Arthur Clarke, un jour, reçut une proposition proprement insensée : " Faisons ensemble le bon film de science-fiction - celui dont tout le monde parle et que nul n'a jamais vu. " La lettre était signée Stanley Kubrick. L'écrivain accepta ; il sortit de là un film, puis deux, trois et finalement quatre romans. …
Under the watchful eye of famed producer Michael Cuscuna, this nine-CD set serves as a compilation of Stitt's 1950s and 1960s Roost LPs. This release also features a 28-page booklet consisting of comprehensively annotated liners. Moreover, the record label does its best to convey the artistic element via a series of black-and-white photos of Stitt and his sidemen amid anecdotes by many of the late saxophonist's affiliates. Interestingly enough, seven of the original LPs did not list personnel. In some instances, guesses were made, although most of these tracks are well-documented, thanks to the producer's diligence and painstaking research. Artists such as drummer Roy Haynes, bassist/composer Charles Mingus, and pianist Harold Maber represent but a few of Stitt's accompanists.
Ben's first full-length record, this 1963 release contains the hit singles "Mas Que Nada" and "Chove Chuva" and typifies the light yet propulsive rhythms that afforded Ben a decades-long career in Brazilian pop. Not yet pared down to the more rock- and Afro percussive-driven sound he eventually developed, Samba Esquema Novo (which translates to "New Style Samba") is replete with swirling bossa nova rhythms and soaring choruses. Its big-band-style accompaniment, nicely off-set by Ben's signature minor-tone guitar workings, propels the set into an upbeat and enjoyable listen.
Elengó, Roberto’s third album illustrates his unique talent. It is a riveting performance that is truly moving. Fonseca’s Latin flavored music is inspired and is a fusion of unique talent and composition. Roberto is also the arranger of the album.
Reissue of the album recorded with Dusko Goykovich, et al. 24bit digitally remastered. Cardboard sleeve (mini LP). This is one of the rarest of all Blue Note albums, and one that is a must for record collectors. The Francy Boland/Kenny Clarke big band was one of the most exciting orchestras of the 1960s and ‘70s. Much less known but also brilliant was a unique octet co-led by Boland and Clarke just prior to the big band.