Victor Aloysius Meyers was born in mid -1898 as the 15th of 16 children in Little Falls, Minnesota. Vic's father was County Treasurer for Morris County, Minnesota, a position he held for 30 years. When the family moved West to Oregon in the mid-'teens, Vic started on a musical career. He could play violin, but by the age of 18, he was a drummer in a three piece group that played each summer at Seaside, an ocean resort. At 21, in 1919 he got a two year contract to play with a full size band in the Rose Room in Seattle’s Hotel Butler, located at the corner of 2nd Avenue and James Street. Its construction started around 1900 and when it opened it "immediately became the jewel in the City’s crown. Its lavish Rose Room grill featured magnificent cuisine in an atmosphere of top recording orchestras, cut-glass chandeliers, thick imported carpets and sterling silver."
Nashville-born, Los Angeles-based singer/songwriter Meg Myers makes her full-length debut with 2015's Sorry. The album comes on the heels of her two well-received EPs, 2013's Daughter in the Choir and 2014's Make a Shadow. As with those releases, Sorry once again finds Myers collaborating with longtime producer Dr. Rosen Rosen. Together, they craft moody, electronic-tinged rock anthems centered on Myers' yearning, passionate vocals. While Myers' distinctive brand of dark pop fits nicely next to contemporaries like Lorde and Florence + the Machine, Sorry also brings to mind the work of alternative rock-era icons like Sinéad O'Connor and Garbage. Included on Sorry is the urgent '90s grunge-influenced single "Lemon Eyes".
This recording brings together two of today’s finest British organist/composers and includes specially commissioned works. Jeremy Filsell’s music is rooted in a long liturgical tradition and ranges from a poignant Epitaph to a Te Deum which recreates the spirit of William Walton’s glorious piece for the 1953 Coronation. David Briggs’s Pange lingua portrays the wonders of the Holy Communion in music, and his dramatic and grandiose Messe pour Saint-Sulpice also has moments of quiet, emotional profundity. The Vasari Singers’ Great British Anthems (8572504) has been described as “essential listening” (Gramophone).