This album was published in 1979 by the great flamenco singer 'Camarón de la Isla'. It was the tenth of his production and, without argument, it is considered one of the most important works recorded in the history of flamenco. 'Camarón de la Isla' dedicated this personal tribute to the Andalusian poet Federico Garcia Lorca. From that moment on, nothing would be the same in the world of flamenco.
"La Leyenda del Tiempo es un poema mágico, extraordinariamente hechizante y de una fuerza evocadora tan grande que cada vez que lo escucho mi cabeza se va a otros universos y, como dice el poema, floto como un velero en el tiempo. (Desde el nadir) "
The record includes recordings of monumental figures of cante and toque, such as Camarón de la Isla, Paco de Lucía, Bambino or Carmen Linares. It is a compilation of a variety of styles with recordings of recent years. The legend of time, the legendary Camarón record and one of the greatest landmarks in the history of flamenco, is the starting point of the album Pa saber de flamenco. It is an instrument to begin to know and to distinguish the different styles of this music.
Not many records can be pinpointed as genuine historical turning points, but La Leyenda Del Tiempo is a bona fide before/after landmark in the flamenco world. El Camarón de la Isla, almost universally regarded as the greatest flamenco singer of all time, put aside his classic partnership with Paco de Lucía to record with different musicians and incorporate rock and jazz elements on an album often called the Sgt. Pepper's of flamenco. It was a radical, daring step by a singer in his late twenties who opened the door for a whole wave of musicians and bands who are still major figures in Spanish music. It cemented the legend of El Camarón de la Isla as a towering creative force who, much like Bob Marley in reggae, brought flamenco into the present without losing the essence of the root tradition.
"La leyenda del tiempo" marked a giant step in the renewal of flamenco, both for originating from Camaron - who by now moved the masses around him - as well as for the bravery of including rock and jazz instrumentation in flamenco". Camaron de la Isla is one of the finest flamenco musicians Spain has ever produced, and this is perhaps his best album. It is one of the first–and most powerful–instances of traditional flamenco being melded with modern sounds (e.g. electric bass guitar and backing drums) but is LIGHT YEARS better than the hollow, fluffy modern flamenco fusion so popular today. Mixing traditional cante jondo with rock-influence, deep bass famenco fusions, "Leyenda del Tiemp" provides an amazing experience every listen.
Compilation album by José Monje Cruz 'Camarón' (1950-1992), the artist of the flamenco artists, the people's idol singer, the real helm of the new flamenco. This is one of his last CDs, released in 1991, which includes an overview of his work, selected by the singer himself and shows us the different types of singing by Camarón and his incredible ability to undertake the various flamenco styles with his art, his grace and passion.
A recording of just over fifty minutes of singing José Monje Cruz, then a child under 17 years in the tape of Juan Vargas. The first four songs on the album were recorded outdoors, at the door of the Venta de Vargas. The sound is clear and captures, without echoes, nuances of voice and guitar Shrimp. The second part, the topics of 6 to 10, belong to a party in an interior room of la Venta.
For the first time ever, the complete recordings of Vicente Amigo, together in a 6 CD + 1 DVD box set, available only as limited edition. Limited special new pack with all the work of this brilliant guitarist. Since he came out his first album in 1991, VICENTE AMIGO is considered as one of the biggest artist of the flamenca guitar and his carreer is punctuated of gratitudes: Grammy Latino of the best flamenco disc in 2001; best flamenco guitarist for the magazine Guitar Player in 1993; two music awards in 1998 and 1999; a Ondas Prize in 2002… just to name some of them.
With the death from lung cancer of Camarón de la Isla (born José Monge Cruz) on July 2, 1992, flamenco lost one of its greatest vocalists. The son of a basket-maker, de la Isla revolutionalized the flamenco tradition with his contemporary-minded approach. His debut 1969 album, Con la Colaboracion Especial de Paco de Lucia, recorded with the accompaniment of virtuosic guitarist Paco de Lucia, remains one of flamenco's classic recordings. Although he retired from touring in 1979, de la Isla continued to produce groundbreaking albums.