"Wicked" Lily Bishop joins a wagon train to California, led by Michael Fabian and Johnnny Trumbo, but news of the Gold Rush scatters the train. When Johnny and Michael finally arrive, Lily is rich from her saloon and storekeeper (former slaver) Pharaoh Coffin is bleeding the miners dry. But worse troubles are ahead: California is inching toward statehood, and certain people want to make it their private empire.
To celebrate what would have been Herbert von Karajan's 100th birthday on April 5, 2008, EMI has gathered together all of the conductor's recordings for the label in two super-budget boxed sets. Volume 1 weighs in at an imposing 88 discs and focuses on orchestral repertoire (the second volume consists of vocal and operatic works). The first nine discs encompass Karajan's EMI Vienna Philharmonic sessions…
André Previn was just 16 years old when he recorded the earliest numbers on Previn at Sunset, but he was already a brilliant pianist and a busy arranger at the MGM studios. Most (but not quite all) of the recordings that he made for the Sunset and Monarch labels, among the earliest in his career, are here. A major swing stylist who had not yet been affected by bop, Previn is heard on some unaccompanied solos; in three different trios with such sidemen as guitarists Dave Barbour or Irving Ashby, bassists John Simmons, Eddie Safranski, or Red Callender, and drummer Lee Young; and a couple of jam tunes ("All the Things You Are" and "I Found a New Baby") with a sextet also either Buddy Childers or Howard McGhee on trumpet, altoist Willie Smith, and Vido Musso on tenor. The small group swing performances are quite enjoyable, and the teenage pianist easily keeps up with the other, more famous players.
Volume 2 of EMI's comprehensive Herbert von Karajan centenary edition gathers virtually all of the conductor's operatic and vocal output for the label in one place, taking up 71 CDs (Disc 72 contains complete librettos in the form of PDF files). I use the word "virtually" because the package omits four posthumously issued archival items taped live during the 1957-60 Salzburg Festivals (Beethoven's Missa solemnis, Brahms' German Requiem, Bruckner's Te Deum, and Verdi's Requiem). Otherwise, it's all here.