The record has an interestingly stately air to it, considering Polly Eltes' breathy, quirky vocals and Michael Karoli's apparent fascination with variations on reggae rhythms (not too surprising, considering the spiritual link between Can and the output of Jamaican mixers.) The complete set would be more compelling and striking, though, if there were a little more focus – Karoli and Eltes spend quite a bit of time simply drifting into thematic hooks, leaving the listener in limbo for too long on a regular basis. When it clicks, though, it is excellent.
Wow!, what a fantastic DVD set it has everything a Can fan would want, three discs one mainly with a concert in 1972, the second one mainlya documentary and the third a music CD. The dvd's also have an interactive pc CDrom functions. Also their are loads of extras on each disc, a short and very humourous tribute by Brian Eno, individual interviews with the members. Short films with the members remastering specific Can tracks, you can sample the remastered tracks on the DVD. Their is the bands disography with photos of each CD, and a brief sample of one of the tracks on each respective album…
Austin-based indie rock band Spoon have announced a new album called "Hot Thoughts". It will follow the band's last full length album "They Want My Soul" that was released back in 2014. Britt Daniel revealed the album name in an interview during SXSW. Spoon stay in their well-earned lane but tweak the formula just enough on their ninth album, keeping their reliably great songwriting and adding new, electronic textures.
Though it was released over a decade later, the 22 tracks on CANNIBALISM II are a perfect match with the selections from the first volume. However, where that volume focused primarily on the group's earliest work, CANNIBALISM II directs its attentions to a broader range, covering tracks from 1968 to the group's first (temporary) breakup in 1978. Including obscure tracks like "Mother Upduff" (a musical recasting of the urban legend about the stolen grandmother's corpse), an excellent edit of the expansive "Animal Waves," and a fascinating remix melding "I Want More" and "And More" from 1976's FLOW MOTION, CANNIBALISM II functions as not only a convenient starting point for neophytes, but a handy collection for fans. Taken in toto, the three volumes of CANNIBALISM are as good a summation of this wide-ranging group's work as you're likely to find.