CD Schutz

Roger Norrington, London Classical Players, Schutz Choir - Mozart: Requiem, Ave verum corpus, Masonic Funeral Music (2013)

Wolfgang Amadeus Mozart - Requiem, Ave verum corpus, Masonic Funeral Music (2013)
Nancy Argenta, soprano; Catherine Robbon, alto; John Mark Ainsley, tenor; Alastair Miles, bass
Schütz Choir of London; London Classical Players; Sir Roger Norrington, conductor

EAC | FLAC | Tracks (Cue&Log) ~ 239 Mb (incl 5%) | Mp3 (CBR320) ~ 138 Mb (incl 5%) | Scans ~ 55 Mb
Genre: Classical, Choral | Label: Virgin Classics | # 50999 7 35296 2 0 | Time: 00:57:45

The Mozart Requiem is one of the best-known sacred works in the classical repertoire. It was the composer's last work, and he left it unfinished at his death. British conductor Roger Norrington, a pioneer of authentic performing practice, and an outstanding group of singers present Duncan Druce's version of the Requiem, based on the latest Mozart research, together with other moving choral works.

VA - Baroque Masterpieces 60 CD Box Set Part 3 (2008)  Music

Posted by Discograf_man at Dec. 8, 2015
VA - Baroque Masterpieces 60 CD Box Set Part 3 (2008)

VA - Baroque Masterpieces 60 CD Box Set Part 3 (2008)
Classical, Baroque | MP3 CBR 320 kbps | 3,21 Gb | E-Booklet - 71 Mb
Label: Sony Bmg | Release Year: 2008

Baroque Masterpieces - collection of Baroque music in the best performance in the company Sony BMG DHM Artenova. One of the best collections of Baroque music! The greatest works - the legendary performance! Baroque music is a style of European classical music in the period from about 1600 to 1750. The Baroque era follows the Renaissance and the Classical period precedes. The main in this music was an expression of emotions. Baroque music - this violence and ecstasy, in contrast to the confidence and independence of the Renaissance.
Koch - Schutz - Studer - Demierre - Marti - Wittwer - CHOCKSHUT (1991) {Intakt}

Koch - Schutz - Studer - Demierre - Marti - Wittwer - CHOCKSHUT (1991) {Intakt}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 274 Mb | MP3 @320 -> 135 Mb
Full Artwork @ 300 dpi (jpg) -> 7 Mb | 5% repair rar
© 1992 Intakt Records | CD 031
Jazz / Modern Creative / Free Improvisation

Chockshut is the evidence that the Koch-Schütz-Studer trio have expanded their lineup, and consequently, their ability to wreak havoc on musical structures everywhere. Adding a guitarist like Stephan Wittwer, for whom heavy metal and free jazz are synonymous terms, or trombonist Andreas Marti, with his penchant for lower-register sheets of sound, or a pianist such as Jacques Demierre, who writes music and plays in the theater, creates a sextet of uncommon possibility. True to form, the ten selections on Chockshut are full of sharp cuts and quick maneuvers to break the music out of any recognizable compositional form.
German Lieder: Medium & Low Voice Parts I, II (Vocal, Piano) by CD Sheet Music (Repost)

German Lieder: Medium & Low Voice Parts I, II (Vocal, Piano) by CD Sheet Music
German | 2006 | ISBN: 1423428188, 1423428196 | 4000 Pages | RAR/PDF | 290,1 MB
Schutz: Italian Madrigals - Junghanel, Cantus Colln (2011)

Schutz: Italian Madrigals - Junghanel, Cantus Colln (2011)
EAC Rip | Flac (Image + cue + log) | 1 CD | Full Scans | 242 MB
Genre: Classical | Label: Harmonia Mundi | Catalog Number: 501686

Although most of Heinrich Schütz's surviving music is for the church, his first published work was this set of Italian madrigals–a remarkable collection of pieces that perfectly capture the style while continually throwing off sparks of originality. Dedicated to a patron back in Germany who funded his two-year study in Venice with the great master, Giovanni Gabrieli, these 19 madrigals are rich in imagery and occasionally make tantalizingly brief forays into harmonic territory reminiscent of Gesualdo.
Heinrich Schutz: Italian Madrigals (Italienische Madrigale) - Capella Lipsiensis, Dietrich Knothe (1971)

Heinrich Schutz: Italian Madrigals (Italienische Madrigale) - Capella Lipsiensis, Dietrich Knothe (1971)
1 CD | EAC Rip | APE, IMG+CUE, LOG | 247 MB in 3 parts | TT 55:38 | 38 MB Covers, Complete Booklet, Bonus Material
Baroque | Vocal | Label: Berlin Classics | Cat.Nr: BC 2102-2 | RAR 3% Rec. | Sharebee = Megaupload + DepositFiles + zSHARE + Badongo (NO Rapidshare)
Recording: Leipzig, Versöhnungskirche, 11/1971


"Il Primo libro di Madrigali", Venedig, 1611, at Gardano

In a memorial from 1651, Heinrich Schutz gave an account of his life, retracting the formative years in Venice from 1609 when he began to "study music with the utmost diligence. With the help of God I attained such fame that after three years (one year before I left Italy for home) I had my first little piece of music printed in Italian, earning extravagant praise from the most distinguished musicians in Venice…"
El Camaron de la Isla & Paco de Lucia - Rosa Maria (1976) {2011 Nueva Integral Box Set CD 08of21}

El Camaron de la Isla & Paco de Lucia - Rosa Maria (1976) {2011 Nueva Integral Box Set CD 08of21}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 212 Mb | MP3 @320 -> 85 Mb
Full Artwork @ 600 dpi (jpg) -> 14 Mb | 5% repair rar
© 1976, 2011 Philips / Universal Music Spain | 0602498715956
Flamenco / World Music / Vocal / Guitar / Latin / Western European Traditions

A limited edition of the Camaron de la Isla 'Integral' box-set. It represents a veritable journey through his life and singing. It includes 21 original albums. The first 17 of them were made in recording studios by Camaron from 1969 to 1992 while he was alive. The eighth album in Camaron de la Isla's discography with Philips record company, "with the special collaboration of Paco de Lucia" and Ramon de Algeciras on guitar. A varied summary of flamenco styles - from the Chacon taranta to El Mellizo tientos, with sevillanas and fandangos caracoleros in between - which was dubbed at the time as a "jewel of a record".

Gyorgy Ligeti edition: CD 7. Chamber Music [1998]  Music

Posted by Aregak at Feb. 23, 2017
Gyorgy Ligeti edition: CD 7. Chamber Music [1998]

Gyorgy Ligeti edition: CD 7. Chamber Music [1998]
EAC Rip | FLAC, IMG+CUE, LOG | Covers | 1cd, 317 MB
Classical | Label: Sony Classical | Catalog Number: 62309 | TT: 71’01

These chamber works bring Sony's adventurous, timely Ligeti series to a natural pinnacle. Long the challenger of stylistic stasis and customary demonstrations of excellence, Ligeti has outdone himself here (as he did with the fantastic Mechanical Music release). The Trio for Violin, Horn, and Piano (1982) challenges its players to stay in step with each other even while expanding virtuosity to the breaking point. Marie-Luise Neunecker plays such full horn parts that they roll flow over the tonal bounds, as does Saschko Gawriloff's violin and Pierre-Laurent Aimard's piano… –Andrew Bartlett..
VA - Bavarian Radio Symphony Orchestra: 60th Anniversary Box Set (2009) (7 CD Box Set)

VA - Bavarian Radio Symphony Orchestra: 60th Anniversary Box Set / 60 Jahre Symphonieorchester des Bayerischen Rundfunks (2009)
MP3 320 kbps | 7 CDs | 06:40:24 min | Covers included | 1,06 Gb
Genre: Classical, Ballet, Orchestral, Vocal / Label: BR-Klassik

Box set celebrating the Symphonieorchester des Bayerischen Rundfunks' 60th anniversary. Some of the featured conductors include Eugen Jochum, Rafael Kubelik, Lorin Maazel and Mariss Jansons.
Freddie Hubbard - Anthology: The Soul-Jazz and Fusion Years 66-82 (2002) {2CD Soul Brother Records CD SBPJ 10 D}

Freddie Hubbard - Anthology: The Soul-Jazz and Fusion Years 66-82 (2002) {2CD Soul Brother Records CD SBPJ 10 D}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 0.99 Gb | MP3 @320 -> 365 Mb
Full Artwork @ 300 dpi (jpg) -> 26 Mb | 5% repair rar
© 1966-82, 2002 Soul Brother Records / Passion Music | CD SBPJ 10 D
Jazz / Soul Jazz / Jazz Funk / Fusion / Trumpet / Flugelhorn

This collection on the U.K.'s Soul Brother imprint is a very compelling look at a big slice of Freddie Hubbard's long career as a leader, and one that gets ignored for the most part. Hubbard recorded over 20 records between Backlash, his Atlantic debut in 1966, and Ride Like the Wind for Elektra in 1982, with lengthy stops at Columbia and CTI (as well some straight hard bop and post-bop outings for labels Fantasy and Pablo). In many cases, some of these original recordings were not only disregarded by more traditional jazzheads, they were regarded with outright hostility. It didn't matter to Hubbard, however, because at the time, these were among his best-selling albums and connected with the public deeply.