Haydn’s Creation, the culmination of his life’s work, in a legendary 1986 performance conducted by Leonard Bernstein in the exquisite Baroque splendor of the Benedictine Abbey of Ottobeuren, Bavaria, now available on DVD for the first time. This spectacular performance also includes Bernstein’s spoken introduction to the performance —always an invaluable addition to any concert.
The music of Franz Joseph Haydn (1732–1809) is so technically superb, so widely imitated, and so rich in quality and quantity that almost since the moment of its creation it has exemplified the Classical style. More than any other single composer, it was Haydn who created the Classical-era symphony. And his 68 string quartets? They are the standard by which all other Classical string quartets were and are judged. No less an expert than Mozart wrote that it was from Haydn that he had learned how to write quartets.
Sir Simon (Denis) Rattle became one of the world's leading conductors at an unusually early age. As a boy, Rattle studied percussion; at the age of 11, he appeared as a percussionist with the Royal Liverpool Philharmonic Orchestra. He joined the National Youth Orchestra, again as a percussionist, and began conducting when he was a teenager. At 15, he founded and conducted the Liverpool Sinfonia.
The music of Franz Joseph Haydn (1732–1809) is so technically superb, so widely imitated, and so rich in quality and quantity that almost since the moment of its creation it has exemplified the Classical style.
The London symphonies, sometimes called the Salomon symphonies after the man who introduced London to Joseph Haydn, were composed by Joseph Haydn between 1791 and 1795. They can be categorized into two groups: Symphonies No.93 through 98, which were composed during Haydn's first visit to London, and Symphonies No.99 through 104, composed in Vienna and London for Haydn's second London visit.
One of the most respected British conductors of Mozart; Jane Glover was, from 1984 to 1991, Artistic Director of the London Mozart Players. Under her leadership the orchestra expanded its repertoire beyond the great 18th Century classics to take in a wider range of contemporary works. In addition to their adventurous and highly praised London concerts, Jane Glover and the orchestra toured throughout the U.K. and abroad, to France, Germany, Italy, Spain, Japan and the Far East. In 1991 they made their sixth appearance together at the BBC Promenade Concerts. Their many recordings include a major and highly acclaimed series of Mozart and Haydn symphonies for ASV (the set of Mozart's Symphonies 25-41 won the Music Retailers' Association Award for Excellence in 1992, as had their recording of arias with Felicity Lott in 1991), as well as works by Britten and Walton.
Haydn’s Creation, the culmination of his life’s work, in a legendary 1986 performance conducted by Leonard Bernstein in the Baroque splendour of the Benedictine Abbey of Ottobeuren, Bavaria. Includes Leonard Bernstein’s spoken introduction to the performance.
“Bernstein held it all together with maximum expressive power and spirit of contemplation. A great, moving occasion.” Abendzeitung (Munich) [concert review]
“The Creation gives us time to remember – and rejoice in – the purity and grace and fortitude of Nature, to restore our souls, to recover our moral strength, and to rediscover our power to praise” (Leonard Bernstein)