C. Alexander

The Generalship of Alexander the Great  eBooks & eLearning

Posted by advisors at Jan. 7, 2015
The Generalship of Alexander the Great

The Generalship of Alexander the Great By J. F. C. Fuller
1958 | 320 Pages | ISBN: 0413235408 | scanned PDF | 23 MB
Alexander Von Schlippenbach - Friulian Sketches (2008) {Psi Records}

Alexander Von Schlippenbach - Friulian Sketches (2008) {Psi Records}
EAC rip (secure mode) | FLAC+CUE+LOG -> 294 Mb | MP3 @320 -> 160 Mb
Full Artwork @ 400 dpi (png) -> 81 Mb | 5% repair rar
© 2008 Psi Records / Emanem | PSI 08.07
Jazz / Avant-Garde Jazz / Modern Creative / Piano

This spontaneous chamber music establishes further advances in the development of improvisation as compositional process. Recorded in the prestigious Arte Suono Studios, Udine." "As you taste this dish, you'll be perhaps so engaged to query about the ingredients. At any given time you could lay this musical output equally at the feet of jazz, classical, or 20th century composed music. But the ingredients won't explain why it's so delicious – it's the spices, seasoning, and flair of the chefs.
Alexander Ivashkin, Russian State SO, Valeri Polyansky - Giya Kancheli: Simi; Mourned by the Wind (2005) [Re-Up]

Giya Kancheli - Simi; Mourned by the Wind (2005)
Alexander Ivashkin, cello; Russian State Symphony Orchestra, conducted by Valeri Polyansky

EAC | FLAC | Image (Cue&Log) ~ 219 Mb | Mp3 (CBR320) ~ 151 Mb | Artwork included
Contemporary Classical | Label: Chandos | # CHAN 10297 | Time: 01:04:56

Giya Kancheli is one of Eastern Europe's most important contemporary composers, respected by musicologists and fellow composers alike. Schnittke said of him: 'His most striking quality…is the rare gift of being able to suspend all sense of time. From the very first note we are released from our ordinary, everyday time-sense to float, cloud-like, in eternity.' The political upheavals through which Kancheili has lived have greatly affected his music, which dwells on a complexity of interrelated themes - grief, fear, solitude, vigil, memory, nostalgia, innocence, intolerance, protest. It is profoundly influenced by the spirit of the folk music of his native Georgia.
Tenebrae, Nigel Short - Alexander L'Estrange: On Eagles' Wings (2016)

Tenebrae, Nigel Short - Alexander L'Estrange: On Eagles' Wings (2016)
EAC | FLAC (image+.cue, log) | Covers + Digital Booklet | 72:03 | 308 MB
Genre: Classical, Choral | Label: Signum Records | Catalog: SIGCD454

Alexander L'Estrange, medieval French name and all, is a contemporary English composer of mostly vocal and choral music, much of it accessible and appealing. A song cycle on the historical development of the bicycle is part of his catalog. On Eagles' Wings is a group of sacred pieces seemingly suited to English collegiate choirs' unquenchable thirst for new repertoire, but L'Estrange benefits here from performances by Tenebrae and director Nigel Short, as crack a choral ensemble as there is anywhere.
Canada's National Arts Centre Orchestra & Alexander Shelley - Life Reflected (2017)

Canada's National Arts Centre Orchestra & Alexander Shelley - Life Reflected
EAC Rip | FLAC (tracks)+cue, log, m3u, front cover | 73:54 min | 339 MB
Label: Analekta – AN 2 8870 | Tracks: 04 | Rls.date: 2017
Classical

Life Reflected is a stunningly original live experience: a celebration of youth, promise and courage, revealed in the compelling and diverse portraits of four exceptional Canadian women: Alice Munro, Amanda Todd, Roberta Bondar and Rita Joe. Alexander Shelley, Music Director of Canadas National Arts Centre Orchestra, brought together four remarkable Canadian composers to collaborate with Creative Producer and Director, Donna Feore, and an ensemble of extraordinary performers to create this unique symphonic experience.
Utrecht String Quartet, Alexander Zemtsov, Pieter Wispelwey - Sergey Ivanovich Taneyev: String Quintets Op.14 & Op.16 (2015)

Sergei Iwanowitsch Tanejew: String Quintets Op. 14 & Op. 16 (2015)
Utrecht String Quartet; Alexander Zemtsov, viola; Pieter Wispelwey, violoncello

EAC | FLAC | Tracks (Cue&Log) ~ 354 Mb | Mp3 (CBR320) ~ 199 Mb | Scans included
Classical | Label: MDG (Dabringhaus & Grimm) | # MDG6031923 | 01:18:22

A musical cosmopolitan and a Russian patriot, many regarded Taneyev's compositions as unintelligible and reactionary. The Utrecht String Quartet, an ensemble delighting in discovery, has now set itself the task of his long overdue rehabilitation. Just in time for the hundredth anniversary of the composer's death, the Dutch musicians, together with Pieter Wispelwey and Alexander Zemtsov, are presenting his two string quintets in a new recording, shedding new light on Russian music from around the turn of the century.

Eric Alexander Quartet - Gentle Ballads V (2011)  Music

Posted by v3122 at June 29, 2017
Eric Alexander Quartet - Gentle Ballads V (2011)

Eric Alexander Quartet - Gentle Ballads V (2011)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
Venus, VHCD-1054 | Japan | ~ 387 or 143 Mb | Scans(jpg) -> 36 Mb
Jazz, Post Bop

A fine straight-ahead jazz saxophonist, Eric Alexander grew up in the state of Washington. He initially attended Indiana University, studying classical music as an altoist. However, he soon discovered jazz, switched to the tenor, and transferred to William Paterson College in New Jersey. After graduating, he moved to Chicago and gained important experience touring with Charles Earland while also becoming a fixture in local clubs. In 1991, Alexander placed second at the Thelonious Monk Institute's saxophone competition, finishing just behind Joshua Redman…
Eric Alexander Quartet - Lazy Afternoon: Gentle Ballads IV (2009)

Eric Alexander Quartet - Lazy Afternoon: Gentle Ballads IV (2009)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
Venus, VHCD-1027 | Japan | ~ 486 or 171 Mb | Scans Included
Jazz, Post Bop

Eric Alexander has had many opportunities to record as a leader for several different labels, though producer Tetsuo Hara, owner of the Japanese label Venus, has become a huge fan, recording him almost any time he travels to New York City. This 2008 session finds the tenor saxophonist with several musicians with whom he is very familiar, including pianist Mike LeDonne, bassist John Webber, and drummer Joe Farnsworth (the latter two who play with Alexander in the co-op band One for All)…
Isabelle Faust, Alexander Melnikov - Franz Schubert: Sonate D.574; Rondo Op.70; Fantasie D.934 (2006)

Franz Schubert: Sonate D.574; Rondo Op.70; Fantasie D.934 (2006)
Isabelle Faust, violin; Alexander Melnikov, piano

EAC | FLAC | Tracks (Cue&Log) ~ 225 Mb | Scans ~ 70 Mb | Time: 00:57:46
Genre: Classical | Label: Harmonia Mundi | # HMC90 1870

In nearly every respect this is outstanding. The Rondo brillant and the Fantasie, both written for the virtuoso duo of Karl von Bocklet and Josef Slawik, can sound as if Schubert were striving for a brilliant, flashy style, foreign to his nature. Both are in places uncomfortable to play (when first published, the Fantasie’s violin part was simplified), but you would never guess this from Faust’s and Melnikov’s performance; they both nonchalantly toss off any problem passages as though child’s play. The Fantasie’s finale and the Rondo brillant are irresistibly lively and spirited, and this duo’s technical finesse extends to more poetic episodes – Melnikov’s tremolo at the start of the Fantasie shimmers delicately, while the filigree passagework in the last of the variations that form the Fantasie’s centrepiece have a delightful poise and sense of ease.
London SO & Chorus; Mstislav Rostropovich, Soloists - Sergey Prokofiev: Ivan the Terrible; Alexander Nevsky (1992) 2CDs

Sergey Prokofiev - Ivan the Terrible; Alexander Nevsky (1992) 2CDs
Christopher Plummer (narrator), Tamara Sinyavskaya, Sergei Leiferkus, Dolora Zajick
New London Children’s Choir, London Symphony Orchestra & Chorus; Mstislav Rostropovich

EAC | FLAC | Image (Cue&Log) ~ 552 Mb | Mp3 (CBR320) ~ 325 Mb | Scans included
Classical, Oratorio | Label: Sony Classical | # S2K 48387 | Time: 02:14:45

The famous Russian director Sergei Eisenstein held Prokofiev the film composer in the highest regard, and to couple their two celebrated collaborations, Ivan the Terrible and Alexander Nevsky, in a two-disc set is therefore entirely appropriate. Ivan the Terrible, however, is a problematic score. Assembled by Abram Stassevich after the composer’s death, the oratorio lacks the large-scale balances and tensions of Prokofiev’s own Nevsky cantata, relying on narration to hold the structure together. This substantial English version by Michael Lankester, intended to ‘compensate for the lack of visual image’, is well projected by Christopher Plummer. Rostropovich directs a vivid performance of Alexander Nevsky, and only the rich tone of Russian voices is lacking. The LSO plays brilliantly, while the recording does full justice to one of Prokofiev’s finest scores.