C.p E.bach Sonates

Italian Classical Consort, Luigi Magistrelli - C.P.E. Bach: Chamber Music for Clarinet (2016)

Italian Classical Consort, Luigi Magistrelli - C.P.E. Bach: Chamber Music for Clarinet (2016)
EAC | FLAC (image+.cue, log) | Covers Included | 60:08 | 246 MB
Genre: Classical | Label: Brilliant Classics | Catalog: 95307

The ever-expanding catalogue of Carl Philipp Emmanuel Bach on Brilliant Classics (most of it contained in a 30-CD box, 94640), now reaches his music for clarinet, which has received much less attention on record than his orchestral or keyboard works but is no less melodically fertile and formally inventive than his better?known music.
George Malcolm, Sir Neville Marriner - Arne, C.P.E. Bach & J.C. Bach: Harpsichord Concertos (2017)

George Malcolm, Sir Neville Marriner - Arne, C.P.E. Bach & J.C. Bach: Harpsichord Concertos
Classical | MP3 CBR 320 kbps | 74:16 min | 171 MB
Label: Decca | Tracks: 17 | Rls.date: 2017

* Featuring many tracks for the first time on CD. There were many worlds in George Malcolm's (1917–1997) universe – organist, harpsichordist, pianist, composer, choral director and conductor – and this one demonstrates his unique skill as a solo performer who, throughout his career, more than any other individual defined the harpsichord's identity in England.
Emmanuel Pahud, Kammerakademie Potsdam, Trevor Pinnock - C.P.E. Bach: Flute Concertos (2016)

Emmanuel Pahud, Kammerakademie Potsdam, Trevor Pinnock - C.P.E. Bach: Flute Concertos (2016)
EAC | FLAC (image+.cue, log) | Covers + Digital Booklet | 66:42 | 341 MB
Genre: Classical | Label: Warner Classics | Catalog: 0825646276790

One of the more puzzling remarks about the music of Carl Philipp Emanuel Bach came from Mozart, who said that anyone who listened closely would realize his debt to the German composer. That seemed unlikely, given that Mozart only rarely availed himself of the Sturm und Drang ("storm and stress") style of C.P.E.'s keyboard music. But listen to this release by flutist Emmanuel Pahud and you'll get an idea of what Mozart was talking about. It's not just that the flute concertos are basically galant in style, not Sturm und Drang. It's a certain nervous energy that makes the flute bloom rapidly out of squarish themes and keeps you guessing as to what's coming next.

Nicolas Alstaedt ‎- C.P.E. Bach: Cello Concertos (2016)  Music

Posted by SERTiL at Dec. 15, 2016
Nicolas Alstaedt ‎- C.P.E. Bach: Cello Concertos (2016)

Nicolas Alstaedt ‎- C.P.E. Bach: Cello Concertos
Classical | FLAC (tracks)+cue, log, booklet | 64:31 min | 329 MB
Label: Hyperion | Tracks: 09 | Rls.date: 2016

The unpredictable and 'fantastical' qualities which are so fundamental to the music of C P E Bach are here given free rein by Nicolas Altstaedt, aided and abetted by Jonathan Cohen and Arcangelo in performances of astonishing brio.
Orchestra of the Age of Enlightenment, Rebecca Miller - C.P.E. Bach: Symphonies (2015)

Carl Philipp Emanuel Bach - Symphonies (2015)
Orchestra of the Age of Enlightenment, conducted by Rebecca Miller

EAC | FLAC | Image (Cue&Log) ~ 312 Mb (incl 5%) | Mp3 (CBR320) ~ 144 Mb (incl 5%) | Scans included
Genre: Classical | Label: Signum Records | # SIGCD395 | Time: 00:56:33

Avant garde. Eccentric. A maniac. Wild and adventurous. Off the wall. Extraordinary. No marketing hyperbole - this is how the players of the Orchestra of the Age of Enlightenment describe Carl Philip Emmanuel Bach and his music. One of the many children of JS Bach, CPE Bach always lived in his father’s shadow, and now is an almost unknown figure at least beyond the classical cogniscenti. How can such an unknown be considered a gamechanger? A listen to his music reveals just why – it constantly shifts, wrongfooting the listener when they least expect it with wild changes of direction and colour – it is bright, effervescent, and is a fascinating link between the music of his father (and the Baroque era) and Joseph Haydn (and the Classical era).
Michael Rische, Rainer Maria Klaas, Kammersymphonie Leipzig - C.P.E. Bach: Piano Concertos Wq.22, Wq.43/5, Wq.46 (2014)

Carl Philipp Emanuel Bach - Piano Concertos Wq.22, Wq.43/5, Wq.46 (2014)
Michael Rische, piano; Rainer Maria Klaas, piano; Kammersymphonie Leipzig

EAC | FLAC | Image (Cue&Log) ~ 239 Mb (incl 5%) | Mp3 (CBR320) ~ 143 Mb (incl 5%) | Scans included
Genre: Classical | Label: hänssler CLASSIC | # CD 98.027 | Time: 00:58:45

The previous two CDs from pianist Michael Rische of the Piano Concertos of Carl Philipp Emanuel Bach have been universally acclaimed for their high degree of musicality and the pianist’s passionate commitment to this composer. And in fact, much of the work of this highly original genius remains to be discovered. The 300th Birthday of Bach's second son offers an ideal occasion to become better acquainted with this extraordinary and surprising composer. In addition to the solo concertos, this CD also presents the Concerto for 2 Pianos and Orchestra Wq 46. In each work, Carl Philipp Emanuel Bach makes the claim - once again – of his unique place in the history of music, and as evident in these vital, life-affirming performances, is one of the truly great “rediscovered” composers of the past.
Gaillard, Pulcinella Orchestra - C.P.E. Bach Project, Vol. 2 (2016)

Gaillard, Pulcinella Orchestra - C.P.E. Bach Project, Vol. 2 (2016)
EAC Rip | Flac (Tracks + cue + log) | 438 MB | MP3 320Kbps CBR | 185 MB | 1 CD | Full Scans
Genre: Classical | Label: Aparte | Catalog Number: 118

After the success of their first volume Ophélie Gaillard and Pulcinella propose a second disc devoted to Johann Sebastian Bach's most talented and surprising son, Carl Philipp Emanuel (1714-1788). The Sinfonia in C major expresses multiple emotions, ranging from irrepressible suffering in the Adagio to joyous release and insouciance in the concluding Allegretto, tinged with near-Mozartian grace. The Cello Concerto in B flat reveals the influence of the waning Baroque era and Vivaldi in particular.
Pieter-Jan Belder / C.P.E. Bach: Sonaten fur Kenner und Liebhaber (2013)

Pieter-Jan Belder / C.P.E. Bach: Sonaten fur Kenner und Liebhaber (2013)
EAC Rip | Flac (Image + cue + log) | 1.19 GB | MP3 320Kbps CBR | 686 MB | 5 CDs | Full Scans
Genre: Classical | Label: Brilliant Classics | Catalog Number: 94486

Carl Philipp Emanuel Bach, the  most famous son of the great Johann Sebastian, created his own individual style, in which freedom of expression was the keyword. This substantial collection of keyboard works, ‘Für Kenner und Liebhaber’ (for connoisseur and amateur) contains some of his most audacious compositions, in which frequent and abrupt mood changes, improvisatory and declamatory passages without bar lines and wildly digressing modulations are the stylistic landmarks.
Sigiswald Kuijken, La Petite Band - C.P.E. Bach - The Last Sufferings of the Saviour [2010/1987]

C.P.E. Bach - The Last Sufferings of the Saviour (Sigiswald Kuijken) [2010/1987]
Classical | Deutsche Harmonia Mundi 88697 5727 2 | TT: 60.23+59.23 | EAC (FLAC, cue, log) | Covers | 463 Mb

Carl Philipp Emanuel Bach (8 March 1714 – 14 December 1788), also formerly spelled Karl Philipp Emmanuel Bach, was a German Classical period musician and composer, the fifth child and second (surviving) son of Johann Sebastian Bach and Maria Barbara Bach. His second name was given in honor of his godfather Georg Philipp Telemann, a friend of Johann Sebastian Bach. C. P. E. Bach was an influential composer working at a time of transition between his father's baroque style and the classical and romantic styles that followed it. His personal approach, an expressive and often turbulent one known as empfindsamer Stil or 'sensitive style', applied the principles of rhetoric and drama to musical structures. Bach's dynamism stands in deliberate contrast to the more mannered galant style also then in vogue.

Rademann, AAM Berlin - C. P. E. Bach: Magnificat (2014)  Music

Posted by peotuvave at Oct. 21, 2014
Rademann, AAM Berlin - C. P. E. Bach: Magnificat (2014)

Rademann, AAM Berlin - C. P. E. Bach: Magnificat (2014)
EAC Rip | Flac (Image + cue + log) | 1 CD | Full Scans | 264 MB
Genre: Classical | Label: Harmonia Mundi | Catalog Number: 902167

On April 9, 1786, Carl Philipp Emanuel Bach conducted a charity concert in Hamburg featuring three of his finest and most representative works: the Symphony Wq 183/1, the Magnificat (written in 1749 in the hope of succeeding his father as Cantor in Leipzig) and his stupendous 'Heilig' for double choir, of which he wrote, "It will be my swan song of this kind, and will serve to ensure that I shall not soon be forgotten after my death."