Jerome Richardson has long been one of the most versatile of jazzmen, able to get a personal sound and to swing on flute, tenor, alto, soprano and baritone. For his quartet date with pianist Richard Wyands (who at this point often sounded like Red Garland), bassist George Tucker and drummer Charlie Persip, Richardson plays baritone on three songs (in a deep tone a little reminiscent of Pepper Adams and Leo Parker), two on tenor and one on flute.
The music on this disc comes from Rome in the middle seventeenth century, and it is seemingly, to use a word that recurs several times in the dense but informative booklet, paradoxical. Domenico Mazzocchi (1592-1665) was a composer who worked at the feet of popes. Yet the music here is stylistically of the sensuous seconda prattica, the operatic art of Monteverdi and his cohorts in the generation before. If the term "Counter Reformation" brings to mind music like Palestrina's, know that you get something very different here, something closer to the religious masterworks of Monteverdi's later career but on a more intimate scale.
Avec l’arrivée du printemps, la formation jazz Misc (anciennement connue sous le nom de Trio Jérôme Beaulieu, et consacrée Révélation Jazz Radio-Canada 2013-2014) proposera son album homonyme le 18 mars 2016 via Bonsound. Cet album est le fruit d’une complicité singulière entre trois musiciens affranchis. Différent des deux premiers longs jeux, ils se sont investis à parts égales au niveau des agencements rythmiques, mélodiques et harmoniques pour créer une signature sonore propre à ce trio qui sort de l’ordinaire.