Detroit in the 1940s and ‘50s didn’t have a thriving record industry like Chicago. Detroit artists went there because that’s where the companies were. Even musicologist Alan Lomax made just one visit for the Library of Congress in 1938, when he recorded Calvin Frazier and Sampson Pittman. Nevertheless, enterprising individuals like Jack and Devora Brown, Bernard Besman and Joe Von Battle did their best to reflect the city’s musical talent.
The four-disc box set called the Acoustic Collection: 1999-2002 assembles the three albums Dolly Parton cut for the independent Sugar Hill label, and a hodgepodge bonus DVD. The albums – The Grass Is Blue, Little Sparrow, Halos & Horns – were all critically acclaimed as they signified a return by Parton to her bluegrass and backwoods country roots. That said, there are cover versions here of many songs, including one of Led Zeppelin's infamous, ubiquitous hit, "Stairway to Heaven." The enclosed DVD features five new song mixes for "Seven Bridges Road," "Travelin' Prayer," "Train, Train," "Shine," and "I'm Gone." There are two non-Parton performances recorded at the Dolly Parton Tribute by Kasey Chambers and Sinéad O'Connor, three videos for songs from this collection, and a duet performance between Parton and Norah Jones singing "The Grass Is Blue."
An inspiring, authoritative, chronological overview of one of the defining label-orchestra relationships, documenting 100 years of recording between two giants in music, the Berliner Philharmoniker and Deutsche Grammophon, from 1913 to 2013.
Features the high-fidelity SHM-CD format (compatible with standard CD player) and the latest 24bit 192kHz remastering. Oh Baby is right – as the album's one of the best John Patton albums for Blue Note – a perfect mix of funky organ and burning hardbop! The tracks hare are all originals penned for the album – mostly by Patton, but also by other group members – the kind of fresh grooves that made John's organ work for Blue Note really stand out from the rest of the 60s Hammond generation – very creative stuff, with occasional modern touches, and a rhythmic conception that's not only unusual, but which also really lets the soloists stretch out on their grooves! Players include Harold Vick on tenor, Blue Mitchell on trumpet, Ben Dixon on drums, and Grant Green on guitar – and the album's about as sharp as you can get for a Blue Note organ session. Titles include "Fat Judy", "Each Time", "One To Twelve", and "Night Flight".
Decca's five-CD set Ultimate Beethoven is a respectable beginner's introduction to the music of Ludwig van Beethoven because it presents his greatest masterworks in complete performances by major artists. Where some other collections present only short, thematic excerpts or single movements taken from larger works, obliging the listener to put in additional effort to hear the whole compositions, this set leaves nothing incomplete. Central to Beethoven's output are his symphonies, and the Symphony No. 5 in C minor; the Symphony No. 6 in F major, "Pastoral"; and the Symphony No. 9 in D minor, "Choral" have long been regarded as essential works.