What a versatile artist Steven Isserlis is. Having made his name as a sympathetic interpreter of a wide variety of romantic and modern music, here he shows he can be just as persuasive in eighteenth-century repertoire. His stylistic awareness is evident in beautiful, elegant phrasing, selective use of vibrato and varied articulation, giving an expressive range that never conflicts with the music’s natural language. In the cello concertos he is helped by an extremely sensitive accompaniment, stressing the chamber musical aspects of Haydn’s pre-London orchestral writing. The soft, intimate sonority at 3'06'' in the first movement of the D major is a typical example. The Adagios are taken at a flowing speed, but Isserlis’s relaxed approach means they never sound hurried. The Allegro molto finale of the C major Concerto, on the other hand, sounds poised rather than the helter-skelter we often hear. In his understanding of the music, Isserlis is a long way ahead of Han-na Chang, whose version places the emphasis on fine, traditional-style cello playing. Mork’s vivacious, imaginative performances characterize the music very strongly, but my preference would be for Isserlis’s and Norrington’s lighter touch and greater refinement.
Duncan Browne's self-titled second album plays like a direct sequel to his debut long-player, Give Me Take You; he uses the same acoustic guitar and writes in a similar idiom, especially on tracks like "Country Song" and "The Martlet." Indeed, apart from the fact that it's generally better recorded, most of Duncan Browne could easily have slotted into the earlier album; the only exceptions are the more elaborately produced songs, such as "Ragged Rain Life," with its electric guitar sound, the keyboard-embellished "Babe Rainbow," and the bluesier, Dylan-esque "Journey," which was a substantial hit in England…
The outrageous life of the American dancer of the 1920s, Isadora Duncan, whom Ken Russell described as "part genius and part charlatan".
The name "Seymour Duncan" is synonymous with electric guitar pickups. For over 30 years, Seymour and his staff have been integral in creating some of the world's most identifiable guitar sounds. This DVD will help you understand how guitar pickups work, show you how to install them, and even help you choose what pickups are best-suited for the sound you're looking for. Join Seymour, as well as Evan Skopp (Vice President, Marketing for Seymour Duncan Pickups), for an authoritative, in-depth study of guitar pickups and how they're created at Seymour Duncan.
In memory to Lesley (1943-2010)
One of England's top session vocalists, Lesley Duncan sang on recordings by Elton John, the Dave Clark Five, Pink Floyd, the Alan Parsons Project, Michael Chapman, and Joyce Everson and the soundtrack of Jesus Christ Superstar. Her songs have been covered by Elton John, Olivia Newton-John, and Long John Baldry.