Hundreds of years before the birth of Christ, a collection of love songs grew up. Under the title of the “Most beautiful of songs”, they found a home in the Old Testament-it was Martin Luther who first gave them the name of “Song of songs”-and since that time they have inspired and fascinated a vast number of theologians, mystics, philosophers, poets, painters, and, last but not least, composers. Particularly during the Baroque period, these poetic, sensual, vividly descriptive texts were set over and over again to music, and they inspired librettists to expand on the original texts.
The Mozart Requiem is one of the best-known sacred works in the classical repertoire. It was the composer's last work, and he left it unfinished at his death. British conductor Roger Norrington, a pioneer of authentic performing practice, and an outstanding group of singers present Duncan Druce's version of the Requiem, based on the latest Mozart research, together with other moving choral works.
Baroque Masterpieces - collection of Baroque music in the best performance in the company Sony BMG DHM Artenova. One of the best collections of Baroque music! The greatest works - the legendary performance! Baroque music is a style of European classical music in the period from about 1600 to 1750. The Baroque era follows the Renaissance and the Classical period precedes. The main in this music was an expression of emotions. Baroque music - this violence and ecstasy, in contrast to the confidence and independence of the Renaissance.
Chockshut is the evidence that the Koch-Schütz-Studer trio have expanded their lineup, and consequently, their ability to wreak havoc on musical structures everywhere. Adding a guitarist like Stephan Wittwer, for whom heavy metal and free jazz are synonymous terms, or trombonist Andreas Marti, with his penchant for lower-register sheets of sound, or a pianist such as Jacques Demierre, who writes music and plays in the theater, creates a sextet of uncommon possibility. True to form, the ten selections on Chockshut are full of sharp cuts and quick maneuvers to break the music out of any recognizable compositional form.
Vocalist Fritz Wunderlich's legacy is an impressive quantity of recordings, from popular music to Operetta, German and Italian operas and German Lied, additionally he sang baroque and spiritual works.
This is glorious compilation of Mr. Wunderlich's astounding recordings. To my knowledge, this 10 CD box set has not been available in America. Here, as never before, we find most of the recordings being made when he was 26 years old! I highly recommend purchasing this for your collection!
Although most of Heinrich Schütz's surviving music is for the church, his first published work was this set of Italian madrigals–a remarkable collection of pieces that perfectly capture the style while continually throwing off sparks of originality. Dedicated to a patron back in Germany who funded his two-year study in Venice with the great master, Giovanni Gabrieli, these 19 madrigals are rich in imagery and occasionally make tantalizingly brief forays into harmonic territory reminiscent of Gesualdo.
"Il Primo libro di Madrigali", Venedig, 1611, at Gardano
In a memorial from 1651, Heinrich Schutz gave an account of his life, retracting the formative years in Venice from 1609 when he began to "study music with the utmost diligence. With the help of God I attained such fame that after three years (one year before I left Italy for home) I had my first little piece of music printed in Italian, earning extravagant praise from the most distinguished musicians in Venice…"
Waters' The Real Folk Blues and More Real Folk Blues, combined here onto one CD, were not exactly random collections of tracks – the quality was too consistently high for them to just have been picked out of a hat. Still, it was a pretty arbitrary grouping of items that he recorded between 1947 and 1964. In fact, they hail from throughout his whole stint at Chess, virtually; at the time these albums were first issued, though, all of the material on More Real Folk Blues was from the late '40s and early '50s. They didn't exactly concentrate on his most well-known songs, but they didn't entirely neglect them either, including "Mannish Boy," "Walking Thru the Park," "The Same Thing," "Rollin' & Tumblin' Part One," "She's Alright," and "Honey Bee," amongst somewhat more obscure selections. So ultimately, this disc's usefulness depends on your fussiness as a collector – if it's the only Waters you ever pick up, you'll still have a good idea of his greatness, and if you don't mind getting some tracks you might already have on more avowedly best-of sets, you'll probably hear some stuff you don't already have in your collection.