For 60 years a mysterious monk with no name has zigzagged the globe to protect an ancient scroll - a scroll that holds the key to unlimited power.
For 60 years a mysterious monk with no name has zigzagged the globe to protect an ancient scroll - a scroll that holds the key to unlimited power. Now the Monk must look for a new scrollkeeper. Kar is an unlikely candidate, a streetwise young man whose only interest is himself. But when he inadvertently saves the Bulletproof Monk from capture, the two become partners in a scheme to save the world from the scroll's most avid pursuer. Packed with spectacular special effects and martial arts action, the Monk, Kar, and a sexy Russian mob princess called Bad Girl must struggle to find, face, and fight the ultimate enemy.
Fated never to rise to any heights at all, Hard Stuff – formed by guitarist John Du Cann following his unceremonious firing from Atomic Rooster – had already been through two names before they were signed to Deep Purple's Purple label; Daemon lasted a few rehearsals; Bullet survived a single; they became Hard Stuff after another Bullet fired a legal complaint at them, and Bulletproof was their riposte. It is heavy and it is loud. Period reviews mused on the Purple influence and they are not far from the mark, but only if organ were excised from the mix, to be replaced by guitars, guitars, and more guitars…
Although this is billed to Wes Montgomery, it is in fact a combination of two early-'60s LPs by the Montgomery Brothers – The Montgomery Brothers and The Montgomery Brothers in Canada – onto one disc. (Also note that it's almost entirely different from the Montgomery Brothers' Milestone double LP that also bears the name Groove Brothers, which mostly features material from their Riverside LP Groove Yard.) With Wes on guitar, Monk on bass, and Buddy on piano (Larance Marable fills out the quartet on drums), The Montgomery Brothers (1960) is a boppish set of five lengthy tracks, divided between both originals (penned by either Wes or Buddy) and standards. "June in January" is a particularly good vehicle for Wes' fluid single-note runs, while "D-Natural Blues" is one of his more enduring and good-natured compositions from the period. Buddy Montgomery, who often played the piano with the Montgomery Brothers, sticks exclusively to vibes on The Montgomery Brothers in Canada, which in addition to Wes and Monk has Paul Humphrey on drums.
Jerry Gonzalez has referred to himself as being "bilingual" in that he is equally skilled on trumpet and congas, in bebop and in Latin music. Gonzalez succeeds in his goal of combining the two idioms without watering down either style on this essential Sunnyside CD. The first Afro-Cuban Thelonious Monk tribute has plenty of spots for the percussion of Steve Berrios and Gonzalez, but also contains many strong solos from the leader's often-muted Miles-influenced trumpet, Carter Jefferson's tenor, and Larry Willis' very un-Monk-like piano. With the exception of "Ugly Beauty," the Latin percussion is an integral part of each performance, giving this set of Monk tunes a very different perspective that is also quite flexible. A highly enjoyable set with the highlights including "Bye-Ya," "Nutty," "Little Rootie Tootie," and "Jackie-ing."