Brautigam

Sharon Bezaly, Ronald Brautigam - Masterworks for Flute and Piano (2006) (Repost)

Sharon Bezaly, Ronald Brautigam - Masterworks for Flute and Piano (2006)
EAC | FLAC (image+.cue, log) | Covers + Digital Booklet | 63:03 | 246 MB
Genre: Classical | Label: BIS | Catalog: BIS-SACD-1429

On the evidence of this sensational disc, it seems clear that Sharon Bezaly is a flutist virtually without peer in the world today. The only serious competition for top position comes from Emmanuel Pahud, also a superb artist but one whose discography, fine enough in and of itself, fails to rise to Bezaly's level either in terms of imaginative programming or in its commitment to commissioning and recording worthy new works for the instrument./quote]
Sharon Bezaly, Ronald Brautigam - Masterworks for Flute and Piano, Vol.2 (2010)

Sharon Bezaly, Ronald Brautigam - Masterworks for Flute and Piano, Vol.2 (2010)
EAC | FLAC (image+.cue, log) | Covers Included | 59:23 | 254 MB
Genre: Classical | Label: BIS | Catalog: BIS-SACD-1729

Reinecke's work is a musical re-telling of the well-known story of Undine, the water spirit who marries a knight, but is betrayed and takes her revenge on him. Frank Martin's virtuosic Ballade (1939) features an acrobatic flute cadenza, roaming melismas and irrepressible cascades, generating a compelling sense of drama. In 1945, while in exile during the German occupation of Czechoslovakia, Martinu composed his Flute Sonata, in which the virtues of his distinct musical language are plain to hear - lyrical lines, a rhythmic drive which is both energetic and lively and an effective use of tone colour.
Ronald Brautigam, Norrköping Symphony Orchestra, Andrew Parrott - Beethoven: Piano Concerto No. 5, Choral Fantasia (2010)

Ronald Brautigam, Norrköping Symphony Orchestra, Andrew Parrott - Beethoven: Piano Concerto No. 5, Choral Fantasia (2010)
EAC | FLAC (image+.cue, log) | Covers Included | 52:38 | 244 MB
Genre: Classical | Label: BIS | Catalog: SACD-1793

For the final instalment of his survey of Beethoven’s works for piano and orchestra, Ronald Brautigam has saved ‘the final crowning glory of his concerto output’, as Beethoven specialist Barry Cooper describes the Fifth Piano Concerto in his liner notes. It is coupled on this disc with the Choral Fantasia – an intriguing work scored for piano, orchestra and chorus with vocal soloists.
Ronald Brautigam, Norrköping Symphony Orchestra, Andrew Parrott - Beethoven: Piano Concerto No. 4 & in D, Op. 61 (2009)

Ronald Brautigam, Norrköping Symphony Orchestra, Andrew Parrott - Beethoven: Piano Concerto No. 4 & in D, Op. 61 (2009)
EAC | FLAC (image+.cue, log) | Covers Included | 01:09:33 | 315 MB
Genre: Classical | Label: BIS | Catalog: SACD-1693

The apparently insatiable Dutch pianist Ronald Brautigam continues to gobble up standard and not-so-standard Beethoven with this 2009 disc featuring the composer's Fourth Piano Concerto and the piano transcription of his Violin Concerto, a recording that should please fans of the pianist's previous Beethoven recordings. Performing on a modern concert grand rather than the fortepianos he had favored in some earlier releases, Brautigam delivers readings that sparkle in the outer movements, sing in the central movements, and never resort to technical or emotional grandstanding to make their points.
Ronald Brautigam, Norrköping Symphony Orchestra, Andrew Parrott - Beethoven: Piano Concertos WoO4 & No.2 (2009)

Ronald Brautigam, Norrköping Symphony Orchestra, Andrew Parrott - Beethoven: Piano Concertos WoO4 & No.2 (2009)
EAC | FLAC (image+.cue, log) | Covers Included | 58:34 | 288 MB
Genre: Classical | Label: BIS | Catalog: SACD-1792

Ronald Brautigam releases his second disc of Beethoven’s Piano Concertos – this time offering a youthfully fresh Concerto No. 2 which was actually conceived long before the First Piano Concerto. The programme also includes two rarities: the Piano Concerto in E flat major, WoO4, sometimes referred to as Beethoven’s ‘Concerto No.0’, and the Rondo in B flat major, WoO6, composed during the long period of composition of Concerto No.2 and probably at one stage intended as the finale of this work.
Ronald Brautigam, Norrköping Symphony Orchestra, Andrew Parrott - Beethoven: Piano Concertos Nos.1 & 3 (2008) (Repost)

Ronald Brautigam, Norrköping Symphony Orchestra, Andrew Parrott - Beethoven: Piano Concertos Nos.1 & 3 (2008)
EAC | FLAC (image+.cue, log) | Covers Included | 67:16 | 304 MB
Genre: Classical | Label: BIS | Catalog: SACD-1692

As smooth and delicious a performance of Beethoven's First Piano Concerto as has been released since the turn of the century, Ronald Brautigam's account of the work with Andrew Parrott and the Norrköping Symphony Orchestra compares with Richter's for sparkle, with Pollini's for cleverness, and with Michelangeli's for liveliness. Brautigam's opening Allegro con brio has velocity and control, his central Largo expressivity and refinement, and his closing Rondo wit and whimsy.
Ronald Brautigam - Beethoven: Complete Works For Solo Piano Vol.12 (2012)

Ronald Brautigam - Beethoven: Complete Works For Solo Piano Vol.12 (2012)
EAC | FLAC (image+.cue, log) | Covers Included | 65:41 | 319 MB
Genre: Classical | Label: BIS | Catalog: BIS SACD 1883

Following on from Volume 11 which has a superb Eroica Variations, Ronald Brautigam’s excellent journey through Beethoven’s complete works for solo piano continues in volume 12 with further variations. This time it’s a group from earlier in his career. The Dressler Variations were Beethoven’s first published work, and are pleasant enough though pretty light-weight stuff, as are the almost aphoristic Sechs Variationen über ein Schweizer Lied.
Ronald Brautigam, Concerto Copenhagen, Lars Ulrik Mortensen - Haydn: Piano Concertos (2004)

Ronald Brautigam, Concerto Copenhagen, Lars Ulrik Mortensen - Haydn: Piano Concertos (2004)
MP3 (CBR 320 kbps) | 75:54 | 193 MB
Genre: Classical | Label: BIS

After recording the complete solo fortepiano works of Haydn, it was inevitable that Ronald Brautigam would record the complete fortepiano concertos of Haydn. Of course, it helps that while Haydn's complete solo fortepiano works take up 11 discs, his complete fortepiano concertos take up only a single disc, so Brautigam could record it before moving on to record the inevitable complete fortepiano music of Beethoven. On its own, Brautigam's recording of Haydn's concertos is wonderful: light, bright, ebullient, full of humanity, and suffused with poetry. Brautigam's tone is clear but ringing, his touch is graceful but powerful, his interpretations characterful but self-effacing.
Ronald Brautigam - Mendelssohn: Lieder ohne Worte, Books 1-4 (2012) [TR24][OF]

Ronald Brautigam - Mendelssohn: Lieder ohne Worte, Books 1-4
Classical | FLAC (tracks) 24-bit/96 kHz | 69:06 min | 1.04 GB | Digital booklet
Label: BIS | Tracks: 29 | Rls.date: 2012

If claims could be made for a certain composer to have invented a genre single-handedly, Felix Mendelssohn would be a strong candidate with his ‘Songs without Words’. The term itself can be traced back to 1828, and a letter in which Fanny Mendelssohn mention having received a ‘song without words’ as a birthday present from her brother.

Braut & Brautigam - November - Dezember 2016  Magazines

Posted by nextek at Oct. 7, 2016
Braut & Brautigam - November - Dezember 2016

Braut & Brautigam - November - Dezember 2016
German | 220 pages | PDF | 94 MB