This third installment in the "Diggin' Deeper: The Roots of Acid Jazz" series, which collects likely funk, jazz, soul, fusion, and disco sides from the deep Columbia/Epic/Sony catalog, includes such gems as Art Blakey's "Cubano Chant" and Lalo Schifrin's "Jaws," a Shaft-meets-Frankenstein hybrid version of the "Jaws" movie theme.
This set moves and grooves from end to end, and even listeners with little interest in the acid jazz movement that surfaced some two decades after most of these tracks were recorded will find a great little alternative dance album lurking here.
By the time the Brand New Heavies released Shelter in 1997, urban R&B was shifting toward the more organic grooves that they helped pioneer in the early '90s. Although the Heavies were into acid jazz as well, they smoothed over many of the experimental elements of their music in the mid-'90s, leaving behind a seductive, earthy, and jazzy variation of urban soul. That provided the foundation for Shelter, their first album featuring Siedah Garrett as lead singer. Garrett's smooth voice helps push the band toward more conventional territory, yet their songwriting is stronger than most of the contemporaries, and their sound is funkier and more convincing. While there are no standout singles on Shelter, it's a uniformly engaging listen, illustrating that the Brand New Heavies are one of the great underrated urban R&B bands of the '90s.
A collection including nine of the ten tracks from the Brand New Heavies' self-titled debut album, plus three tracks recorded live in Tokyo, In Tha Beginning… is a fresh look at the acid jazz group's first recordings. Entrenched in England's rare-groove scene at the time, the Brand New Heavies were a tight unit that fused dexterous instrumental jazz-funk with just a touch of P-Funk bounce for club audiences. The results, on "Dream Come True," "People Get Ready," and the instrumental highlight "BNH," are great examples of acid jazz.
Those who consider themselves Oscar Peterson completists should be aware of The London House Sessions, a generous five-LP set that focuses exclusively on the Peterson Trio's 1961 engagement at Chicago's London House. However, completists are the only ones who would want to invest in this collection; others would be better off with individual LPs of the pianist's London House performances. One such LP is the Verve Master Edition of The Sound of the Trio, which was recorded in July 1961 and contains performances of "Tricotism," "On Green Dolphin Street," and "III Wind…
Features 24 bit remastering and comes with a mini-description. Explosion! The Sound of Slide Hampton is an album by American jazz trombonist, composer and arranger Slide Hampton which was released on the Atlantic label in 1962. Big band noise from the daddy of the Trombone. While not likely to launch another swing revival, this CD is a welcome reissue to an artist deserving of more attention. The last swing craze was fueled by the sheer joy and enthusiasm that good big band music can inspire; Hampton’s recordings are no exception. If Brian Setzer ever needs some inspiration, he would be wise to check out these recordings.