C.p.j. 4

George Malcolm, Sir Neville Marriner - Arne, C.P.E. Bach & J.C. Bach: Harpsichord Concertos (2017)

George Malcolm, Sir Neville Marriner - Arne, C.P.E. Bach & J.C. Bach: Harpsichord Concertos
Classical | MP3 CBR 320 kbps | 74:16 min | 171 MB
Label: Decca | Tracks: 17 | Rls.date: 2017

* Featuring many tracks for the first time on CD. There were many worlds in George Malcolm's (1917–1997) universe – organist, harpsichordist, pianist, composer, choral director and conductor – and this one demonstrates his unique skill as a solo performer who, throughout his career, more than any other individual defined the harpsichord's identity in England.
Eddie Cano & His Quintet - Brought Back Live From P. J.'s (1967) {2014 Japan Rare Groove Funk Best Collection 1000}

Eddie Cano & His Quintet - Brought Back Live From P. J.'s (1967) {2014 Japan Rare Groove Funk Best Collection 1000}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 232 Mb | MP3 @320 -> 82 Mb
Full Artwork @ 600 dpi (png) -> 222 Mb | 5% repair rar
© 2014 Dunhill Records / Universal Music Japan | UCCU-90067
Jazz / Soul Jazz / Latin Jazz / Piano

Stunning stuff – and one of the best-ever Latin soul albums of all time! Despite the fact that Eddie Cano's earlier albums are more in a Latin easy mode, this late 60's side for Dunhill is totally smoking – and probably his greatest album ever! Forgive the superlatives, but we're totally serious on this one – as the set's a firey batch of Latin instrumentals, with a slammin' boogaloo groove all the way through – filled with mad percussion, jazzy piano riffs, and a non-stop groove that's totally great. The set was recorded live at PJ's nightclub, and it's a non-stop Latin Soul party that includes massive originals like "Slip Slip", "Brown & Blue", "Miro Como Es", and "Don't Ever Change" – plus smoking covers of "El Pito" and "Louie Louie". The set screams with excitement, and is as great as the album is rare!
Christoph Willibald Gluck - Kammerorchester »C.P.E. Bach« / Hartmut Haenchen - Orfeo ed Euridice [Paris Version 1774] (1989)

Christoph Willibald Gluck - Orfeo ed Euridice (Paris Version-1774)
Jochen Kowalski / Kammerorchester »Carl Philipp Emanuel Bach« / Hartmut Haenchen
2xCD | EAC+LOG+CUE | FLAC: 447 MB | Artwork | 5% Recovery Info
Label/Cat#: Capriccio # 60 008 | Country/Year: Germany 1989
Genre: Classical | Style: Opera, Viennese School

"Once the head conductor of the Netherlands Philharmonic and the Netherlands Chamber Orchestra, and as the principal guest conductor with the Deutschen Staatsoper (German State Opera) in Berlin since 1995, Hartmut Haenchen (originally spelled Hänchen) is noted for the clear, precise phrasing and sumptuously sonorous tones he evokes from his musicians. (…) Since 1980, Haenchen has acted as the artistic director of the Carl Philipp Emanuel Bach Chamber Orchestra, which was founded in Berlin and has presented revivals of C.P.E. Bach's music from re-discovered manuscripts. The ensemble has appeared in many television productions, has received awards for several recordings, and regularly tours…"
Anastasia Injushina - C. P. E., J. C., J. S. Bach: Keyboard Concertos (2013)

Anastasia Injushina - C. P. E., J. C., J. S. Bach: Keyboard Concertos (2013)
EAC Rip | Flac (Image + cue + log) | 1 CD | Full Scans | 260 MB
Genre: Classical | Label: Ondine | Catalog Number: 1224

This release by Russian-Finnish pianist Anastasia Injushina and the Hamburger Camerata under Ralf Gothóni doesn't fit into any of the usual pigeonholes, and it thus has a fresh, bracing quality. Injushina plays a modern piano, but she neither gives it a consistent, harpsichord-like sound nor plays the music with the full capabilities of the modern piano in mind. Gothóni likewise his small group of Hamburgers in accompaniments that are neither Baroque nor modern. What this enables the musicians to do is depict with uncommon accuracy the musical commonalities and differences among J.S. Bach and his sons.
Bach C.P.E. - Complete Flute Sonatas (Barthold Kuijken, Bob van Asperen) [1993]

Bach C.P.E. - Complete Flute Sonatas (Barthold Kuijken, Bob van Asperen) [1993]
EAC Rip | FLAC, IMG+CUE, LOG | Covers | 2cd, 457 MB
Classical | Label: Sony | Catalog Number: S2K 53964 | TT: CD1:74’57; CD2:65’02

The title of this release is thoroughly misleading. The album contains nothing like the ''Complete Flute Sonatas'' of C. P. E. Bach but only those for flute with obbligato harpsichord, of which there are but five. Eleven others for flute and continuo are omitted, along with Bach's single work for unaccompanied flute. Instead, the remaining five sonatas in the programme consist of two (BWV1020 and 1031) whose authorship has long been a matter of dispute; a trio for flute, violin and bass (H578) in which the violin part has been taken over by the right hand of the keyboard; another (H543) in which a similar adjustment has been made to Bach's two differently scored originals; and a duet for violin and harpsichord (H504) in which the violin part is taken by the flute. So, you can see that the title of the album is somewhat economical with the truth, though the accompanying essay by Barthold Kuijken clarifies the position.
– Nicholas Anderson, Gramophone [5/1994]
C.P.E. Bach - Oboenkonzerte & Sonaten (2005) {Hybrid-SACD // EAC Rip} [repost]

Carl Philipp Emanuel Bach - Oboenkonzerte & Sonaten
Alexei Utkin / Hermitage Chamber Orchestra
EAC+LOG+CUE | WV: 321 MB | Full Artwork | 5% Recovery Info
Label/Cat#: Caro Mitis # CM 0112004 | Country/Year: Russia 2005
Genre: Classical | Style: Late Baroque

C.P.E. Bach: Oboe Concertos - Starr, Boysen, Musica Poetica (2012)  Music

Posted by peotuvave at Jan. 13, 2013
C.P.E. Bach: Oboe Concertos - Starr, Boysen, Musica Poetica (2012)

C.P.E. Bach: Oboe Concertos - Starr, Boysen, Musica Poetica (2012)
EAC Rip | Flac (Tracks + cue + log) | 1 CD | Full Scans | 282 MB
Genre: Classical | Label: Brilliant Classics | Catalog Number: 94298

C.P.E. Bach’s two surviving oboe concertos both began as keyboard concertos that were later transcribed for oboe; their intended performer was probably Johann Christian Fischer, a virtuoso based in Potsdam in the mid 1760s. This would perhaps account for their technical and immensely challenging solo lines, which suggest that, like his father, Carl Philipp Emmanuel revelled in pushing instruments and performers to their limits.

C.P.E. Bach - Freiburger Barockorchester - Concerti (2005)  Music

Posted by luckburz at Dec. 30, 2012
C.P.E. Bach - Freiburger Barockorchester - Concerti (2005)

C.P.E. Bach - Freiburger Barockorchester - Concerti
EAC+LOG+CUE | WV: 457 MB | Full Artwork | 5% Recovery Info
Label/Cat#: Carus # 83.305 | Country/Year: Germany 2005
Genre: Classical | Style: Classical

…For fans of C.P.E Bach, this disc will be fascinating. For fans of late Baroque and early Classical music who don't already know C.P.E.'s music, it will be revelatory.
C.P.E. Bach - Akademie für alte Musik Berlin - Symphonies & Concertos (2001,  ReIssue 2008)

Carl Philipp Emanuel Bach - Akademie für Alte Musik Berlin - Symphonies & Concertos
EAC+LOG+CUE | WV: 398 MB | Full Artwork | 5% Recovery Info
Label/Cat#: Harmonia Mundi "Gold" # HMG 501711 | Country/Year: France 2008, 2001
Genre: Classical | Style: Classical

…The Akademie für Alte Musik Berlin scores a triumph with these fresh, powerful, and ever-stylish performances that even long-time connoisseurs shouldn’t be without. And if you’re new to C.P.E., you’re in for a pleasant surprise.

Bach C.P.E. - Johannes-Passion (Joshard Daus) [2004]  Music

Posted by Sowulo at July 23, 2012
Bach C.P.E. - Johannes-Passion (Joshard Daus) [2004]

Bach C.P.E. - Johannes-Passion (Joshard Daus) [2004]
EAC Rip | FLAC, IMG+CUE, LOG | Covers | 2cd, 414.9 MB
Classical | Label: Capriccio

This is an important document, not least because what is actually captured on these discs is the first performance of this work since 1772. The score is presently housed in the archive of the Berlin Sing-Akademie after its discovery in the Ukraine. C.P.E.’s version of the Christ story is a dynamic one, with plenty of drama and much interaction between the various soloists and the chorus - a chorus that represents the Jews as well as performing the chorales.
Colin Clarke