Bruckner Symphonies Bernard Haitink

Bruckner - LSO, Bernard Haitink - Symhony No. 4 [Hybrid SACD: PS3 SACD Rip & EAC CD Rip]

Anton Bruckner - Symphony No. 4
London Symphony Orchestra / Bernard Haitink
PS3 SACD ISO: 4,06 GB (2.0/5.1) | EAC Rip, FLAC LOG & CUE: 251 MB (2.0) | 24B/88,2kHz FLAC (2.0): 1,07 GB | Lossless Artwork: 110 MB | Recovery Info
Label/Cat#: LSO Live LSO0716 | Country/Year: UK 2011 | Genre: Classical | Hoster: Filepost/Filefactory

…The LSO play with their customary precision and refinement, which goes a long way in music that can often be so ethereal and uplifting as Bruckner's. And when the orchestra get a chance to come into full bloom in the biggest crescendos and fortissimos, they sound wonderful, especially with Haitink guiding them so evenhandedly…

Mahler: The Symphonies - Bernard Haitink (Boxset) (1994)  Music

Posted by bakuman at July 31, 2010
Mahler: The Symphonies - Bernard Haitink (Boxset) (1994)

Mahler: The Symphonies - Bernard Haitink (Boxset) (1994)
10 CDs | EAC rip | FLAC(tracks) + CUE + LOG | Covers + Booklet(PDF) | RAR FILES (3% recovery) | 3.06 GB
Genre: Classical | Label: Philips | SM + HF + FS

Composer: Gustav Mahler
Performer: Elly Ameling, Aafje Heynis, Maureen Forrester, Ileana Cotrubas, Hermann Prey, Marianne Dieleman, Birgit Finnilä, Heather Harper, Hanneke van Bork, William Cochran, Hans Sotin
Conductor: Bernard Haitink
Orchestra/Ensemble: Royal Concertgebouw Orchestra, Netherlands Radio Chorus, St. Willibrod Boy's Choir, Netherlands Radio Women's Chorus, Stern des Volks, Amsterdam Toonkunst Chorus, Collegium Musicum Amstelodamense, St. Pius X Children's Choir, St. Willibrod Children's Chorus
Ludwig van Beethoven: The Symphonies - Bernard Haitink, Royal Concertgebouw Orchestra

Ludwig van Beethoven: The Symphonies - Bernard Haitink, Royal Concertgebouw Orchestra
XLD | M4A-Lossless (tracks) | No Log/cue-sheet | Coverart Embedded & High-def JPEG | ~1,57 GB
Robert Schumann: The Four Symphonies - Bernard Haitink, Royal Concertgebouw Orchestra (1981-1984)

Robert Schumann: The Four Symphonies - Bernard Haitink, Royal Concertgebouw Orchestra
XLD | FLAC (tracks) | No Log/cue-sheet | Coverart Embedded & High-def JPEG | ~614 Mb
Anton Bruckner: Symphonie Nr. 7 E-dur - Bernard Haitink, Royal Concertgebouw Orchestra (recording: 1978)

Anton Bruckner: Symphonie Nr. 7 E-dur - Bernard Haitink, Royal Concertgebouw Orchestra
XLD | FLAC (tracks) | No Log/cue-sheet | Coverart Embedded & High-def JPEG | ~314 Mb
Bruckner: Symphonie Nr. 8 • Wagner: Siegfried Idyll - Bernard Haitink, Royal Concertgebouw Orchestra (1981)

Anton Bruckner: Symphonie Nr. 8 c-moll • Richard Wagner: Siegfried Idyll
Bernard Haitink, Royal Concertgebouw Orchestra

XLD | FLAC (tracks) | No Log/cue-sheet | Coverart Embedded & High-def JPEG | ~440 Mb
Anton Bruckner: Symphonie Nr. 9 d-moll - Bernard Haitink, Royal Concertgebouw Orchestra (1981)

Anton Bruckner: Symphonie Nr. 9 d-moll - Bernard Haitink, Royal Concertgebouw Orchestra (1981, digital recording!)
XLD | FLAC (tracks) | No Log/cue-sheet | Coverart Embedded & High-def JPEG | ~276 Mb
Anton Bruckner: Symphonie Nr.3 d-moll - Bernard Haitink, Wiener Philharmoniker (1990)

Anton Bruckner: Symphonie Nr.3 d-moll - Bernard Haitink, Wiener Philharmoniker
XLD | FLAC (tracks) | No Log/cue-sheet | Coverart Embedded & High-def JPEG | ~290 Mb
Anton Bruckner: Symphonie Nr.4 Es-dur, 'Romantische' - Bernard Haitink, Wiener Philharmoniker (1986)

Anton Bruckner: Symphonie Nr.4 Es-dur, 'Romantische' - Bernard Haitink, Wiener Philharmoniker
XLD | FLAC (tracks) | No Log/cue-sheet | Coverart Embedded & High-def JPEG | ~263 Mb
Bavarian Radio Symphony Orchestra & Bernard Haitink - Bruckner: Symphony No. 6 (2017)

Bavarian Radio Symphony Orchestra & Bernard Haitink - Bruckner: Symphony No. 6
Classical | WEB FLAC (tracks) & d. booklet | 55:11 min | 241 MB
Label: BR-Klassik | Tracks: 04 | Rls.date: 2017

For a long time, Anton Bruckner’s Sixth Symphony (alongside the Second) was regarded as something of a ‘poor relation’ in his immense symphonic oeuvre, although the composer himself had moodily referred to it as his "boldest". Over the decades, in view of its performance figures and recordings, this changed significantly: The work has now secured itself a permanent place in the repertoire.