This spontaneous chamber music establishes further advances in the development of improvisation as compositional process. Recorded in the prestigious Arte Suono Studios, Udine." "As you taste this dish, you'll be perhaps so engaged to query about the ingredients. At any given time you could lay this musical output equally at the feet of jazz, classical, or 20th century composed music. But the ingredients won't explain why it's so delicious – it's the spices, seasoning, and flair of the chefs.
A fine straight-ahead jazz saxophonist, Eric Alexander grew up in the state of Washington. He initially attended Indiana University, studying classical music as an altoist. However, he soon discovered jazz, switched to the tenor, and transferred to William Paterson College in New Jersey. After graduating, he moved to Chicago and gained important experience touring with Charles Earland while also becoming a fixture in local clubs. In 1991, Alexander placed second at the Thelonious Monk Institute's saxophone competition, finishing just behind Joshua Redman…
In this production from Teatro alla Scala the ballet Don Quixote is shown in the legendary choreography of Rudolf Nureyev. Nureyev´s intention by fusing together the worlds of Commedia dell´Arte and classical ballet to create a visual feast for its audience, has made Don Quixote one of the most loved ballets world-wide. With its sparkling energy and the bright colours of the staging by Raffaele Del Savio and Anna Anni, Rudolf Nureyev’s Don Quixote, transports audiences with freshness, joy and choreographic splendour to an enchanting Spain, with gypsy dances, fandangos, matadors, windmills and the airy candour of the Garden of the Dryads. The ballet of Teatro alla Scala and the classical ballet stars Natalia Osipova (principal dancer of the Royal Ballet in London and the Mikhaylovsky Theatre Ballet in St Petersburg) and Leonid Sarafanov (principal dancer of the Mikhaylovsky Theatre Ballet in St Petersburg) make this a breathtaking, and distinctive performance.
Russia in the nineteenth century had little need for chamber music - no Parisian-style competitive quartetting here. But out of this very isolation came a small, but nonetheless mighty, handful of works: those by Borodin are among the finest. Piers Lane and the Goldner String Quartet revel in what they find.