Not many records can be pinpointed as genuine historical turning points, but La Leyenda Del Tiempo is a bona fide before/after landmark in the flamenco world. El Camarón de la Isla, almost universally regarded as the greatest flamenco singer of all time, put aside his classic partnership with Paco de Lucía to record with different musicians and incorporate rock and jazz elements on an album often called the Sgt. Pepper's of flamenco. It was a radical, daring step by a singer in his late twenties who opened the door for a whole wave of musicians and bands who are still major figures in Spanish music. It cemented the legend of El Camarón de la Isla as a towering creative force who, much like Bob Marley in reggae, brought flamenco into the present without losing the essence of the root tradition.
John McLaughlin & Paco de Lucia: Paco and John - Live at Montreux 1987 it's truly a shame that, all too often, artists with diverse careers become pigeon-holed, defined by the primary genre in which they first achieved notoriety. Take guitarist John McLaughlin, for instance. Ask most jazz fans about him and what will first come out of most of their mouths will include either the words "fusion," "jazz-rock" and/or Miles Davis, in any permutation/combination (not that there's anything wrong with that). Those a little further in the know might also be aware of his longstanding investigation into the nexus of eastern and western music with his Indo-collaboration, Shakti.
Documentary about the life and work of Paco de Lucía. Including live performances, interviews and many different moments of the life of the artist. This production, with the collaboraration of Spanish TV and European channel ARTE, shows the everyday life of the artist, the international tours and the development of Paco's own philosophy and attitude towards life and guitar. With the participation of artists such as Chick Corea and many other people from the personal sorrounding of the artist.
En Vivo Conciertos España is the first release of new material in seven years, and first live album in 18, by the flamenco guitar god par excellence. While de Lucía's output has slowed down considerably in the past two decades, the same cannot be said of his prodigious dexterity, in light of this two-CD set culled from his 2010 Spanish tour. De Lucía performs extended variations of eight of his compositions (almost every track surpasses the ten-minute mark) together with his new band of guitarist Antonio Sánchez, bassist Alain Pérez, singers David de Jacoba and Duquende, harmonica player Antonio Serrano, and dancer Farru, all eminently up to de Lucía's notoriously high standards. A DVD with the "making-of" documentary La Inmortalidad del Concierto completes the release.
New version of the Paco de Lucía Integral, 27 CDs his complete work remastered. "Cositas Buenas", his last album, comes as a new in this new Integral. Now in a new economic format. This collection is a unique tour of the work of Paco de Lucia from 1964 to 2004. In an interview given during the editing of this album, Paco de Lucía confessed: “Making a record is having something new to say, you have to live, you have to feel things, fill yourself with new things so that this record is not a repetition of the previous. Every time I make a new record, I like to have something new to say, to create a surprise, so that the guitarist who puts on this album has something new to learn or to feel. That’s why they can take a bit of time.” And he had taken 8 years after Zyryab, and 10 since Siroco.
Writer Elizabeth Kinder embarks on a journey through Andalusia from Malaga to Cadiz to find the soul of flamenco, the beguiling mix of guitar, song and dance strongly associated with southern Spain's gypsies.