In his courses, Howard uses Results Technologies to instigate instant change on a subconscious level.
Just ten or fifteen years ago, the idea that two pieces might be enough to fill an album of Howard Skemptons music would have seemed astonishing, but here are two works, each over 30 minutes long. Skempton takes on Coleridge's epic poem The Rime of the Ancient Mariner, and presents it sparsely for solo baritone (Roderick Williams) and small chamber ensemble (BCMG).
These quartets are Juilliard specialties, and anyone wanting to hear this music played with a near ideal combination of virtuosity and humanity need look no further. Carter's quartets are not for the musically faint of heart: they are uncompromisingly thorny, intricate pieces that require lots of intense, dedicated listening. Very few people doubt their seriousness–or even their claims to musical greatness–but just as few people enjoy listening to them. Perhaps this spectacular set will encourage the adventurous to give them a shot. They're worth the time.
A note of caution first to the unobservant purchaser who picks up this CD, believing, in glee, that he has stumbled across a premiere recording of Alessandro Scarlatti's Dixit Dominus, newly come to light - or, if not, possibly by his son, Domenico, usually better known for his keyboard music. These works, indeed premiere recordings, are in fact by Domenico's uncle and Alessandro's younger brother, Francesco.