Essential: A masterpiece of Progressive-Rock music
As I already said before in a Darryl Way’s Wolf review, bands who play simultaneously electric violin and electric guitar are rare; The Flock belong to this select group. As if it was not enough, a very inspiring Zappa-esque mini-brass section garnishes furthermore the melodies, often falling into a refined fusion style: because of all that, The Flock remains a very unique band, capable of being hard rock, big band, bluesy, psychedelic, fusion or even folk: that’s why we can classify them as an art rock artist, since they can borrow different musical styles.
Sax-a-Go-Go is the second album by Dutch alto saxophonist Candy Dulfer. It entered the Billboard Top Contemporary Jazz Album chart at #5 in February 1994, remaining in the chart for 31 weeks. The album "is dedicated to the loving memory of Beppie" and includes a version of Eugene McDaniels' Vietnam War protest song "Compared to What", first recorded by Roberta Flack on her debut album First Take (1969). "I Can't Make You Love Me" was a hit for Bonnie Raitt on her album Luck of the Draw (1991).
One of the best songwriters of the 1960s and early '70s, with an unassuming style that managed to sound like Fred Neil, J.J. Cale, Jim Croce, Randy Newman, Leonard Cohen, and early Tom Waits by turns (and sometimes all at once), Jesse Winchester would have been as well known and regarded as any of these had history not swept him from Louisiana, where he was born, to Montreal, Canada, where he took up residence in exile (like thousands of other young men at the time) to avoid the Vietnam War. Winchester was working gigs as a lounge pianist when his draft notice came, and while he joined a couple of local bands after his flight to Canada, his life as a musician had been torn apart.