Following the success of the first edition, the updated and revised DC Comics Encyclopedia offers even more incredible DC detail and imagery than the original. 48 brand-new pages include major updates on characters and storylines (including the recent "Infinite Crisis" story arc). This spectacular, up-to-the-minute encyclopedia will delight comic fans of every age. --
This copiously illustrated encyclopedia chronicles more than 1,000 DC Comics characters from the 1930s to the present. Arranged alphabetically, each entry gives the first appearance, status (hero, villain, etc.), real name, occupation, height, weight, and eye and hair color of the superheroes or supervillains. Special abilities and superpowers are also listed along with ample cross-references to other comic characters or superleague affiliations, such as the L.E.G.I.O.N. cosmic peacekeeping force. The biographical entries make fascinating reading in alternative history... Of course, famous characters such as Wonder Woman or Batman are included. But lesser-known characters, such as Superman's college flame, Lori Lemaris (a mermaid), are also listed. The colorful design makes this book a pleasure to browse. Special two-page features, such as "Amazing Weapons" and "Romantic Moments," are interspersed with the biographies. Recommended for public libraries with active comic readership. --
From cautious beginnings Improv II quickly expands into lolloping beast of a track providing what is arguably the best set-up to Exiles to date. As Cross and Wetton hurl fuzzed lines across the stage over one of Bruford’s slow-burning jazz vamps, Fripp introduces one sustained note that lasts somewhere in the region of 37 seconds. An object lesson in making a little go a long way.
Though this particular line-up were edging closer to oblivion, listening to this full show 30 years after the event, the energy levels are astounding. In his journal from the time RF described the show as "Tired. Lifeless. Lacklustre” Maybe Fripp’s estimation of the gig was informed by his recovering from mild food poisoning, the cumulative effect of prunes and a boil in his ear! It seems nobody was happy this particular night. Sound engineer George Chkaintz had trouble with the sound in the recording truck, roadie Tex is frightened to turn down Wetton’s amp despite the discreet urgings of other members of the band and crew, Fripp is giving tour manager Dik Frasier grie, and the promoter isn’t best pleased because the band haven’t done an encore!
This is King Crimson’s first performance in front of a crowd since they had wowed the punters at Le Spectrum (documented on Absent Lovers) back in 1984. Essentially a dress rehearsal in front of invited guests and the South American press, the tickets that had been made available sold out in two hours flat.
Ever wanted to know what happens after the edit on the storming Asbury Park or the fade out on that contemplative solo on Easy Money? Well now you can find out! Presented uncut for the very first time using unreleased mixes from the multitracks without Eddie Jobson overdubs (as on USA), the power of this gig is tangible. Despite the internal politics and tensions of the period, the band taps into a ferocious energy that never stops burning.