Success in Europe quickly followed and he appeared with the Berlin and Vienna Philharmonic Orchestras as well as local orchestras in London, Stockholm, Edinburgh, Lucerne, Milan, Salzburg and Paris. It is from this time that the superb recordings in this 21-CD set were made. Here is a special selection of some of EMI's celebrated Furtwängler recordings, some recorded live at concerts and some made in the studios.
After having established her reputation for all time by singing 'The Angel' in Elgar's Dream of Gerontius with Sir John Barbirolli in 1964, Dame Janet Baker became the mezzo-soprano of choice for numerous conductors, bringing to each performance her incisive musicality, clear diction and natural warmth of tone that endeared her to audiences all over the world. Her range was enormous - from Monteverdi through to 20th century composers, particularly Britten.
Portrayed in Hilary and Jackie , notorious for her marriage to Daniel Barenboim and mourned for the life and career she lost to multiple sclerosis, Jacqueline du Pr+ª is still best remembered as one of the finest musicians Britain has ever produced. Few cellists could hope to achieve the level of mastery and emotion she poured into her treasured EMI recordings, collected here in complete form on 17 CDs: her stunning interpretations of Elgar, Dvorak, Beethoven, Schumann, Bach, Chopin, Haydn, Brahms, Strauss and more!
This set of 20 CDs presents virtually everything that was recorded by Steinberg during the seven years that he recorded for Capitol: from the Schubert Second Symphony, recorded on 9 February 1952, to the Italian Serenade by Wolf, from 16 April 1959. There are some exceedingly good performances in this set and the recordings show that Capitol Records were at the technical forefront when it came to sound quality and production values.
In 1926 Eugene Jochum made his successful concert debut as a conductor. He acquired a repertory of over 50 operas and conducted concerts all over Germany. The acknowledgment of his excellence led to his appointment as musical director for Berlin radio. His reputation grew particularly in the field of the German Romantic Symphonies of Beethoven, Brahms and Bruckner and was presented with the Brahms medal by the city of Hamburg.
Jacqueline du Pre’s career, though tragically brief, coincided with a golden age of recording. This 17-disc treasury unites her entire EMI Classics legacy and includes – for the first time on CD – two Bach sonata movements from her 1962 debut recital for the label. Interpretations long recognised as classic are joined by further rarities, among them the Lalo Cello Concerto, recorded with Daniel Barenboim and the Cleveland Orchestra in 1973, and, from 1968, Strauss’s Don Quixote under Sir Adrian Boult. This collection includes the very latest Abbey Road remasters of Du Pré’s recordings in one definitive boxed set and offers the listener the ultimate listening experience with a fantastic clarity of sound and dynamic range. The collection includes a full-colour 32-page booklet detailing the life and art of Du Pré in both words and pictures as well as a timeline overview of her career.
One of Analogue Productions' most successful and collectible projects has been the Miles Davis Quintet/The Great Prestige Recordings deluxe box set on 33 1/3 LP. Now, that beautiful five-album set is being reintroduced. And at 45 RPM, it's more stunning than ever! Featuring a 12" x 12" 16-page gorgeous booklet, packaged with the LPs in a deluxe, heavy-duty box, this set is the end-all of Miles' work for the legendary Prestige label from 1951 through 1956. Stereophile awarded the first incarnation of this set Recording of the Month in their March 1997 issue, giving it five stars for both music and sonics. That was at 33 1/3 RPM. Imagine these same records at 45 RPM!
Kathleen Ferrier (22 April 1912–8 October 1953) remains one of the best-loved British singers of our time. The eminent vocal expert Alan Blyth wrote of her in 1998: ‘Kathleen Ferrier, a legend in her own lifetime, has certainly become one since her untimely death in 1953. Her professional life, lasting little more than a decade, saw her rise from the obscurity of appearing with choirs in the north of England to the eminence of an international career in the company of such conductors as Barbirolli, Walter and Klemperer. It was an extraordinary transformation in every respect, but one wholly justified by the dignity and conviction of her singing and the commitment of her interpretations.’