Victor Aloysius Meyers was born in mid -1898 as the 15th of 16 children in Little Falls, Minnesota. Vic's father was County Treasurer for Morris County, Minnesota, a position he held for 30 years. When the family moved West to Oregon in the mid-'teens, Vic started on a musical career. He could play violin, but by the age of 18, he was a drummer in a three piece group that played each summer at Seaside, an ocean resort. At 21, in 1919 he got a two year contract to play with a full size band in the Rose Room in Seattle’s Hotel Butler, located at the corner of 2nd Avenue and James Street. Its construction started around 1900 and when it opened it "immediately became the jewel in the City’s crown. Its lavish Rose Room grill featured magnificent cuisine in an atmosphere of top recording orchestras, cut-glass chandeliers, thick imported carpets and sterling silver."
Alicia Myers (born November 20, 1957), is an American R&B musician. She started her music career with the band Al Hudson & the Soul Partners. Her first solo release, Alicia, was released in 1981 with MCA Records, and it was her breakthrough release upon the Billboard magazine charts, placing on the R&B Albums.
Whiskey Myers debut album, Road Of Life, established the guys as a worthy heir to Skynyrd s blue-collar tradition. The sinewy sound and intense musical interplay worked well in concert, and dates began piling up in Texas, Oklahoma and New Mexico. Since September 2009, they have been touring throughout Texas and Oklahoma as well as the Midwest and the Southeast. The band's sophomore release, Firewater, ups the ante and solidifies Whiskey Myers as the genre-blending diamond in the rough, whose music has captured the attention of fans and critics alike. Produced by Leroy Powell, former guitarist for Shooter Jennings, and recorded at the famed Panhandle House in Denton, TX.
This recording brings together two of today’s finest British organist/composers and includes specially commissioned works. Jeremy Filsell’s music is rooted in a long liturgical tradition and ranges from a poignant Epitaph to a Te Deum which recreates the spirit of William Walton’s glorious piece for the 1953 Coronation. David Briggs’s Pange lingua portrays the wonders of the Holy Communion in music, and his dramatic and grandiose Messe pour Saint-Sulpice also has moments of quiet, emotional profundity. The Vasari Singers’ Great British Anthems (8572504) has been described as “essential listening” (Gramophone).