (1997)

The Cannonball Adderley Quintet - Paris, 1960 (1997)
EAC Rip | FLAC (image+.cue+log) - 306 MB | MP3 CBR 320 kbps (LAME 3.93) - 145 MB | Covers (11 MB) included
Genre: Jazz | RAR 3% Rec. | Label: Pablo Records (025218530323)

Norman Granz was on hand to record music from Cannonball Adderley's first European tour in 1960, but he and the Adderley estate have been parsimonious in dealing out the goods. It took 24 years for Part One, What Is This Thing Called Soul to emerge, and another 13 years passed before this follow-up album came out. But better late than never, as they say, and the reward is hearing Cannonball's alto in full ecstatic flight, lots of fighting work from brother Nat on cornet and the prized rhythm section of Victor Feldman (piano), Sam Jones (bass) and Louis Hayes (drums) in a state of complete rapport…

Cannonball Adderley - Verve Jazz Masters 31 (1994)  Music

Posted by gribovar at Feb. 9, 2018
Cannonball Adderley - Verve Jazz Masters 31 (1994)

Cannonball Adderley - Verve Jazz Masters 31 (1994)
EAC Rip | FLAC (tracks+.cue+log) - 243 MB | Covers - 24 MB
Genre: Jazz | RAR 3% Rec. | Label: Verve Records (522 651-2)

Verve Jazz Masters 31 presents an introduction to the recordings of Cannonball Adderley. The enclosed booklet includes biographical material and commentary on the songs selected.
Cannonball Adderley was a happy man in an angry time. His success was largely based on that fact and so were his limitations. Called 'the new Bird" because of his remarkable facility on the alto saxophone, he never plumbed the dark depths of sorrow the way his predecessor did: he was Ella Fitzgerald to Charlie Parker's Billie Holiday. Nor did he ebulllient saxophone is showcased here playing classic songs, in small combos, swinging octets, and backed by string orchestras - from his mid-Fifties output for Mercury and EmArcy. With Paul Chambers, Kenny Clarke, John Coltraine, J.J. Johnson, Wynton Kelly an, of course, Cannonball's brother, Nat.
Cannonball Adderley Quintet - Liederhalle Stuttgart '69 (2018)

Cannonball Adderley Quintet - Liederhalle Stuttgart '69 (2018)
Jazz | WEB FLAC (tracks) & d. booklet | 238 MB
Label: 2xHD | Tracks: 05 | Time: 38:30 min

This 1959 album captured a famous date indeed, with Cannonball and brother Nat leading the way through This Here among other tunes. Throughout the decade when pop ruthlessly swept jazz aside, the Adderley brothers managed to stay in business with their distinctive “spirit of the south” – an optimistic, life-affirming style of modern jazz, bursting with colour yet steeped in the blues. The Liederhalle concert was the highlight of the Cannonball Adderley Quintet’s 1969 European tour.
Cannonball Adderley Quintet - Liederhalle Stuttgart '69 (2018) [DSD128 + Hi-Res FLAC]

Cannonball Adderley Quintet - Liederhalle Stuttgart '69 (2018)
DSD128 (.dsf) 1 bit/5,6 MHz | Time - 38:32 minutes | 1,77 GB
FLAC (tracks) 24-bit/88,2 kHz | Time - 38:32 minutes | 811 MB
Studio Master, Official Digital Download | Artwork: Digital booklet

"Liederhalle Stuttgart '69" comes from the archives of German broadcaster Südwestrundfun and features five tracks from one of Cannonball Adderley Quintet's many post-World War II European performances. Pianist Joe Zawinul's Rumpelstiltskin is edgy and upbeat, showcasing a hard-swinging side to the ensemble, while The Painted Dessert's range of moods and tempos sees the five musicians working together to create something special and idiosyncratic.
Julian ''Cannonball'' Adderley - s/t (1955) {2003 Verve Music Group} **[RE-UP]**

Julian ''Cannonball'' Adderley - s/t (1955) {2003 Verve Music Group}
EAC Rip | FLAC with CUE and log | scans | 141 mb
MP3 CBR 320kbps | RAR | 81 mb
Genre: jazz

Julian "Cannonball" Adderley is the 1955 album by American jazz saxophonist Julian Adderley, who became better known under his nickname, Cannonball. Originally released by EmArcy Records (EmArcy meaning "MRC", or Mercury Record Company), this was his second album featuring Quincy Jones as his arranger. This pressing was released on 10 June, 2003 by Verve Music Group, remastered by Bob Irwin.
Cannonball Adderley Quintet - Country Preacher (1969) {1994 Capitol Jazz}

Cannonball Adderley Quintet - Country Preacher (1969) {1994 Capitol Jazz}
EAC Rip | FLAC with CUE and log | scans | 234 mb
MP3 CBR 320kbps | RAR | 92 mb
Genre: jazz

Country Preacher is the 1969 live album by American jazz saxophonist Cannonball Adderley and his quintet. Originally released by Capitol Records, this was released by Capitol Jazz on 1 November, 1994.
Cannonball Adderley with Bill Evans - Know What I Mean? (1961) {OJC Remasters Complete Series rel 2011 - item 06of33}

Cannonball Adderley with Bill Evans - Know What I Mean? (1961) {OJC Remasters Complete Series rel 2011 - item 06of33}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 341 Mb | MP3 @320 -> 137 Mb
Full Artwork @ 600 dpi (png) -> 531 Mb | 5% repair rar | 24bit remastering
© 1961, 2011 Riverside / Concord | 0888072326910
Jazz / Hard Bop / Saxophone / Piano

An extension of the popular Original Jazz Classics series (est. 1982), the new OJC Remasters releases reveal the sonic benefits of 24-bit remastering-a technology that didn't exist when these titles were originally issued on compact disc. The addition of newly-written liner notes further enhances the illuminating quality of the OJC Remasters reissues. "Each of the recordings in this series is an all-time jazz classic," says Nick Phillips, Vice President of Jazz and Catalog A&R at Concord Music Group and producer of the series.