The fist ever Brainticket box set featuring 4 discs of these krautrock genius’s critically adored early ‘70s albums plus rare singles and live recordings, some of which have never been available on the commercial market – until now!
This box set on Cleopatra's Purple Pyramid imprint assembles their first three studio recordings (leaving out the early-'80s Voyage and Adventure) - in a sense, since it splits part of them up on the latter half of disc three…
Like fellow Aussies the Sherbs, Zoot never escaped teen-star status. But as Zoot Locker proves, they were certainly adapt at churning out clever pop tracks. Because of their time period, Zoot used every trick in the psychedelic book; but most songs maintain the three-minute mark, resulting in shrewd and skewered singles much like the Move delivered. Innocent innocuousness such as "Monty & Me" about walking the dog or "One Times Two Times Three Times Four" seems unfairly buried in the past. Of course, Beatles nods abound, such as the Lennon-isms of "Hey Pinky." With this smoking version of "Eleanor Rigby" the quartet attempted to jettison their early "pink" image, jumping aboard the bizarre "heavy covers" bandwagon with Vanilla Fudge and Rare Earth. The Hollies are another pervasive influence ("Flying" shares rhyme schemes with "Dear Eloise" over a "Helter Skelter" riff) while "Mr Songwriter" echoes the Byrds by way of Dylan. "Freak" foreshadows "Highway Star" and many Sweet moments.
Leon Russell's accolades are monumental in a number of categories, from songwriting (he wrote Joe Cocker's "Delta Lady") to session playing (with the Rolling Stones and Bob Dylan, just to name a few) to his solo work. Unfortunately, it's the last category that never really attracted as much attention as it should have, despite a multitude of blues-based gospel recordings and piano-led, Southern-styled rock albums released throughout the 1970s. Leon Russell and the Shelter People is a prime example of Russell's instrumental dexterity and ability to produce some energetic rock & roll. Poignant and expressive tracks such as "Of Thee I Sing," "Home Sweet Oklahoma," and "She Smiles Like a River" all lay claim to Russell's soulful style and are clear-cut examples of the power that he musters through his spirited piano playing and his voice. His Dylan covers are just as strong, especially "It's All Over Now, Baby Blue" and "It Takes a Lot to Laugh," while "Love Minus Zero/No Limit" and "It's a Hard Rain Gonna Fall" have him sounding so forceful, they could have been Russell's own.
The eighth and ninth studio albums (there was a live recording between them) from the Atlanta Rhythm Section got a belated U.K. CD release in 2010. These closed out the act's affiliation with Polydor Records and are condensed onto a single CD here, as well as digitally remastered. It's another in the classy series of ARS reissues from BGO, which has treated the Southern pop act's catalog with utmost respect on four previous discs that bring the group's original albums back in print for collectors and music fans who want more than the 17 hits on Polydor's well-chosen 1982 vintage Best Of. Liner notes from Campbell Devine tend to be fawning but include a comprehensive history of the band, recounting its story leading up to and even after the recording of these tunes. Musically, ARS captured a unique style halfway between the smooth West Coast pop of the late '70s and the Southern rock of the era.
Cavin Yarbrough and Alisa Peoples were childhood friends from Dallas, Texas who went on to have great chart success as an R&B duo through the 1980’s. While on tour as a backing vocalist with Leon Russell in the late 1970’s Cavin met the Wilson Brothers from The Gap Band, who in turn introduced Cavin to their collaborator Lonnie Simmons and his Total Experience Recording Studios who produced the duos debut album and later signed them to his Total Experience label, joining The Gap Band on the roster. Yarbrough & Peoples debut album, THE TWO OF US was released through Mercury Records in 1980 and quickly achieved both critical and commercial success. The album gained Gold status hitting the top spot on the Billboard R&B album chart as well as peaking at #16 on the Billboard Hot 100.
After the song-writing partnership of Holland-Dozier-Holland (Edward-Lamont-Brian) left Motown in the late Sixties, they set up the INVICTUS and HOT WAX labels in the States featuring hot new soul acts like Chairman Of The Board, Freda Payne, Parliament, The Honey Cone, Ruth Copeland, Laura Lee etc.
This comprehensive compilation includes every track Wansel recorded for PIR as a solo artist between 1976 and 1979 that featured on his 4 jazz-funk oriented albums for the label. Life On Mars (R&B #44), What The World Is Coming To (R&B #45), Voyager (R&B #37) and Time Is Slipping Away (R&B #58) allowed Wansel to show his myriad talents to the fullest and explore his deep interest in the cosmos.
2006 digitally remastered two CD set, subtitled the Live Anthology, features not only the original Slade Alive! Album but also Slade Alive! Volume Two, Slade on Stage and Alive at Reading for a total of 33 rockin' and stompin' Slade performances! The first live album 'Slade Alive!' was recorded at the Command Theatre Studio in London, for just £600, and released without overdubs of any sort in March 1972. 'Vol. Two' was culled from American concert performances in the autumn of 1976 as well as British dates the following spring. The story of Slade's renaissance at the 1980 Reading Festival has long since passed into the realms of rock music folklore. It was a performance that resurrected their flagging career and several tracks were originally issued on a pair of EPs. Slavo.