This reissue offers music lovers a golden opportunity to hear one of the truly great sets of Brandenburg Concertos. Listeners familiar with the fast, super-bright sound of certain famous British and German authentic instrument groups such as The English Concert or Musica Antiqua Kцln, will find much to savor in these warmly dark-toned versions. Gamba player turned conductor Jordi Savall treats each work with positively epicurean relish.
Legendary sarod maestro, Sharan Rani is the first & foremost woman instrumentalist & one of the senior most & greatest musicians of our times. Sarod has become synonymous with her name & she is popularly known as Sarod Rani i.e. the 'Queen of Sarod'. This double-CD classical album features some of her finest live performances showcasing her genius with the instrument. Also includes a booklet of rare photographs from the artiste's archives.
The works on this 2-CD set all come from a single source: a document called "Cancionero de Montecassino" which is believed to contain works composed between 1430 and 1480. Somehow the document has survived down through the centuries; it was almost lost when the Abbey where it was stored was bombed in 1944. Luckily the document survived so that this amazing CD set could be recorded by the - also amazing - Le Capella Reial de Catalunya. This CD is the second in a series entitled "Musicas Reales", the first of which being "Carlos V" containing works mainly from the 16th century. If you enjoyed that one, then "Alfons V el Magnanim" will be a welcome addition to your CD spinner.
Lawes's "sets" are actually suites for five or six viols with an organ playing "underneath" them. Each shortish set is broken into even shorter parts: Fantazy, Aire, Paven, etc.–and while the formula remains essentially the same, the textures and harmonies are constantly changing, with dissonances and conversations between and among the various strings giving the works great variety. On these two beautiful CDs (the first devoted to Five parts, the second to Six), Jordi Savall and Hesperion XXI play on a pair of violins, four viols, and organ, offering great contrast and flavor and making us aware of just how energetic and fascinating counterpoint can be. The colors the six (or seven) musicians get from their instruments and the interplay among them is fantastic; the playing is superb. Fans of any type of chamber music will want to hear what this underrecorded composer who died too young (43) added to the genre. It's as if he created a new language, one that seems to have been waiting to be heard. A lovely, thoughtful couple of hours of music-making.
This LP, in my opinion, is the highlight of the Gieco's race. I bought it for the song "Sólo le pido a Dios (I Only Ask Of God)"…