Composer: Gustav Mahler
Performer: Elly Ameling, Aafje Heynis, Maureen Forrester, Ileana Cotrubas, Hermann Prey, Marianne Dieleman, Birgit Finnilä, Heather Harper, Hanneke van Bork, William Cochran, Hans Sotin
Conductor: Bernard Haitink
Orchestra/Ensemble: Royal Concertgebouw Orchestra, Netherlands Radio Chorus, St. Willibrod Boy's Choir, Netherlands Radio Women's Chorus, Stern des Volks, Amsterdam Toonkunst Chorus, Collegium Musicum Amstelodamense, St. Pius X Children's Choir, St. Willibrod Children's Chorus
…The LSO play with their customary precision and refinement, which goes a long way in music that can often be so ethereal and uplifting as Bruckner's. And when the orchestra get a chance to come into full bloom in the biggest crescendos and fortissimos, they sound wonderful, especially with Haitink guiding them so evenhandedly…
“Trevor Nunn produced his first opera, Idomeneo, Glyndebourne in 1983, with felicitous results. John Napier's designs imaginatively evoke the Cretan milieu, supported by restrained, dignified costumes and lighting. The spare setting now seems a model beside what usually passes for decor today. Within it Nunn directs his principals and chorus with economic yet pointed care. Philip Langridge is a compellingly distraught and haunted Idomeneo, singing with his customary feeling for word-painting. He easily encompasses the longer version of 'Fuor del mar'. Carol Vaness offers a fiery, richly contoured Elettra. Yvonne Kenny's beautifully sung Ilia is more conventional and Jerry Hadley is a fresh, pleasing Idamante. Bernard Haitink conducts a lithe, forward-moving account of the score, though you'll need a high volume setting to get the best out of the sound.” (The Gramophone)
In 2015 the Berliner Philharmoniker dedicated an evening of their renowned Easter Festival in Baden-Baden to one of the most famous and beloved of German composers, Ludwig van Beethoven. Together with Bernard Haitink, a universally acclaimed authority on the works of that composer, they performed Beethoven’s exquisite expression of nature, his Symphony No. 6, the “Pastoral”. They were joined for Beethoven’s Violin Concerto by Isabelle Faust, whose interpretation of the work has enjoyed widespread acclaim.
Continuing his impressive series of Anton Bruckner's symphonies on CPO, Mario Venzago leads the Bern Symphony Orchestra in period style performances of the Symphony No. 3 in D minor (1889 version) and the Symphony No. 6 in A major (1881 version), using scores edited by Leopold Nowak. Venzago strives for historically informed performances that give varying perspectives on Bruckner's development, employing different orchestras with each release to reveal important differences in the composer's orchestral conceptions and to show that there wasn't one prescription of how the symphonies should sound. Instead, Venzago rejects the massive and heavy-handed interpretations of the early 20th century and tries to re-create the 19th century sound world in all its variety and intimacy. The glistening, vibrato-less string tone, pungent woodwinds, and crisp brass and timpani are easily distinguished from the more homogenized tone colors of a modern symphony orchestra, and Venzago ensures that these distinctive timbres aren't obscured by keeping the orchestral sections lean and discrete.
"Bernard Haitink: The Symphony Edition" is one of two recent box sets from Decca, marking Haitink's eighty-fifth birthday in 2014. Together with Haitink: The Philips Years this set offers a broad, tantalizing overview of the great Dutch conductor's compelling artistry, and makes a near-perfect introduction to one of the truly magnificent recorded legacies of our time. Haitink will be 85 on 4 March 2014, and this set presents his six complete symphonic cycles by cornerstone classical composers: Beethoven, Brahms, Bruckner, Mahler, Schumann and Tchaikovsky.