Buchet Beethoven: Leyenda y Realidad

U-Boote: Mito y Realidad de un Tragico Destino (repost)  eBooks & eLearning

Posted by Димарик at Dec. 4, 2016
U-Boote: Mito y Realidad de un Tragico Destino (repost)

U-Boote: Mito y Realidad de un Tragico Destino
2003 | ISBN: 8496107004 | Spanish | 355 Pages | PDF | 8 MB

U-Boote. Mito y realidad de un trágico destino  eBooks & eLearning

Posted by Oleksandr74 at Sept. 30, 2010
U-Boote. Mito y realidad de un trágico destino

Santiago Mata - U-Boote. Mito y realidad de un trágico destino
Almena | 2003 | ISBN: 8496107004 | Spanish | 355 pages | PDF | 8.2 MB
Submarinos alemanes en la segunda guerra mundial

Arquitectura y energía natural  eBooks & eLearning

Posted by step778 at May 17, 2013
Arquitectura y energía natural

Rafael Serra Florensa, "Arquitectura y energía natural"
1995 | pages: 384 | ISBN: 8476535058 | PDF | 5,3 mb

Diccionario de Mitología. Dioses, héroes, mitos y leyendas.  eBooks & eLearning

Posted by soemia07 at March 29, 2012
Diccionario de Mitología. Dioses, héroes, mitos y leyendas.

Diccionario de Mitología. Dioses, héroes, mitos y leyendas.
Libsa Sa | 2003 | PDF | 311 pages | Spanish | 62.15 Mb

Mycroft Holmes y el Libro del Apocalipsis  Comics

Posted by Coda at March 21, 2017
Mycroft Holmes y el Libro del Apocalipsis

Mycroft Holmes y el Libro del Apocalipsis
Titan Comics, 2016 | Spanish | CBR | 32 págs. | 32.9 MB
Autores: Kareem Abdul-Jabbar, Raymond Obstfel

La leyenda del baloncesto, novelista y superestrella Kareem Abdul-Jabbar nos trae su propia versión del hermano mayor de Sherlock Holmes a los cómics. Una aventura totalmente nueva ambientada en el mundo de la novela de Mycroft Holmes. Conoce al brillante hermano del mejor detective del mundo en una aventura que abarca todo el mundo alrededor de la reina Victoria contra una organización secreta en el corazón del gobierno británico.

Rémi Geniet - Beethoven: Piano Sonatas (2017)  Music

Posted by SERTiL at March 3, 2017
Rémi Geniet - Beethoven: Piano Sonatas (2017)

Rémi Geniet - Beethoven: Piano Sonatas
Classical | WEB FLAC (tracks) & d. booklet | 75:31 min | 219 MB
Label: Mirare | Tracks: 13 | Rls.date: 2017

With this programme of four sonatas, the young pianist Rémi Géniet presents a highly judicious selection that enables listeners to enter the exceptional world of Beethoven’s thirty-two piano sonatas, which Hans von Bülow described as the ‘New Testament’ for pianists, the ‘Old Testament’ being Bach’s Well-Tempered Clavier.
El Camaron de la Isla - La Leyenda del Tiempo (1979) {2011 Nueva Integral Box Set CD 10of21}

El Camaron de la Isla - La Leyenda del Tiempo (1979) {2011 Nueva Integral Box Set CD 10of21}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 233 Mb | MP3 @320 -> 87 Mb
Full Artwork @ 600 dpi (jpg) -> 21 Mb | 5% repair rar
© 1979, 2011 Universal Music Spain | 0602498676578
Flamenco / World Music / Vocal / Guitar / Latin / Western European Traditions

"La leyenda del tiempo" marked a giant step in the renewal of flamenco, both for originating from Camaron - who by now moved the masses around him - as well as for the bravery of including rock and jazz instrumentation in flamenco". Camaron de la Isla is one of the finest flamenco musicians Spain has ever produced, and this is perhaps his best album. It is one of the first–and most powerful–instances of traditional flamenco being melded with modern sounds (e.g. electric bass guitar and backing drums) but is LIGHT YEARS better than the hollow, fluffy modern flamenco fusion so popular today. Mixing traditional cante jondo with rock-influence, deep bass famenco fusions, "Leyenda del Tiemp" provides an amazing experience every listen.
El Camaron de la Isla & Paco de Lucia - Arte y Majestad (1975) {2011 Nueva Integral Box Set CD 07of21}

El Camaron de la Isla & Paco de Lucia - Arte y Majestad (1975) {2011 Nueva Integral Box Set CD 07of21}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 178 Mb | MP3 @320 -> 81 Mb
Full Artwork @ 600 dpi (jpg) -> 17 Mb | 5% repair rar
© 1975, 2011 Universal Music Spain | 0602498715949
Flamenco / World Music / Vocal / Guitar / Latin / Western European Traditions

A limited edition of the Camaron de la Isla 'Integral' box-set. It represents a veritable journey through his life and singing. It includes 21 original albums. The first 17 of them were made in recording studios by Camaron from 1969 to 1992 while he was alive. The title of his new album in 1975 seems to indicate the path politics would take, because of its reference to "majestad" (majesty, or King). "Arte y majestad" is a work in the Camaron manner as few others -his styles and vocal twistings are presents in each track, although the authorship of the cuts is still signed by Antonio Sanchez. To prove it, all that is needed is to listen to the "soleares", "tarantas" (the credits say "tarantos"), "seguiriyas" and "bulerias", outstanding the one dedicated to his admired Curro Romero, in which Paco de Lucia gave a preview of some sounds from the coming "Almoraima".
Hechos, Dichos, Ocurrencias y Andanzas de Bardín el Superrealista, De Max

Hechos, Dichos, Ocurrencias y Andanzas de Bardín el Superrealista, De Max
Edic. La Cupula, 2007 | Spanish | CBR | 90 páginas | 47.4 MB

Bardín es un tipo corriente al que nada le parece demasiado extraordinario. Por ejemplo, no le parece extraordinario que el término superrealismo (traducción exacta del francés surréalisme, que significa ¿por encima de la realidad?) no hiciera fortuna en castellano y que con el tiempo acabara por extenderse la simple adaptación fonética de la palabra francesa.
Wolfgang Schneiderhan, Eugen Jochum - Beethoven: Violin Concerto; Mozart: Violin Concerto No.5 (1995)

Wolfgang Schneiderhan, Eugen Jochum - Beethoven: Violin Concerto; Mozart: Violin Concerto No.5 (1995)
EAC | FLAC (log,tracks+cue) -> 393 Mb (5% Rec.) | Scans included
Classical | Label: Deutsche Grammophon, #:447 403-2 | 1995 | 01:14:36

On this reissue we are also offered a characteristically classical performance of Mozart's A major Violin Concerto, in which the soloist directs the orchestral accompaniment. Schneiderhan launches into the first movement with great vitality and then sets the emotional world of the Adagio in an aura of calm tranquillity that makes the joyful contrasts of the finale, with its extrovert bravura, the more telling. The late-I 960s recording is fuller and rather more cleanly focused in the orchestra and the solo violin is vividly real, again with an admirable balance. But it is for the Beethoven Concerto that this record is indispensable and every collector who cares about this masterpiece should consider finding a place for Schneiderhan's interpretation in their personal CD library. –Gramophone [9/1995]