For 60 years a mysterious monk with no name has zigzagged the globe to protect an ancient scroll - a scroll that holds the key to unlimited power.
For 60 years a mysterious monk with no name has zigzagged the globe to protect an ancient scroll - a scroll that holds the key to unlimited power. Now the Monk must look for a new scrollkeeper. Kar is an unlikely candidate, a streetwise young man whose only interest is himself. But when he inadvertently saves the Bulletproof Monk from capture, the two become partners in a scheme to save the world from the scroll's most avid pursuer. Packed with spectacular special effects and martial arts action, the Monk, Kar, and a sexy Russian mob princess called Bad Girl must struggle to find, face, and fight the ultimate enemy.
This CD combines together two unrelated solo piano sets. The nine performances by Thelonious Monk are a bit familiar since these renditions (which are highlighted by "'Round Midnight," "Well You Needn't," "We See" and "Hackensack") had been previously reissued by GNP/Crescendo and Mosaic. However the 13 selections (including three alternate takes) by Joe Turner (no relation to singer Big Joe Turner) are much rarer. Turner, a talented American stride pianist who spent most of his life living in France, had only recorded ten songs as a leader prior to this 1952 session and is in top form for such numbers as "Hallelujah," "Between the Devil and the Deep Blue Sea," "Wedding Boogie" and three versions of "Tea for Two." This CD is easily recommended to jazz piano collectors who do not already have the Monk selections.
Despite various reissue formats over several decades, the seven original LPs contained in Thelonious Monk - The Riverside Tenor Sessions stood perfectly well on their own at the time of initial release and remain among the highest achievements of a truly golden age. Recorded and released between 1956 and 1961, these seven Monk combo albums were critical in Monk's emergence from a decade of ridicule and neglect to his status at the pinnacle of the jazz pantheon. In addition to some of his best recorded piano performances and more than two dozen of his profoundly personal compositions, these albums provide an overview of the era's major tenor saxophonists, with contributions by Sonny Rollins, Coleman Hawkins, John Coltrane, Johnny Griffin, Charlie Rouse and Harold Land…
Reissue. The latest remastering. Features the high-fidelity Blu-spec CD2 format. Bonus tracks. Monk was a perfectionist not always well-understood by the public or even the musicians of his day. All his other recordings involve other musicians with whom he must interact with varying results. This sometimes makes it difficult to hear Monk as himself rather than as an ensemble player. But this recording gives us a great window into Monk's musical soul unencumbered with any exogenous distractions. One gets the feeling that Monk is playing for himself with no one else in the room. Production values are nil: just Monk and a piano in a bare studio. It is a privelege to be able to eavesdrop on his private explorations of themes of, presumably, his own choosing. Having bonus tracks with 'duplicate' songs is a genuine positive; it allows you to hear Monk's differing approaches to the same material.