Coltrane Jazz is the sixth studio album by jazz musician John Coltrane, released in 1961 on Atlantic Records. The song "Villa's Blues" is noted as a landmark recording, as it marks the first session date of the early John Coltrane Quartet on record. Featured alongside Coltrane are pianist McCoy Tyner, drummer Elvin Jones, and bassist Steve Davis. On June 20, 2000, Rhino Records reissued Coltrane Jazz as part of its Atlantic 50th Anniversary Jazz Gallery series. Included were four bonus tracks, two of which had appeared in 1975 on the Atlantic compilation Alternate Takes, the remaining pair earlier issued on The Heavyweight Champion: The Complete Atlantic Recordings in 1995…
In its ongoing series of reissues under the Double Time Jazz Collection moniker, Eagle Eye Media has put together two tribute shows on one DVD that demonstrate how a conception that is reverent yet forward-thinking can work wonderfully in one instance, and somewhat less-so in another. Tribute to John Coltrane: Live Under the Sky is an almost relentless, take-no-prisoners homage to Coltrane that works because it tries to take his music to a new place that is nevertheless respectful of its roots. Tribute to Bill Evans: Live at the Brewhouse is less successful because, while the musicianship is uniformly excellent, the lineage to Evans is less direct.
Classic Records has a format called HDAD. On one side, there is DVD-A content at 192kHz-24bit, and on the other there is DVD-V content at 96kHz-24bit. The DVD-A content is NOT WATERMARKED. It's a yummy situation!
This Savoy double CD brings together in one package all of the label's sessions led by Harden, a talented young musician who turned up briefly, disappeared and is presumed to have died in the 1960s. It includes several alternate takes, giving ample evidence of his attractiveness as a player. He wrote all the pieces, which are more substantial than the on-the-spot "compositions" of many Savoy sessions of the '50s. Sometimes playing trumpet and sometimes rotary valve flugelhorn, he was capable of range, power and bursts of speed, but he built many of his solos on a base of restraint, lyricism and a certain wistfulness.