The fist ever Brainticket box set featuring 4 discs of these krautrock genius’s critically adored early ‘70s albums plus rare singles and live recordings, some of which have never been available on the commercial market – until now!
This box set on Cleopatra's Purple Pyramid imprint assembles their first three studio recordings (leaving out the early-'80s Voyage and Adventure) - in a sense, since it splits part of them up on the latter half of disc three…
SoulMusic Records is very proud to present A Beautiful Friendship: The Kudu Anthology, 1971-1976, a two CD homage to the late, great Esther Phillips drawn from the most productive and successful period of her three-and-a-half decades-long career, the five years she spent with Kudu Records, an imprint of the legendary CTI label.
Like fellow Aussies the Sherbs, Zoot never escaped teen-star status. But as Zoot Locker proves, they were certainly adapt at churning out clever pop tracks. Because of their time period, Zoot used every trick in the psychedelic book; but most songs maintain the three-minute mark, resulting in shrewd and skewered singles much like the Move delivered. Innocent innocuousness such as "Monty & Me" about walking the dog or "One Times Two Times Three Times Four" seems unfairly buried in the past. Of course, Beatles nods abound, such as the Lennon-isms of "Hey Pinky." With this smoking version of "Eleanor Rigby" the quartet attempted to jettison their early "pink" image, jumping aboard the bizarre "heavy covers" bandwagon with Vanilla Fudge and Rare Earth. The Hollies are another pervasive influence ("Flying" shares rhyme schemes with "Dear Eloise" over a "Helter Skelter" riff) while "Mr Songwriter" echoes the Byrds by way of Dylan. "Freak" foreshadows "Highway Star" and many Sweet moments.
Evoking an era when prog, hard rock and heavy metal co-existed in an era of glorious, boundary-breaking music, the songs on this 2CD and digital collection trace the evolution of Heep from inexperienced studio musicians with everything to prove to bona fide, limo inhabiting rock stars. The Anthology cherry picks tracks from some of Heep’s most celebrated albums including ‘Demons And Wizards’, ‘Look At Yourself’, ‘Return To Fantasy’, ‘Equator’, ‘Conquest’ and ‘The Magician’s Birthday’. Created with the full collaboration of Heep themselves and curated by guitarist and founder member Mick Box, the reissues come as 2CD expanded packages, with the original album on CD1 re-mastered by renowned engineer Andy Pearce of Lou Reed and Black Sabbath fame and complete with liner notes in extensive booklet with rare photos by the bestselling rock author Joel McIver. Box and Heep’s sometime member Ken Hensley, composer of many of the band’s best-known songs, contribute to each album’s notes.
Jeff Healey was an astounding and varied talent as a singer, guitarist, and, later in his career, as a trumpet player, and it's difficult to imagine an artist quite like him. Blind from eye cancer since the age of one, he drew attention as a maverick guitar player (he played his Stratocaster on his lap, which allowed him to attack and bend the strings in a totally unique style; at his best, he roared and soared as well as anybody ever has on the instrument). This four-disc set (three CDs and a DVD) features Healey and his crackerjack band live in three separate concerts, and it makes clear what a powerful and empowering performer he was on-stage. The first disc catches the Jeff Healey Band blazing through an 11-song set at the 1989 Montreal Jazz Festival, with the second disc capturing a set from the St. Gallen Open Air Festival in Switzerland from 1991 (the performance was filmed and makes up the DVD included here), and the third disc presents a 1995 stage set from the Hard Rock in Toronto.
As part of its much acclaimed anthology series, SoulMusic Records is very proud to present “Livin’ A Life Of Love – The Jive Anthology, 1986-1991” a wonderful retrospective covering much-loved, Jamaican-born, British-based Ruby Turner’s five-year tenure with Jive Records.
2008 four CD anthology that covers Ayers' musical career from 1969 to 1980; a period most fans and critics deem his best. Ayers remains one of Rock's oddest enigmas. He makes ordinary subjects extraordinary with his rich low vocals and inventive wordplay. He projects the image of a Prog-Rock beach bum writing about life's absurdities with a celebratory, relaxed detachment, yet he is also one of Prog- Rock's more important innovators, helping to launch the Soft Machine, and working with noted progressive musicians Mike Oldfield, Lol Coxhill, and Steve Hillage. Ayers' solo material reflected a Folksier, lazier, and gentler turn than Soft Machine. He was often compared to Syd Barrett, but without the madness and is never less than enjoyable and original, Discs One to Three contain 49 hits, album tracks and more while Disc Four was recorded at The Queen Elizabeth Hall, London on 25th May 1973.