Once considered in the same breath as Prokofiev and Shostakovich, Kabalevsky’s star has waned somewhat (the same fate has befallen both Myaskovsky and Khachaturian), both in his native Russia and farther West, where he is primarily remembered for his exuberant orchestral potboiler, the overture he wrote to an opera on a Romain Rolland story, Colas Breugnon. The opera won both a Lenin Prize and Rolland’s approval – no small feat – but has been completely forgotten. However, the offbeat rhythms that made the overture an instant hit also lend an upbeat, funky character to the opening movement of the Third Piano Sonata.
Here comes from a guy nickname as "The Handel of Sweden". Johan Helmich Roman is Baroque composer born in Stockholm. He was a violinist and oboist. He was leading figure in Swedish Royal Orchestra back then in 1720s. His most famous work happened to be a wedding compilation called "Drottningholmsmusique" a large orchestral suite for the wedding of the Crown Prince Adolf Frederick of Sweden and Louisa Ulrika of Prussia. In this CD we found 12 flute sonatas for Basso Continuo, which replaced by harpsichord and cello. The form was most famous back then for flute enthusiast as they are simple. The pieces are somehow Handellian in spirit. This CD will enrich our experience and knowledge in Baroque flute repertoire. The whole CD is given performance by flutist Jed Wentz, who happened to be American flutist born in New Brighton PA. He is expert in Baroque repertoire.
Remastered edition of Messiaen Complete Organ Works by Willem Tanke. Messiaen's organ works are a climax of 20th-century music, and Willem Tanke captures superbly their deep spiritual intensity, rivalling renderings by more well-known organists like Jennifer Bate and Gillian Weir. Take your time listening to the CDs: you will relish the music best if you spread the enjoyment out over a period of time. I always think of Messiaen as a composer whose pieces are threshholds into something beyond. The organ is particulary adept at opening the door. It's power and majesty and mystery as an instrument on its own does that, but Messiaen takes us to the edge of places no one else does. I have heard some of these pieces before, but hearing the entire body all together is overwhelming. It takes something which was already big and makes it bigger. These performances are more than worth your time to listen.
Georg Philipp Telemann (1681-1767) was one of the most prolific composers of the Barock period, rivalling Vivaldi in his industry. He studied languages and science at Leipzig University, and was largely self-taught as far as music was concerned…
…This 29CD set provides a superb introduction to this master of the Barock. He is often suffers in comparison to Bach, Handel and Vivaldi mainly because it is so difficult to know where to start with such a vast body of work. This Brilliant Classics box set makes the Telemann experience all the more enjoyable by making this selection and providing a wonderful window into the world of this great composer.
Formed by three Austrian immigrants and one youthful Londoner, the Amadeus Quartet came to prominence in postwar England. It excelled in the Classical repertoire, and its recordings in the 1950s were important contributions to the growing body of chamber music on the newly introduced LP. The process of recording on tape was a major improvement over the start-and-stop 78 rpm methods, and these clean and skillfully edited masters hold up quite well in the digital transfer. This seven-disc set follows Deutsche Grammophon's 2003 reissue of the quartet's early Mozart recordings, and covers works by Haydn, Schubert, Mendelssohn, and Brahms, thus giving a fuller representation of the group's prodigious output for Westminster and DG.